(b Venice, 1754; d Ireland, after 1801). Italian soprano. She made her début in 1770 in Venice and in 1771 went from Florence to Mannheim, possibly on a recommendation by Casanova to the Mannheim court poet, Mattia Verazi. Holzbauer gave her singing lessons and employed her as second soubrette in the court opera (1771–5). She made her Mannheim début in 1771 in Piccinni's Gli stravaganti (Nerina) and appeared the following year at the palace theatre in Schwetzingen in Gassmann's L’amore artigiano (Angiolina) and Sacchini’s La contadina in corte (Tancia); Burney gave a glowing report of her. After 1778 she sang in Venice and Florence, in 1781 in London, making her début there in Anfossi’s I viaggiatori felici. On 20 July 1783 she was engaged by Bertholdi at a salary of 1000 ducats as prima donna buffa at the Dresden court opera, where Mozart heard her and placed her above Ferrarese (letter of ...
Roland Würtz and Paul Corneilson
revised by Noel O’Regan
(b Rome, 1582; d Rome, Feb 7, 1652). Italian composer and singer, brother of Domenico Allegri. From 1591 to 1596 he was a boy chorister and from 1601 to 1604 a tenor at S Luigi dei Francesi, Rome, where the maestro di cappella was G.B. Nanino. According to Allegri’s obituary he studied with G.M. Nanino (see Lionnet). He was active as a singer and composer at the cathedrals of Fermo (1607–21) and Tivoli, and by August 1628 he was maestro di cappella of Santo Spirito in Sassia, Rome. He joined the papal choir as an alto on 6 December 1629, under Urban VIII, and was elected its maestro di cappella for the jubilee year of 1650. In 1640 his fellow singers elected him to revise Palestrina’s hymns (necessitated by Urban VIII’s revision of the texts), which were published in Antwerp in 1644. His contemporaries clearly saw him as a worthy successor to Palestrina and a guardian of the ...
(b ?Pavia; fl 1609–29). Italian music editor and singer. Since he was known as ‘magister et reverendo’ he must have taken orders. He was a bass singer in the choir of Pavia Cathedral from 1609 to 1626. He is of greatest interest as the collector of four noteworthy anthologies of north Italian church music published in Venice (RISM 16214, 1624², 1626³ and 16295); all contain motets except the third, which consists of litanies. The volumes include eight works by Monteverdi, seven of which are found in no other printed sources, and ten unica by Alessandro Grandi (i) and four by Rovetta (his earliest published works). Other prominent north Italians represented are Stefano Bernardi, Banchieri – who dedicated his Gemelli armonici (1622) to Calvi – Ignazio Donati, Ghizzolo, Merula, Orazio Tarditi and Turini. Calvi himself contributed motets to the first two and included pieces by his ...
[John Henderson ]
(b Whitehaven, TN, April 8, 1931). American singer-songwriter, producer, publisher, and entrepreneur. He began playing bluegrass while in the military and after his discharge in 1952, played at radio stations in Wheeling, West Virginia, and Boston. While enrolled in Memphis State University (from 1954), he worked nights and weekends at the Eagle’s Nest club. After working briefly for Fernwood Records, he was hired by Sun Records, where he recorded Roy Orbison, Jerry Lee Lewis, and Johnny Cash, among others. He wrote hits for several of Sun’s artists, including Johnny Cash’s singles “Ballad of a Teenage Queen” and “Guess things happen that way” (both Sun, 1958).
Clement left Sun in 1960 to became a staff producer for RCA in Nashville. In 1963 he moved to Texas, started a publishing company, and produced Dickey Lee’s hit “Patches” (Smash, 1963). After returning to Nashville in 1965, he discovered and produced Charlie Pride and wrote songs for a variety of country artists, including Pride (“Just between you and me,” RCA Victor, ...
