(b Cleveland, OH, July 19, 1915; d Pittsburgh, PA, Feb 10, 2010). American scientist and acoustician. After studying physics at Case Institute of Technology (BS 1937), he carried out research in nuclear physics at the University of Illinois (PhD 1941). He then joined the Westinghouse Electric Corporation, remaining with the firm for the rest of his professional life; he retired in 1980 after a distinguished career culminating in six years as Director of Research and Development. In his youth he had become an accomplished flute player, and during his undergraduate studies at Case he encountered the notable acoustician Dayton C. Miller. This meeting led to a lifelong interest in the acoustics of the flute, and Coltman developed a laboratory at his home in which he conducted many important and illuminating experiments on flutes and flute playing. Particularly significant was his contribution to the understanding of the subtle interaction between the air jet blown across the flute embouchure hole by the player and the resonances of the air column within the flute pipe. Over four decades, starting in the mid-1960s, he published more than 40 papers on the acoustics of flutes and organ pipes. He was a member of the National Academy of Engineering and a Fellow of the American Physical Society and the Institute of Electrical and Electronic Engineers....
(b Milwaukee, WI, 1951). American composer, teacher, keyboardist and sound designer. Koykkar’s principal composition teachers have been john c. Eaton , Dennis Kam and John Downey. He spent two years as composer-in-residence with the Artists-in Schools Program in Virginia (1978–80) and studied at the University of Miami (DMA 1983). He has received grants and awards from, among others, ASCAP, Truman State University, Meet the Composer, the American Music Center, the National Endowment for the Arts, and the Pew Charitable Trust for Music. He has held visiting fellowships at various festivals, seminars, and institutes in the United States and Europe. He has also served as president of the Wisconsin Alliance for Composers (1990–3).
Koykkar’s works have been performed in Europe and the Americas by ensembles such as the New York New Music Ensemble, California EAR Unit, Relache, Compagnia Brasileira De Music, and Slovak Radio Symphony, among many others. His musical syntax seeks to produce musical gestures that can be perceived as outgrowths of preceding ones, gradually transforming over time. In works that range from music for dance and film-video to computer and electronic music, Koykkar tends to achieve perceptual clarity and economy of musical materials in such a way that popular and cultivated traditions both find their place as sources of inspiration. As a faculty member at the University of Wisconsin–Madison since ...
(b Paris, France, Oct 20, 1950). American composer, keyboardist, electronic musician, and improviser of French birth; naturalized American; daughter of jazz pianist and drummer Errol Parker. She began studying piano and harmony at age 7 and composing at 12. Lauten received a bachelor’s degree in economics from the Institut d’Études Politiques in 1971. The following year she relocated to New York City, where she participated in the burgeoning punk rock scene. Through guitarist Denise Feliu, Lauten met the poet Allen Ginsberg, who would have a significant impact upon her spiritual and musical life.
Lauten’s compositional and improvisational practice is exemplary of the musical aesthetics of downtown New York in the 1970s and 80s. A practitioner of both US popular music and European classical music, Lauten blended the two styles with minimalist experimentalism. Lauten’s studies in New York City brought her into contact with the varied denizens of downtown musical life. She studied Indian raga with ...
Jeff E. Winner
(b Brooklyn, NY, Sept 10, 1908; d North Hills, CA, Feb 9, 1994). American composer, electronic music pioneer, electronic instrument inventor, and pianist. After attending Brooklyn Technical High School, he studied theory, composition, and piano at the Juilliard School of Music. Following his graduation in 1931, he became a pianist for the CBS Radio orchestra. In 1934, at age 25, he wrote his first hit, later recorded by Louis Armstrong.
In 1936 he assembled a six-piece “Quintette” from his CBS colleagues, including Bunny Berigan, and Johnny Williams, father of movie score composer John Williams. Following successful live radio performances, they began recording on 20 February 1937. Scott’s compositions for this band represent his attempts to rejuvenate Swing music with minimal improvisation and busy, tight arrangements. He dubbed the style “descriptive jazz,” and the Quintette was popular until he disbanded it in 1939. Though Scott didn’t score cartoons, these compositions are familiar to millions because they were adapted into classic Warner Bros. ...