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Mandy-Suzanne Wong

(b San Rafael, CA, Jan 11, 1955). American sound artist, turntablist, composer, filmmaker, and visual artist. Raised in Switzerland, Marclay studied sculpture at the École Supérieure d’Art Visuel in Geneva and the Massachusetts College of Art in Boston. Inspired by Marcel Duchamp, Joseph Beuys, and the Fluxus movement, the use of found objects became a formative principle of Marclay’s work. He has collaborated with Christian Wolff, Otomo Yoshihide, Sonic Youth, and John Zorn, among others.

In the mid-1970s, Marclay used turntables as improvising musical instruments, apparently inventing Turntablism. Like hip-hop DJs of the same era, though their work proceeded independently, Marclay developed performance techniques such as scratching and mixing. He believes his use of turntables to be similar to Duchamp’s methods: using found objects to create new art, by putting one’s own stamp on the objects and exhibiting them.

Throughout his career, he has embraced the residual noises produced by recording media, especially the hisses and pops of vinyl records. His work emphasizes the fact that when 20th- and 21st-century listeners experience music, oftentimes they are listening not only to the music but to the ...