Mark Anthony Neal
(b Chicago, IL, Jan 8, 1967). American R&B singer, writer, producer, and arranger. Kelly was born on the South side of Chicago. Raised, with his three siblings, by a single mother, he was encouraged to pursue a musical career by his high school music teacher and mentor, Lena McLin, who was the chair of the music department at the Kenwood Academy and the niece of the legendary gospel music composer Thomas Dorsey. In high school Kelly formed the group MGM (Musically Gifted Men), which won a $100,000 grand prize on the television talent show Big Break, hosted by Natalie Cole. The group eventually signed with Jive Records, though after creative and financial tensions, three of the members were replaced and the group renamed R. Kelly and Public Announcement. After a moderately successful debut that produced the hit singles “She’s Got That Vibe” and “Honey Love,” Kelly left the group in early ...
William F. Prizer
(fl early 16th century). Italian composer, singer and possibly organist. There are two or perhaps three musicians in Mantua with this name active in the late 15th and early 16th centuries. The first, an organist, was in the service of Marchese Federico Gonzaga by 1480. In 1490, he began to work for Isabella d’Este. This Alessandro had died by July 1506. The second musician, ‘Alessandro cantore’, was paid three ducats by the Mantuan Cathedral in 1509 for his ‘singing and composing’. In May 1510, in the services of Isabella, he visited Rome. This may be the same musician called ‘Alessandro degli organi’ in 1524, when Marchese Federico II Gonzaga forgave one of his debts, or this Alessandro may be a different musician altogether.
At least the second Alessandro was a composer, and it must be this Alessandro who, identified as ‘Alexandro Mantuano’, contributed between 11 and 13 works to Andrea Antico’s ...
Olivia Carter Mather
[Alvis Edgar ]
(b Sherman, TX, Aug 12, 1929; d Bakersfield, CA, March 25, 2006). American country musician and businessman. He is widely considered the central figure of the Bakersfield sound, and his dominance of the country charts in the 1960s challenged Nashville’s hegemony and bolstered the West Coast country scene in Bakersfield and Los Angeles. During the 1950s he worked as a guitarist and session player for several Bakersfield artists before signing with Capitol Records in 1957. In 1963 he began a streak of 14 consecutive number-one country hits with “Act Naturally,” which was later covered by the Beatles. Other hits included “Together Again” (1964), “I’ve got a tiger by the tail” (1965), and a cover of “Johnny B. Goode” (1969).
Owens’s songs eschewed themes of hard living and rambling for a portrayal of the male subject as a lonely victim of romance. With his backing band, the Buckaroos, he developed a bright, driving sound which he described as a freight train feel: heavy bass and drums accompanying two Fender Telecaster electric guitars played by Owens and the guitarist Don Rich. The twangy Telecaster sound and high, close harmony of Owens and Rich characterized many of his recordings. The Buckaroos both toured and recorded with Owens, a contrast to country norms. Owens thus established an alternative to the popular “countrypolitan” sound produced in Nashville (he also never joined the “Grand Ole Opry”); in doing so he inspired such country-rock musicians as Gram Parsons and the Flying Burrito Brothers. He also marketed himself as a hard-country artist free of pop influence; in ...
Charles K. Wolfe
(b nr West Monroe, LA, Aug 8, 1921; d Nashville, TN, Feb 24, 1991). American country-music singer, guitarist, songwriter, and publisher. He performed as a guitarist on radio station KMLB (Monroe, LA) before 1950, when he joined the “Louisiana hayride ” on KWKH (Shreveport, LA). Recording contracts with the local Pacemaker label (c1950), Four-Star, and Decca (1951) allowed him to resign his part-time job as a clerk at Sears, Roebuck and concentrate on music. After his initial hit, “Wondering” (1952), he gained national attention with “Back Street Affair” (1952), one of the first country songs to deal forthrightly with adultery. An equally important landmark was “There stands the glass” (1953), a classic drinking song and the first country hit to use the pedal steel guitar, played by Bud Isaacs. It became the favorite backup instrument in country music for the next two decades, and Pierce was the first of many country singers whose slurs, octave jumps, and use of dynamics complemented its sound. During his peak years (...
