(b Anguilla, MS, March 21, 1919; d Hazel Crest, IL, 15 June, 1995). American gospel director, singer, composer, and publisher. Anderson established a career forming and training gospel groups in Chicago. His formative years were spent as one of the original Roberta Martin Singers, one of the premiere gospel groups of the 1930s and 1940s. He left briefly, between 1939 and 1941, to form the first of his many ensembles, the Knowles and Anderson Singers with R.L. Knowles. He rejoined Martin, but ultimately resigned because of the travel demands. In 1947 he formed Robert Anderson and his Gospel Caravan, but after several members left in 1952, he formed a new set of singers that recorded and performed under the name the Robert Anderson Singers through the mid-1950s. Throughout his career, Anderson recorded on a multitude of labels including Miracle and United with Robert Anderson and the Caravans; and later with the Robert Anderson Singers, on Apollo. Anderson wrote, and often sang lead on, many of the songs his groups performed, including “Why Should I Worry” (...
Roxanne R. Reed
Harry B. Soria Jr.
[Albert R. ]
(b Honolulu, HI, Oct 1, 1879; d Honolulu, HI, Jan 23, 1933). Composer, arranger, publisher, pianist, and bandleader, active in Hawaii. Cunha’s compositions early in the 20th century spearheaded the development of the hapa haole song, featuring predominantly English lyrics with some references to Hawaii and the Hawaiian language, earning him the title of “Father of Hapa Haole Songs.” His innovation is credited with making Hawaii’s music accessible to a much wider audience, which rapidly grew to global proportions over the next few decades.
Cunha left Hawaii to attend Yale University, where he excelled in sports, the Yale Glee Club, and composed Yale’s “Boola, Boola.” Rather than practice law after graduation, he toured the mainland United States performing a new kind of Hawaiian song, combining the popular ragtime rhythm of American music with Hawaiian songs. Cunha returned to Hawaii and composed his first hapa haole song, “Waikiki Mermaid,” in ...
Horace Clarence Boyer
(b Fayette, MS, Sept 10, 1899; d Chicago, IL, Aug 26, 1963). American gospel pianist, composer, and publisher. He sang in local choirs before settling in Chicago in 1927. There he joined the Ebenezer Baptist Church and became co-director of its junior choir with Thomas A. Dorsey. With Dorsey he organized in 1931 the first known black gospel chorus. In 1932, with Dorsey, Sallie Martin, and Magnolia Lewis Butts, he formed the National Convention of Gospel Choirs and Choruses, and the same year he and Roberta Martin, pianist for his junior choir, founded the Martin–Frye Quartet (renamed the Roberta Martin Singers in 1935). In the late 1940s Frye began an association with Mahalia Jackson, and it was for her that he surreptitiously secured the song “Move on up a little higher”; her recording in 1947 was a great success, selling over a million copies. Frye later published this composition as his own (he opened a publishing house in the early 1950s), without crediting its rightful composer, William Herbert Brewster. He did, however, compose several well-known gospel songs, including “I am sending my timber up to heaven” (...
Darlene Graves and Michael Graves
[William J. ]
(b Alexandria, IN, March 28, 1936). American gospel songwriter, performer, producer, and publisher. He grew up on a small farm in Indiana and graduated from Anderson College with a major in English and a minor in music. He went on to receive a master’s degree in guidance and counseling and met his future wife and song-producing partner, Gloria Sickal, while both were teaching high school. Gaither started singing gospel music as a child and in 1956 formed the Bill Gaither Trio with his brother Danny and his sister Mary Ann. He started his own publishing company in 1959. He continued to perform and compose while a teacher at Alexandria High School and in 1961 formed the Gaither Music Company to publish his works. After their marriage in 1962, Gaither and his wife wrote their first major song, “He touched me,” which was a significant hit by 1963. He re-formed the Bill Gaither Trio with Gloria and Danny, and in ...
[Grice, George General; Qusim, Basheer]
(b Pensacola, FL, Nov 28, 1925; d Pensacola, FL, March 14, 1983). American jazz saxophonist, flutist, composer, arranger, music publisher, and teacher. Known more as a composer and arranger than as an instrumentalist, he was nonetheless an alto saxophonist out of the Charlie Parker tradition with a lyrical bent and a recognizable style and sound. He studied clarinet initially and after serving in the US Navy (1944–6) attended the Boston Conservatory (to 1952). His first exposure came through an encounter with the saxophonist Stan Getz in Boston who recorded several of Gryce’s compositions. After moving to New York in 1953, Gryce was soon a part of the city’s vibrant milieu, recording with the drummer Max Roach and the pianist Tadd Dameron. Throughout his career, Gryce collaborated with a number of noted trumpet players including Clifford Brown, Art Farmer, Donald Byrd, and Richard Williams. With Byrd, he co-led the Jazz Lab, which made a number of highly regarded recordings in ...
