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Mark Tucker

[Stephen Valentine Patrick William]

(b New York, NY, Dec 16, 1921; d Encino, CA, Oct 30, 2000). American composer, radio and television personality, pianist, singer, and comedian. The son of Belle Montrose and Billy Allen, both of whom worked in vaudeville, he moved from place to place as a child, attending many schools for short periods of time. He played piano from an early age, although his musical training was mainly informal. He began a professional career in Los Angeles as a disc jockey on radio during the 1940s, then turned to television in the 1950s; he established himself as a comedian, and often played the piano during his shows, improvising jazz and singing his own songs. Among the musicians who appeared with him regularly was the vibraphonist Terry Gibbs. Allen’s most popular television program was “The Tonight Show,” which he began broadcasting locally in New York in 1953, subsequently leading it to nationwide success the following year. Allen performed the title role in the film ...

Article

Horace Clarence Boyer

(b McCormick, SC, Sept 25, 1921; d Philadelphia, PA, July 30, 2008). American gospel singer, pianist, and composer. She moved to Philadelphia at an early age and sang and played at a local Church of God in Christ. In 1942 she joined a female quartet, the Spiritual Echoes, and served as their pianist for two years, leaving the group in 1944 to organize the Angelic Gospel Singers with her sister Josephine McDowell and two friends, Lucille Shird and Ella Mae Norris. Their first recording, “Touch Me, Lord Jesus” (1950), sold 500,000 copies in less than six months. Her most famous composition is “My Sweet Home” (1960). The incidental harmony of their rural singing style and Allison’s sliding technique appealed to a large number of supporters who otherwise found the gospel music of the period controlled and calculated. The group traveled and recorded with the Dixie Hummingbirds during the 1950s. Allison toured, recorded, and performed gospel music for over seven decades....

Article

(b Memphis, TN, Feb 3, 1898; d Chicago, IL, Aug 27, 1971). American jazz pianist, singer, bandleader, and composer. She studied keyboard privately from an early age and had hopes of becoming a concert pianist. While she was enrolled at Fisk University, her mother and stepfather moved to Chicago, where in 1917 she took a job as a sheet music demonstrator, which led to her joining the Original Creole Jazz Band as its pianist. It was her first job playing jazz and she decided not to return to Fisk. She subsequently worked with several bands, including King Oliver’s Creole Jazz Band, with which she performed in San Francisco in 1921 and made her recording debut in 1923. By this time the band included louis Armstrong, whom she married in 1924. Armstrong’s place in jazz history was assured by her participation on Oliver’s Gennett recordings and Louis’ Hot Five sessions for Okeh. She played an important role in Louis’ move into a brighter spotlight before their separation in ...

Article

Jefferey Wanser

[Lucas, Lemuel Eugene]

(b Gainesville, TX, June 24, 1900; d Palm Springs, CA, Jan 24, 1972). American singer, composer, and pianist. He received his stage name from his stepfather. He began his career by joining the circus at the age of 15 and soon thereafter reached New Orleans where he played piano in parlor houses. After military service in World War I, he met Roy Bergere, with whom he subsequently toured in a vaudeville duo. Austin began writing songs and moved on to work for Mills Music in New York as a demo singer. After he made his first recording for Victor Records (1924), his crooning style, influenced by African American work songs and cowboy singers, came to the attention of the producer Nat Shilkret, who teamed him with Aileen Stanley for a duet, “When my Sugar Walks down the Street” (Vic., 1925). Within months Austin became a star in his own right with hit songs such as “Ain’t she Sweet” and “Five Foot Two, Eyes of Blue,” and continued this streak throughout the 1920s with “My Blue Heaven” and “Girl of My Dreams,” among others. Austin then started his own music company, recorded with Fats Waller, and performed extensively on radio and in concert. In the early 1930s he also appeared in several Hollywood films as a singing cowboy. His singing style soon became outdated, and he began other ventures, including starting nightclubs in New Orleans, Hollywood, and Las Vegas, as well as traveling shows. He revived his singing career in the 1950s, when he appeared on television and in nightclubs. Austin composed or copyrighted 85 songs. His last appearance was at a New Year’s Eve concert in Miami in ...

Article

Chadwick Jenkins

(b Lisle, IL, Nov 8, 1955). American singer, pianist, composer, and bandleader. Her father played with the Glenn Miller band and her mother was a professional blues singer. After studying psychology and classical piano at the University of Iowa, Barber returned to Chicago and began playing five nights a week at the Gold Star Sardine Bar, where she attracted varying critical attention for her husky voice and the inclusion of pop songs, including “Black Magic Woman” and “A Taste of Honey,” in her repertoire. She recorded her first album, Split (Floyd), in 1989 and her second album, A Distortion of Love (Antilles) in 1991. She subsequently moved to the independent label Premonition, which was bought by Blue Note in 1998. In 2003 Barber became the first songwriter to be awarded a Guggenheim Fellowship. Under its aegis she composed a song cycle based on Ovid’s Metamorphoses. She is the subject of a documentary, ...