[Diane Ernestine ]
(b Detroit, March 26, 1944). American pop singer . She initially came to fame as the lead singer of the Supremes, who were signed to the Motown record label in 1961. Beginning in 1963 with When the Lovelight Starts Shining, the group had a series of 28 singles in the American pop charts, 12 of which reached the number one position, including Where did our love go?, Baby Love, Stop! In the name of love, You can’t hurry love, You keep me hangin’ on, Love Child and Someday we’ll be together. In 1967 the group’s name was changed to Diana Ross and the Supremes, paving the way for her subsequent solo career, begun in 1970.
She was highly successful as a soloist, and placed 20 singles on the American rhythm and blues and pop music charts. Five of these reached the number one position in the pop charts: Ain’t no mountain high enough...
(b Upper Darby, PA, June 22, 1948). American singer-songwriter, composer, and producer. He began his career as a teenager singing with the bands Woody’s Truck Stop and the more successful rock quartet Nazz. As a member of the latter group, he wrote two of their hit songs, “Hello, it’s me” and “Open your Eyes” (both 1968). After releasing three albums with Nazz, Rundgren left the group and worked as a solo artist, recording most of the vocal and instrumental parts himself. He cited the songwriter Laura Nyro as a significant influence. During the early 1970s Rundgren worked with a trio, Runt, recording two albums, the second entitled Runt: the Ballad of Todd Rundgren (1971), and his own two-record set, Something/Anything? (1972). The latter album brought him unprecedented fame through the singles “I Saw the Light” and a new version of “Hello, it’s me.” The recordings ...
[Bridges, Claude Russell]
(b Lawton, OK, April 2, 1942; d Nashville, Nov 10, 2016). American singer, songwriter, keyboard player, and producer. He is well respected for his solo work—a mix of rock, folk, and country music—but his work as a session musician also brought significant recognition. He began playing piano at the age of four and was playing in clubs in Tulsa as a high school student. His band, the Starlighters, managed to score a spot as the opening act for Jerry Lee Lewis in 1959. Russell moved to Los Angeles the same year and quickly established himself as a session musician, notably with the Wrecking Crew the group of musicians Phil Spector used to accompany his artists. With the Wrecking Crew, the accompanied artists such as the Byrds, Herb Alpert, and Gary Lewis and the Playboys. The keyboard player on hundreds of recordings, he opened his own recording studio in ...
[Westover, Charles Weedon ]
(b Grand Rapids, MI, Dec 30, 1934; d Santa Clarita, CA, Feb 8, 1990). American singer, songwriter, and producer. Growing up, he learned to play ukulele and guitar while immersing himself in country-and-western music. Throughout the second half of the 1950s, he played in a variety of bands while in the military and also in Michigan. He used several different names during his time as a performer, but finally settled on “Del Shannon” in 1960. In the same year Shannon and his fellow musician, Max Crook, were signed to Bigtop Records in New York. The two wrote and recorded the rock and roll hit “Runaway” in 1961, with the single reaching number one on the Billboard chart. In the following two years Shannon wrote and performed several other successful singles, including “So long, baby,” “Hats off to Larry,” and “Little Town Flirt.” His 1963 cover of “From Me to You” was one of the first American covers of a Beatles song. After moving to Amy Records in ...
(b Toronto, ON, Oct 12, 1955). Canadian singer, songwriter, composer, and producer. Growing up in Toronto, Siberry took piano and French horn lessons, and taught herself guitar. While studying microbiology at the University of Guelph, Ontario (BSc 1980), she began to waitress and perform at local cafes. In 1981, Siberry released her self-titled debut album; this was followed by No Borders Here (1984), distributed in the United States by A&M. Siberry is respected as a gifted singer and songwriter. She has cited Van Morrison and Miles Davis as influences, but also draws on gospel, new-wave, and classical styles. Her third album, The Speckless Sky (1985) reached gold-record status in Canada and confirmed her reputation as a major recording artist. Warner records released her fourth album, The Walking (1987), which earned critical if not popular success with its longer, more complex compositions. Siberry launched her own record label, Sheeba, in ...