Edward A. Berlin
(b Jacksonville, FL, June 17, 1871; d Wiscasset, ME, June 26, 1938). American lyricist, poet, novelist, anthologist, civil rights leader, and international diplomat. He began his professional life as an educator and lawyer in Florida (one of the early African Americans admitted to the Florida Bar), but in the summer of 1899 he and his brother, composer J(ohn) Rosamond Johnson, went to New York with hopes of finding a producer for their operetta. Although they were unsuccessful in this endeavor, they gained entrance to the musical-theater circles of New York; they formed a collaborative relationship with Bob Cole and became one of the outstanding songwriting teams of the early 1900s. Many of their approximately 200 songs were interpolated in musical comedies; among the most successful were “Nobody’s lookin’ but de owl and de moon” (The Sleeping Beauty and the Beast, 1901), “Under the Bamboo Tree” (...
(b Stamford, CT, Dec 31, 1885; d New York, NY, Jan 22, 1976). American lyricist, publisher, and songwriter. He began his career in vaudeville, tailoring songs to individual singers, and working with a variety of composers. Leslie began to publish songs in 1909, when his lyrics and Irving Berlin’s music combined for “Sadie Salome.” That same year saw an early hit, “Lonesome.” Several of his songs were used on Broadway and vaudeville alike, including the huge hit “For Me and My Gal” (1917), which he co-wrote with George W. Meyer and E. Ray Goetz. His songs were recorded by a slew of popular stars, such as Guy Lombardo, Bing Crosby, and Connie Francis. In 1914, he became one of the founding members of ASCAP, later serving as president from 1931 to 1941. Leslie also created his own publishing company, where he worked primarily with Horatio Nicholls. Collaborations with Harry Warren (“Rose of the Rio Grande,” ...
[McPherson, Richard Cecil ]
(b Norfolk, VA, Nov 6, 1883; d New York, NY, Aug 1, 1944). American Lyricist, composer, and music publisher. Mack, also known as R.C. McPherson, wrote the lyrics for many popular songs during the first quarter of the 20th century. He had his first hit in 1904, “Teasing,” cowritten with Harry Von Tilzer. Mack cofounded the Gotham-Attucks Music Company following a merger between two smaller firms in 1905. Gotham-Attucks was one of the earliest African American music publishers and several eminent black composers such as Will Marion Cook and James Reese Europe were associated with the company. In 1910, Gotham-Attucks published what would become one of Mack’s best-known songs “Shine” (originally, “That’s Why They Call Me Shine”). The song was written with co-lyricist Lew Brown with music by Ford Dabney for the musical show His Honor: The Barber (1911). In 1923 Mack wrote the lyrics to “The Charleston” for the show ...
Christopher A. Reynolds
(b Brazil, IN, Nov 1874; d New Haven, CT, Oct 25, 1932). American songwriter and publisher. She was among the most successful female songwriters of her generation. The daughter of John Dale Owen, a composer born in Wales, she was raised in Indiana and went to school near Terre Haute at St. Mary’s in the Woods. While there she sold her first song, evidently a setting of “Ave Maria.” Her obituary in the New York Times describes Owen as the composer of 200 works, yet it is unlikely that more than about half of those were ever published. In 1894 she composed and published her first and most enduring hit, the sentimental waltz song “Sweet Bunch of Daisies,” which sold a million copies. This song, the first of several about daisies, became a standard with country string bands and Appalachian fiddlers, and was also recorded by the blues harmonica player El Watson in ...
Horace Clarence Boyer
(b Atlanta, GA, Aug 4, 1886; d Pittsburgh, PA, Dec 16, 1963). American gospel composer and publisher. When he was 13 he settled with his family in Chicago, where he continued to study piano and began to write gospel songs and arrange black spirituals for the Beth Eden and Liberty Baptist churches. In 1925 he formed the Pace Jubilee Singers, an early conservative gospel group which recorded songs by Pace, Tindley, and others for Victor and Brunswick (1926–9). For a short time the group was accompanied by Thomas A. Dorsey, for whom Pace published several songs through his Pace Music House (established in Chicago in 1910). Pace moved to Pittsburgh in 1936 and shortly afterwards organized the Pace Gospel Choral Union, a 25-member ensemble that was enlarged to as many as 300 singers for special celebrations; its repertory consisted of gospel songs and spirituals. Pace also founded two highly successful music publishing houses in Pittsburgh—the Old Ship of Zion Music Company (...
revised by Jonas Westover
(b New York, NY, July 18, 1884; d Encino, CA, April 8, 1955). American Songwriter, publisher, and composer. He initially studied medicine in college but changed fields and became a song plugger. He worked as a pianist in Callahan’s saloon and other nightclubs in the Chinatown district of New York. His first song, “My Mariuccia Take a Steamboat” (1906), became especially popular for its “toot toot” sounds. He published several commercially successful songs before 1920, including the ethnic songs “I’m a Yiddish cowboy” (1908), “I’m awfully glad I’m Irish” (words by E. Leslie, 1910), and “That Italian Rag” (Leslie, 1910), and two sentimental ballads that sold over a million copies each: “That’s how I need you” (J. McCarthy, J. Goodwin, 1912) and “The Curse of an Aching Heart” (H. Fink, 1913). He also wrote “I didn’t raise my boy to be a soldier” (A. Bryan, ...
