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Mary Jo Lodge

(b Buenos Aires, Argentina, Dec 8, 1939). American director, choreographer, and performer. Trained in classical ballet at the Teatro Colón in Buenos Aires, Daniele became a professional dancer at age 14. She performed for several years with ballet companies in South America and Europe and came to the United States in 1964 to learn American-style jazz dance. She made her Broadway debut in the musical What Makes Sammy Run? that same year, which led to several more Broadway roles. She first assisted prominent Broadway director/choreographers Michael Bennett and Bob Fosse before taking the helm herself on numerous shows, first as a choreographer and then adding the director’s role. She choreographed major Broadway productions as The Pirates of Penzance (1981), The Mystery of Edwin Drood (1985), and Ragtime (1998), and three Woody Allen films, including Mighty Aphrodite (1995). Daniele’s first Broadway production as a director/choreographer was ...

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Rainer E. Lotz

(Winston )

(b Philadelphia, May 14, 1889; d New York, May 19, 1939). American dancer, choreographer, and impresario. He went to Ireland in 1903 as a member of a juvenile “piccaninny” group, then toured Europe with Belle Davis (1903–8); his dancing during this period may be seen in the film Die schöne Davis mit ihren drei Negern (1906). Thereafter he worked as an eccentric solo act, and from 1910 into the 1930s was featured as a step dancer in revues in London, Paris, and Berlin; he also toured South America in 1923. In 1925 he starred in La revue nègre, with music provided by Claude Hopkins’s Charleston Jazz Band. He then organized his own revue, Black People (1926), which toured Europe and North Africa with members of Sam Wooding’s band. He organized further revues in Berlin (1926) and New York (1927...

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(b Modena, c 1700; d Naples, ?1774). Italian dancer, choreographer and impresario . He spent the early part of his career in Venice, where he created ballets for more than 40 operas, 1720–45. His name first appears as a choreographer for the 1720 Ascension season (Orlandini’s Griselda) at the Teatro S Samuele, here he worked for 11 Ascension seasons (later productions included works by Porpora, Albinoni and Galuppi, and Gluck’s Demetrio in 1742). He also choreographed at S Giovanni Grisostomo (24 operas, 1722–45, including Porpora’s Siface, Meride e Selinunte, Rosbale and Statira, and Hasse’s Alessandro nell’Indie and Semiramide riconosciuta) and at S Angelo, S Cassiano, and S Moisè. At the Teatro Falcone in Genoa (1731) and the Regio Ducal Teatro in Milan (1732–3, Lampugnani’s Candace; 1737–40, works by Bernasconi, Brivio and Leo) he worked with his wife Maria, a Venetian ballerina. While in Milan Goldoni, who knew the couple from Venice, spent an evening at their home, in his ...

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Paul R. Laird

[Lichtman, Joseph ]

(b Brooklyn, NY, May 3, 1931; d Key West, FL, May 5, 1994). American dancer, choreographer, and director. Layton joined the dancing chorus of Oklahoma! in 1947, followed by appearances as a dancer in such shows as High Button Shoes (1947), Gentlemen Prefer Blondes (1949), Miss Liberty (1949), and Wonderful Town (1953). While in the army in the early 1950s, Layton started to choreograph and direct. He spent two years in the mid-1950s in France as a dancer and choreographer with the Ballet Ho de George Reich. Returning to the United States in 1956, Layton was a featured dancer in Rodgers and Hammerstein’s televised Cinderella (1957) and worked in summer stock. His New York choreography debut was an off-Broadway revival of On the Town (1959). Layton choreographed Once Upon a Mattress off-Broadway and then on Broadway and in London, and continued his work on Broadway with dances for ...

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J. Ryan Bodiford

[J.Lo ]

(b Bronx, NY, July 24, 1969). American Puerto Rican actress, singer, dancer, producer, and entrepreneur. She is the highest paid Latina actress to date and has attracted similar commercial appeal as a pop, hip hop, and Latin-influenced recording artist, selling over 55 million albums in the first decade of her musical career.

The daughter of Puerto Rican immigrants, Lopez participated in minor film and theater productions from an early age. Following high school, she attended numerous auditions before landing her first major gig in 1991 as a “fly girl” dancer on the sketch-comedy program In Living Color. In 1997 she gained attention with her Golden Globe-nominated performance in the film Selena. She has since starred in box office hits such as The Wedding Planner (2001), Maid in Manhattan (2002), and Monster in Law (2005).

Already an established actress, Lopez launched her singing career in ...