(b Sofia, 1956). Bulgarian composer, pianist, conductor, and audio engineer. Goleminov was born in a family of professional musicians in Sofia, Bulgaria. He started learning the violin from early childhood, but later switched to piano, which has remained his primary instrument. During high school he began experimenting with electronics and became one of the pioneers of electroacoustic music in Bulgaria, by creating electronic music with no access to studios, doing everything with self-made analog devices, as well as telephones, old tape machines, and cassette recorders. Goleminov studied composition, orchestra conducting, and piano in Sofia, Vienna, and Amsterdam, and electroacoustic music in Vienna. In his capacity as composer, pianist, audio engineer, and conductor he collaborated in a series of musical and theatrical productions in various countries and took part in projects involving contemporary arts, mixed media, and intuitive and computer music. His works span a wide spectrum of styles and genres, from chamber and orchestral pieces to computer music, video-compositions, and music graphs, and have been commissioned by leading organizations and ensembles....
(b Milwaukee, WI, 1951). American composer, teacher, keyboardist and sound designer. Koykkar’s principal composition teachers have been john c. Eaton , Dennis Kam and John Downey. He spent two years as composer-in-residence with the Artists-in Schools Program in Virginia (1978–80) and studied at the University of Miami (DMA 1983). He has received grants and awards from, among others, ASCAP, Truman State University, Meet the Composer, the American Music Center, the National Endowment for the Arts, and the Pew Charitable Trust for Music. He has held visiting fellowships at various festivals, seminars, and institutes in the United States and Europe. He has also served as president of the Wisconsin Alliance for Composers (1990–3).
Koykkar’s works have been performed in Europe and the Americas by ensembles such as the New York New Music Ensemble, California EAR Unit, Relache, Compagnia Brasileira De Music, and Slovak Radio Symphony, among many others. His musical syntax seeks to produce musical gestures that can be perceived as outgrowths of preceding ones, gradually transforming over time. In works that range from music for dance and film-video to computer and electronic music, Koykkar tends to achieve perceptual clarity and economy of musical materials in such a way that popular and cultivated traditions both find their place as sources of inspiration. As a faculty member at the University of Wisconsin–Madison since ...
(b Paris, France, Oct 20, 1950). American composer, keyboardist, electronic musician, and improviser of French birth; naturalized American; daughter of jazz pianist and drummer Errol Parker. She began studying piano and harmony at age 7 and composing at 12. Lauten received a bachelor’s degree in economics from the Institut d’Études Politiques in 1971. The following year she relocated to New York City, where she participated in the burgeoning punk rock scene. Through guitarist Denise Feliu, Lauten met the poet Allen Ginsberg, who would have a significant impact upon her spiritual and musical life.
Lauten’s compositional and improvisational practice is exemplary of the musical aesthetics of downtown New York in the 1970s and 80s. A practitioner of both US popular music and European classical music, Lauten blended the two styles with minimalist experimentalism. Lauten’s studies in New York City brought her into contact with the varied denizens of downtown musical life. She studied Indian raga with ...
[Hall, Richard Melville ]
(b Harlem, NY; Sept 11, 1965). American Electronic musician, composer, and DJ. Growing up in Connecticut, Moby (a childhood nickname) studied classical guitar and music theory before founding the suburban punk band Vatican Commandos at age 14. He later learned to play bass guitar, keyboard, and drums. While studying philosophy at University of Connecticut he played with post-punk band AWOL, leaving in 1985 to become more active as a DJ and electronic musician and eventually moving to New York City.
He is critically recognized for his creative combining of electronic house music and judiciously chosen samples; he has also achieved worldwide popular success and brought the genre to mainstream attention. His 1991 single “Go,” which included a sampled theme from David Lynch’s cult TV series Twin Peaks, reached the UK top ten. His breakthrough album Play (1999) sold 10 million copies worldwide in the first year and yielded eight hit singles including “Porcelain,” “Natural Blues,” and “Why does my heart feel so bad?” ...
(b Curitiba, Brazil, April 11, 1936). Brazilian composer, pianist and multimedia artist. The most prominent woman composer in Brazil, she began her piano studies in São Paulo under José Kliass (1946–53) and continued them in Paris under Marguerite Long (1953–60). In 1963 she moved to St Louis, Missouri, with her husband, the conductor Eleazar de Carvalho, and studied composition with Robert Wykes at Washington University, earning her MA in 1968. She taught at the University of South Florida and at the New School for Social Research in New York.
As both a pianist and a composer, Oliveira has promoted contemporary music in Brazil on various fronts. Numerous major composers such as Berio, Xenakis, Lejaren Hiller and Santoro have written pieces for her. She played Stravinsky’s Capriccio under the baton of the composer and was soloist with major orchestras such as the Boston SO, the Brooklyn PO, the Los Angeles PO, the Orchestre de la Radio-France, and many others in Europe and Latin America. She has recorded about 16 discs, released in the USA, Brazil, Mexico, Britain and Germany, performing all the major piano works of Messiaen, her own compositions and other contemporary works....
[DJ Spooky, That Subliminal Kid; Miller, Paul D.]
(b Washington, DC, 1970).
American composer, DJ, multimedia artist, and author. His debut full-length solo album, Songs of a Dead Dreamer (1996), is now widely regarded as a formative influence on “illbient,” an instrumental hip hop subgenre. Continuing in this experimental electronic direction, he released Riddim Warfare (1998), a critically acclaimed album featuring collaborations with Kool Keith and Sonic Youth’s Thurston Moore. He has been active across various media. His Rebirth of a Nation (2004), a large-scale multimedia performance piece that remixes D.W. Griffith’s seminal and controversial film Birth of a Nation (1915), was commissioned by the Lincoln Center Festival, Spoleto Festival USA, Weiner Festwochen, and the Festival d’Automne à Paris. That same year, under his birth name Paul D. Miller, he authored the book Rhythm Science (Cambridge, MA, 2004), a manifesto discussing remix culture. He also released a feature-length DVD, ...
[Edward Lawrence ]
(b Bethesda, MD, Nov 25, 1961). American disc jockey, bluegrass fiddle player, country music historian, and host of the Grand Ole Opry. Raised in bluegrass-rich Montgomery County, Maryland, Stubbs began playing fiddle at age four and was inspired by his father’s passion for family history to develop his skills as an interviewer. After high school, Stubbs spent ten years as fiddle player in the Johnson Mountain Boys, a top traditional bluegrass band of the 1980s. Stubbs began broadcasting for WYII in Williamsport, Maryland, in 1983, moving a year later to WAMU, a bluegrass-oriented public station in Washington, DC. In 1990 Stubbs earned his own WAMU show, which he would anchor until 2007. He moved to Nashville in 1995, accepting an invitation from country legends Kitty Wells and Johnnie Wright to play fiddle in their band. Within a few weeks, he won an audition for an announcer slot on the ...