Charles K. Wolfe
(b nr West Monroe, LA, Aug 8, 1921; d Nashville, TN, Feb 24, 1991). American country-music singer, guitarist, songwriter, and publisher. He performed as a guitarist on radio station KMLB (Monroe, LA) before 1950, when he joined the “Louisiana hayride ” on KWKH (Shreveport, LA). Recording contracts with the local Pacemaker label (c1950), Four-Star, and Decca (1951) allowed him to resign his part-time job as a clerk at Sears, Roebuck and concentrate on music. After his initial hit, “Wondering” (1952), he gained national attention with “Back Street Affair” (1952), one of the first country songs to deal forthrightly with adultery. An equally important landmark was “There stands the glass” (1953), a classic drinking song and the first country hit to use the pedal steel guitar, played by Bud Isaacs. It became the favorite backup instrument in country music for the next two decades, and Pierce was the first of many country singers whose slurs, octave jumps, and use of dynamics complemented its sound. During his peak years (...
[Knols, Fred ]
(b Evansville, IL, Aug 24, 1898; d Nashville, TN, Dec 1, 1954). American songwriter and publisher. It is difficult to imagine how Nashville’s country music industry would be structured were it not for the efforts of the songwriter and publisher Fred Rose. His commitment to the city and the genre helped to establish a business model that has continued successfully to the present day. He moved to Chicago in his teens and found a home in vaudeville, eventually achieving initial success as a songwriter for the “Red Hot Mama” Sophie Tucker. Some of his early material was recorded by King Oliver and Paul Whiteman, and Rose also found a role as a performer on local radio. He moved to Nashville in 1933, appeared as a performer on WSM, and became intrigued by the possibilities inherent in the cowboy genre. He migrated to Hollywood, wrote hits for Tex Ritter, the Sons of the Pioneers, and Gene Autry and benefited from the B-movie market for singing cowboys. Rose returned to Nashville in ...
[Ragsdale, Harold Ray ]
(b Clarkdale, GA, Jan 24, 1939). American singer-songwriter, multi-instrumentalist, producer, arranger, music publisher, television star, and entrepreneur. Harold Ragsdale began his musical career with a high school band that played R&B songs by the Coasters, Drifters, and other R&B groups. In 1955 the family moved to Atlanta, where publisher Bill Lowery signed him as a songwriter and secured his first recording contract with Capitol Records; Capitol’s Head of A&R, Ken Nelson changed Ragsdale’s name to Ray Stevens. After attending Georgia State University, where he studied music, Stevens had his first success with his recording of “Jeremiah Peabody’s Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills” (Mercury, 1961). In 1962 he moved to Nashville, supplementing his own recording career with work as a session musician, arranger, and background vocalist. He garnered a number-one pop hit and his first Grammy with his recording of “Everything is beautiful” (Barnaby, ...
(b Brunswick, MO, Feb 7, 1882; d New York, NY, March 9, 1961). American clarinetist, bandleader, composer, and music publisher. His first professional engagement (c1897–8) was with a “pickaninny” band led by Nathaniel Clark Smith. In 1902 he was assistant leader of P.G. Lowery’s band with Forepaugh and Sells Circus and later that year joined Mahara’s Minstrels band under the leadership of W.C. Handy. In 1903 he formed his own band in Minneapolis, where he made the first recordings by an African American band. Sweatman moved to Chicago in 1908, where he led trios at the Grand and Monogram theaters. In 1911 he made his first vaudeville appearance, and in late 1916 made the first records recognizable as jazz performances. In 1918 Sweatman’s band was signed to an exclusive recording contract with Columbia, their records rivalling those by the Original Dixieland Jazz Band. He continued to work through the 1920s and early 1930s in vaudeville, and in ...
(b Natashquan, Quebec, Oct 27, 1928). Canadian songwriter, singer, poet and publisher . He wrote poems and songs while teaching French and mathematics in Quebec City. He first sang publicly in 1960 and his success led to a first recording in 1962. Two years later, his song Jack Monoloy won second prize at an international competition in Sopot, Poland. His best-known song is Mon pays, also sung at Sopot in 1965. He has toured extensively in Canada and French-speaking countries of Europe. He was awarded a Grand Prix du Disque by the Académie Charles Cros in 1970 and 1984. Vigneault’s songs are about the people of Quebec, specifically those who live on his native north shore of the St Lawrence. Some of his songs contain social protest, some are simple love stories, some are whimsical and humorous.EMC2 (C. Rioux) M. Gagné: Gilles Vigneault (Quebec City, 1977)...