[Ragsdale, Harold Ray ]
(b Clarkdale, GA, Jan 24, 1939). American singer-songwriter, multi-instrumentalist, producer, arranger, music publisher, television star, and entrepreneur. Harold Ragsdale began his musical career with a high school band that played R&B songs by the Coasters, Drifters, and other R&B groups. In 1955 the family moved to Atlanta, where publisher Bill Lowery signed him as a songwriter and secured his first recording contract with Capitol Records; Capitol’s Head of A&R, Ken Nelson changed Ragsdale’s name to Ray Stevens. After attending Georgia State University, where he studied music, Stevens had his first success with his recording of “Jeremiah Peabody’s Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills” (Mercury, 1961). In 1962 he moved to Nashville, supplementing his own recording career with work as a session musician, arranger, and background vocalist. He garnered a number-one pop hit and his first Grammy with his recording of “Everything is beautiful” (Barnaby, ...
revised by David Johnson
(b? Edinburgh, c1684; d ?London, after 1752). Scottish singer and folksong collector . His father was Daniel Thomson, one of the king's trumpeters for Scotland. He sang solos as a boy at a Musical Society concert in Edinburgh on St Cecilia's Day 1695. By 1722 he had settled in London, where he gave a benefit concert in February that year, including (according to Burney) a Scottish folksong as an encore.
Thomson published Orpheus Caledonius, a Collection of the Best Scotch Songs set to Musick (London, 1725), a lavishly produced volume dedicated to the Princess of Wales, with a subscription list of 300 notable people. It contains 50 Scottish folksongs, most of them taken from Allan Ramsay's Tea-table Miscellany (Edinburgh, 1723); the melodic ornaments and the figured bass accompaniments are Thomson's own. Hawkins described Thomson as ‘a tradesman’ and the collection as ‘injudicious and very incorrect’; it is true that some of the song texts are in crude, oral versions and that the figured basses have grammatical mistakes. In ...
(b New York, NY, April 20, 1951; d Edison, NJ, July 1, 2005). American rhythm-and-blues and pop singer, songwriter, and record producer. He was one of the most instantly recognizable African American male vocalists of the 1980s, often performing in a virtuosic style that was at once melismatic, improvisational, and precise. He began his career as a behind-the-scenes songwriter and vocalist, singing on commercial jingles, writing and collaborating on songs for other recording artists, and performing live and recorded background vocals. As backing vocalist he appeared widely, including on David Bowie’s “Young Americans” (1975), Chic’s C’est Chic (1978), Sister Sledge’s We Are Family (1979), and Roberta Flack’s Roberta Flack Featuring Donny Hathaway (1980). Vandross signed to Atlantic’s Cotillion label in the mid-1970s and released two unsuccessful albums with a self-titled group call Luther. He also worked as a vocalist with the disco-oriented band Change on several singles released during the early 1980s....
Charles K. Wolfe and Travis D. Stimeling
(b West Plains, MO, Aug 12, 1927; d Nashville, TN, Oct 27, 2007). American country music singer, songwriter, and record producer. As a boy, he learned country songs of the 1920s from his mother and occasionally pretended to host the Grand Ole Opry. A performance on a local radio show in 1950 led to regular appearances on KWTO, a powerful station in nearby Springfield, and this in turn led to a regular job on Red Foley’s national Ozark Jubilee television show. He signed a recording contract with RCA Victor in 1952 and had early success with “Company’s Comin’” and “Satisfied Mind.” Gospel songs such as “What would you do?” became part of his repertory, and their success encouraged his penchant for including recitation in songs. During the 1960s, thirty-one of Wagoner’s recordings reached the charts, and, by the end of the decade, he produced his own television show, ...
(b Atlanta, GA, June 8, 1977). American rapper, singer, and record producer. Kanye West burst onto the rap scene in 2004 with his debut album, The College Dropout, and has established himself as one of the industry’s most prominent artists. Immersed in the Chicago hip-hop scene, he learned to sample and program beats at the age of 15. While studying at Chicago State University, West began selling his beats to prominent rappers and decided to drop out of school to devote more time to his music career. West’s reputation as a producer was solidified by his work on Jay-Z’s album, The Blueprint (2001), where his sped up sample of the Jackson Five’s “I Want You Back” on the song “Izzo (H.O.V.A.)” helped launch the single to the Billboard Top 10. West adopted the technique of speeding up samples from the Wu Tang Clan’s RZA, making this his signature sound....