1-10 of 24 results  for:

  • Composer or Arranger x
  • Music and Media x
  • Musical Concepts, Genres, and Terms x
Clear all

Article

Daniel Goldmark

(b Minneapolis, MN, 28 March, 1941). Composer for television, conductor, arranger, and orchestrator. Clausen grew up in Jamestown, ND, where he took up French horn and piano, as well as singing in school choirs. He attended North Dakota State University studying mechanical engineering before a summer in New York City, before being exposed to first-run Broadway musicals and other professional musical settings convinced him he should pursue music instead. He took up string bass and baritone sax and graduated with a degree in music in 1963, followed by a masters degree at Berklee College of Music.

After moving to southern California, his first high-profile professional gig was as an arranger for the second season of The Donny and Marie Show, and eventually conductor and music director for the show’s third season. He moved away from variety and into scripted drama with his work on Moonlighting; during this time he also scored the comedy series ...

Article

Ryan Dohoney

(b Concord, NH, March 7, 1940). American filmmaker, composer, violinist, and media artist. He began playing violin in his youth and studied with Ronald Knudsen. He became fascinated with the physics of sounds and interested in intonation, the harmonic series, long-held tones, and the act of close listening. He attended Harvard University and received an AB in mathematics in 1962. While at Harvard he met Henry Flynt and Christian George Wolff and became involved with the post-Cagean avant garde based in New York. In 1959 Conrad met La Monte Young, who became a frequent collaborator in the mid-1960s. Conrad credits an encounter with the music of 17th-century composer and violinist Heinrich Ignaz Biber in the late 1950s with a profound transformation of his musical thinking, drawing his attention to variable tunings and the role of timbre as an aesthetic concern. Conrad’s exposure to the music of Ali Akbar Khan also heightened his interest in drones as a basis for musical performance....

Article

Neil Lerner

(b Brooklyn, NY, 14 Nov 1900; d North Tarrytown, NY, 2 Dec 1990). American composer for screen, stage, and concert hall. Before Aaron Copland became interested in writing music for film in the late 1930s, he was already recognized as one of his generation’s leading composers. Notable early works like his Piano Concerto (1926) or his Piano Variations (1930) were regarded as modernist for their use of jazz elements and extended dissonances, but by the mid-1930s Copland’s output was becoming more accessible to wider audiences, with pieces like El Salón México (1936) and Billy the Kid (1938). His interest in film music occurred, then, as part of his broader efforts to cultivate and reach a larger audience, a shift to a more accessible musical style that has been connected with Copland’s own phrase, ‘imposed simplicity’. At the time Copland pondered the writing of film music—he travelled to Hollywood in June of ...

Image

Alan Silvestri poses in the press room with the award for outstanding music direction for a series (original dramatic score) for his work on "Cosmos: A Spacetime Odyssey" and the award for outstanding main title theme music for his work on "Cosmos: A Spacetime Odyssey" at the 2014 Creative Arts Emmys at Nokia Theatre L.A. LIVE on Saturday, Aug. 16, 2014, in Los Angeles....

Article

Daniele Buccio

(b New York, NY, Aug 5, 1953). American composer and media artist. He studied film and video art at the State University of New York at Buffalo (MA 1976) and composition with Pauline Oliveros (1974), La Monte Young (1974–6), and finally alvin Lucier at Wesleyan University (MA 1982). He has directed and composed music for a number of his own ensembles, including the Orchestra of Excited Strings, the first iteration of which formed in 1979. Among the most rock-oriented of minimalist composers, he has experimented with performance techniques, explored original systems of tuning, and modified or created new instruments to achieve specific timbral effects. In 1984 he moved to Berlin, where he became composer-in-residence at Künstlerhaus Bethanien. Since arriving in Europe he has expanded his creative activities: staging multi-day performances (The Memory Projects, 1995–2001); creating installations such as From the Archives...

Article

Sabine Feisst

(b San Diego, CA, May 22, 1953). American composer, media artist, performer, and bio-acoustic researcher. After taking violin and viola lessons with Mary Gerard, James Glazebrook, and Howard Hill and pursuing undergraduate studies in music at San Diego State University, Dunn earned the MFA in new media at the Danube University’s Transart Institute in Krems, Austria (2009). He also studied composition with David Ernst, kenneth Gaburo , Norman Lowrey, and Pauline Oliveros, and served as assistant to harry Partch (1970–74), in whose ensemble he performed for a decade. Engaging in both traditional and experimental compositional approaches, Dunn has conceived music for the concert stage, radio, and film, and explored sound art, including sound installations and soundscape recordings. Dunn has also dedicated himself to studies in acoustic ecology and bio-acoustic research. He has taught at the College of Santa Fe and San Diego State University, where he was director of the Electronic Music Studio. He has served as vice-president of the International Synergy Institute in Los Angeles (...

Article

Tristian Evans

(b Baltimore, MD, 31 Jan 1937). American composer. Philip Glass is considered one of the founding figures of minimalist music. After studying at the University of Chicago (1952–6) and the Juilliard School (1957–62) he received a Fulbright scholarship that supported him to develop his craft with Nadia Boulanger in Paris (1964–6). During this period, he served as Ravi Shankar’s music assistant for the film Chappaqua, which depicts the life of its director and protagonist, Conrad Rooks, and his struggles with drug addiction. On returning to the United States, Glass collaborated with the Chicago-based Kartemquin Film company on Inquiring Nuns and Marco (see Eaton, 2013). This period of soundtrack production was short-lived, however, as he later concentrated on concert music and opera, producing such key works as Music in Twelve Parts (1971–4) and Einstein on the Beach (1975–6)....

Article

Daniele Buccio

(b Redwood City, CA, April 19, 1954). American composer, guitarist, instrument builder, educational technology specialist, and media designer. He attended classes with Robert Sheff, robert Ashley , and terry Riley at Mills College (1972–3) and studied at Canada College in Redwood City (1973–4), California, Cabrillo College in Aptos, California (1974–5), San Francisco State University (1975–6), and Virginia Commonwealth University (1976–7). In the late 1970s he collaborated with Serge Tcherepnin on the construction of the Modular Music System. In the early 1980s he was appointed technical director at the Mills College Center for Contemporary Music and in 1989 he became a lecturer at California State University in Hayward; then he taught at Diablo Valley College, Expression College for Digital Arts, and San Jose State University. He held composer residencies at Mills College Center for Contemporary Music (1992), Amsterdam’s Steim (...

Article

Durrell Bowman

(Roy)

(b Los Angeles, 14 Aug 1953; d Santa Barbara, CA, 22 June 2015). American film composer and conductor. The son of the Bohemian American production designer Harry Horner, James Horner studied at the RCM, where his teachers included György Ligeti. He moved to California in the early 1970s and attended the University of the Pacific and then USC. He then earned the master’s degree in composition and music theory at UCLA, where he also taught music theory and worked on a doctorate; his professors included Paul Chihara. In 1978 Horner scored a series of films for the American Film Institute (including The Watcher), and in 1979 he began scoring feature-length films, including work for B-movie producer Roger Corman.

Horner often incorporates electronic elements, choral or solo vocal music (including wordless female voices), and Celtic and other ‘world music’ elements. He has scored a large number of science fiction and action films, and also many dramas and children’s films, totaling nearly one hundred feature film scores as of ...

Image

Josef Vostarek

In 

American movie composer and conductor of the Passion of the Christ Symphony John C. Debney during the premiere at the 57th Smetana's Litomysl Opera festival on June 21, 2015 in Litomysl, Czech Republic.

Photo/Josef Vostarek (CTK via AP Images)