(b San Juan, PR, March 26, 1854; d San Juan, PR, April 4, 1934). Puerto Rican composer, flutist, scholar, and conductor. His earliest achievements came as a flutist; he studied flute with Italian-born Rosario Aruti. Chiefly self-taught as a composer, he was influenced musically by his father, a cellist and double bass player, and Felipe Gutiérrez Espinosa, an established Puerto Rican composer of sacred music. In 1877 Dueño Colón received the gold medal from the Ateneo Puertorriqueño for the symphonic work La amistad (1877). In 1880 he formed a municipal band in Bayamón and shortly afterwards served as the flutist for the chapel of San Juan Cathedral. Awards for his compositions continued, including a silver medal at the Pan American Exposition, held in Buffalo in 1901, for Canciones escolares, a collection of original songs as well as arrangements for Puerto Rican school children. In addition to showing substantial interest in European masterworks, he embarked on the scholarly study of the Puerto Rican ...
Mark E. Perry
William Kirk Bares
(b Sharon, CT, Nov 17, 1935). American trombonist, ethnomusicologist, and composer. A well regarded jazz soloist, he is perhaps best known as a musical collaborator with ecumenical tastes. Strongly influenced by New Orleans jazz at a young age and seasoned by work in traditional jazz bands as a student at Yale, he transitioned easily to the collective free improvisation scenes of 1960s and 70s New York. Early partners included Cecil Taylor, Archie Shepp, Steve Lacy, Sheila Jordan, Enrico Rava, Carla Bley, John Tchicai, and Milford Graves; he worked with the last two in the New York Art Quartet. The open spirit of his early work is preserved on Archie Shepp’s Four for Trane (1964, Imp.), to which he contributed adventurous arrangements, and his own eclectic Blown Bone (1976, Phillips), which features several of the above artists.
Rudd’s subsequent collaborations have extended his longtime interest in non-Western music. He has carried out research for Alan Lomax’s cantometrics project (from early 1980s) and taught ethnomusicology at Bard College (...