Article

Luca Cerchiari

[Daniel Moses]

(b New Orleans, LA, Jan 13, 1909; d New Orleans March 13, 1994). American guitarist, banjoist, singer, composer, and writer, husband of the singer Blue Lu Barker. His great-uncle Louis Arthidore was a clarinet virtuoso who played with the Onward Brass Band and his grandfather Isidore Barbarin played alto horn; on the latter’s advice he studied clarinet (with Barney Bigard) and ukulele, banjo, and guitar (with Bernard Addison). He also learned drums with Louis and Paul Barbarin. Barker performed professionally in the 1920s in Mississippi and Florida, before moving in 1930 to New York, where he played guitar in the groups of James P. Johnson, Albert Nicholas, Sidney Bechet, and Henry “Red” Allen and in the swing orchestras of Lucky Millinder, Benny Carter, and Cab Calloway. In the 1940s he switched to six-string banjo and took part in the dixieland revival. During the same period he worked with West Indian musicians and recorded for Spotlite with Sir Charles Thompson and Charlie Parker. Before returning to New Orleans in ...

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Randolph Love

(b Edgard, LA, Dec 24, 1920). American Trumpeter, arranger, producer, songwriter, bandleader, and singer. He started his career as a trumpeter playing with established bands led by, among others, Papa Celestin, Joe Robichaux, and Claiborne Williams before joining Fats Pichon’s ensemble, considered one of the top groups in New Orleans, in 1939. During World War II he played in the 196th AGF (Army Ground Forces) Band, where he met Abraham Malone, who taught him how to write and arrange. After the war, he formed his own band in New Orleans, which made its debut at the Dew Drop Inn and later performed at Sam Simoneaux’s club Graystone where many of the city’s top instrumental players, including the drummer Earl Palmer and the saxophonists Lee Allen and Red Tyler, were showcased.

Bartholomew is best known for his talents as an arranger and songwriter. In the 1950s and 60s he worked with many of the biggest stars of the day, including Smiley Lewis, Lloyd Price, Shirley and Lee, and Joe Turner. By the 1970s he had associations with some of rock and roll’s most established talents, including Paul McCartney, Elton John, and the Rolling Stones. His most productive association was with fats Domino, whom he met through Lew Chudd, the owner of Imperial Records, where he worked as a house arranger, an A&R man and an in-house bandleader. From ...

Article

Chris Albertson

[Mule]

(b Montgomery, AL, Feb 14, 1893; d New York, NY, April 20, 1970). American jazz composer, pianist, and singer. He was raised in Atlanta, GA, where he had piano lessons as a child. After leaving home at an early age, he led a nomadic existence as a vaudeville performer and solo pianist before settling in Chicago in 1909 and moving to New York around 1912. He wrote, published, and energetically promoted his own music, but none of his efforts proved as rewarding as a 1920 Okeh Records release of Mamie Smith singing two of his songs, “That Thing Called Love” and “Crazy Blues.” The release resulted from Bradford’s persistent attempts to convince Okeh’s Fred Hagar that there was a market for African American singers. It is generally recognized as the first commercial recording of a blues sung by a black performer. Sales reached a million copies, generated a blues craze that boosted the careers of such singers as Bessie Smith, Ma Rainey, and Ida Cox, and awakened the record industry to an untapped potential that ultimately changed the sound and direction of America’s popular music....

Article

Chadwick Jenkins

[Hapgood, Hattie L.]

(b Los Angeles, CA, Oct 29, 1916; d Los Angeles, CA, Nov 21, 2002). American jazz pianist, singer, and composer. She was raised in the Boyle Heights neighborhood of Los Angeles. After attending the University of Chicago, she worked as a dance studio accompanist in the early 1940s for the choreographer Willie Covan, who trained such figures as Fred Astaire and Shirley Temple. She began to mold her style in the manner of Albert Ammons and Meade Lux Lewis. The recording mogul Jules Bihari gave her the name Hadda Brooks, and it was for his label Modern Music Records that she recorded her first hit, “Swingin’ the Boogie” (1945), after which she soon earned the billing Queen of the Boogie. Charlie Barnet suggested that Brooks learn to sing the song You won’t let me go, and it became her first vocal release in 1947. That same year Brooks was cast in the film ...

Article

David Font-Navarrete

(b Gaston, NC, Aug 28, 1936; d Baltimore, May 16, 2012). American bandleader, singer, guitarist, and composer. He was a musical icon of the Washington, DC metropolitan area. He was widely known as “The Godfather of Go-go” and renowned for his live performances, which emphasized continuous, percussion-driven grooves and audience participation, all staples of the Go-go genre he developed in the 1970s. Brown’s early years were marked by poverty and crime, and he first developed his guitar playing while incarcerated at the Lorton Penitentiary. With his band the Soul Searchers, Brown developed a distinctive sound that is grounded in funk and soul, but also heavily influenced by jazz and Latin genres. His hit songs include “Bustin’ Loose,” “We Need Some Money,” and “Go-Go Swing.” In 1992, Brown recorded The Other Side with vocalist Eva Cassidy, a critically-acclaimed album of jazz and blues material. He received a NARAS Governors Award and an NEA Lifetime Heritage Fellowship Award, and continued to record and perform regularly until his death in ...