(b Breslau [now Wrocław], June 8, 1924; d Aug 7, 2005). Chilean composer and educator of German origin. She emigrated to Chile in 1939 and adopted Chilean nationality in 1951. She studied with Frè Focke (1949–53) in Chile and with René Leibowitz and Olivier Messiaen in France in 1954. Through several significant educational projects she contributed to a better public understanding of contemporary music in Chile; she also promoted Chilean musical culture in Europe. Her works won international prizes and she received commissions from patrons and organizations in Europe and the USA. Her music, modernist in style and sometimes using sounds generated by unconventional means, includes two ballets, Las tres caras de la luna (1966) and … a false alarm on the nightbell once answered cannot be made good, no ever (1977–8), and several works for full orchestra, including Cinco epigramas (...
Raquel Bustos Valderrama
(b Palma de Mallorca, Aug 24, 1931; d Madrid, October 29, 2006). Spanish composer. He began his musical studies at the Barcelona Conservatory with Gabriel Gálvez, Luis Millet, Juan Pich Santasusana, Joan Gibert Camins, Joaquín Zamocois and Eduardo Toldrá, and later removed to Geneva to broaden his training. His tireless professional work extended beyond composition to directing various musical and ballet groups, orchestration, performing as a pianist, music criticism on radio and television, and teaching. He taught composition and fugue at the Seville Conservatory until 1971, then composition at the Madrid Conservatory until his retirement in 1997.
Alís’s works number about 200 and comprise a wide variety of genres. Many of them were commissioned by various official organizations. Among them are the orchestral Sinfonietta, Música para un festival en Sevilla, Homenatge a Antoni Gaudí, Seis remembranzas a Eduardo Toldrá and Rêverie, all of which bear witness to his mastery of orchestration, tone-colour and intensity. Equally well known are his pieces for piano, his choral pieces and his string quartets. In addition to his serious music, he composed, orchestrated and conducted commercial and incidental music for publishing houses, CDs, theatre, radio, television and the cinema. A member of various juries of international competitions, he was made Commander of the Imperial Hispanic Order of Carlos V and received numerous honours and prizes....
Terence J. O’Grady
revised by Bryan Proksch
(b Los Angeles, CA, March 31, 1935). American trumpeter, composer, bandleader, and record company executive. He studied trumpet as a child and left college to play in the army for a two-year period. After three years of producing records on his own, he launched A&M Records with Jerry Moss in 1962. A&M’s first issue was also Alpert’s first recording as a trumpeter and bandleader, The Lonely Bull (A&M, 1962). The title track included sounds from the bullring in Tijuana, Mexico, so Alpert dubbed his band the Tijuana Brass. His music exploited a distinctive combination of Mexican mariachi-style brass with jazz rhythms, which was dubbed Ameriachi. A string of hits including “Mexican Shuffle” (A&M, 1964) and “Tijuana Taxi” (A&M, 1965) followed. In 1966 Alpert had five recordings simultaneously listed on the Billboard Top 20. His cover of “This guy’s in love with you” reached no.1 in ...
(b Indianapolis, IN, April 9, 1953). American composer, producer, and label owner. In the mid-1960s, he played keyboards in pop/blues bands. In the late 1960s and early 1970s, Fox grew entranced by recordings of a disparate roster of musicians that included Erik Satie, Elliot Carter, György Ligeti, Morton Feldman, Pauline Oliveros, Krzysztof Penderecki, Morton Subotnick, Terry Riley, Albert Ayler, Steve Reich, and Pharoah Sanders; as well as scores by Robert Ashley, Harold Budd, Barney Childs, and Daniel Lentz, which he found in Source magazine. His interest in composing led him to the writings of John Cage and Henry Cowell. By the mid-1970s, Fox had encountered the music of composers whose work was collected in the Experimental Music Catalogue (from the UK) and Peter Garland’s Soundings publications.
Fox attended Butler University (1971–3), studying music privately with Russell Peck (1972); and DePaul University (1973–5, BMus Composition, with honors), where his principal teacher was ...
Darlene Graves and Michael Graves
[William J. ]
(b Alexandria, IN, March 28, 1936). American gospel songwriter, performer, producer, and publisher. He grew up on a small farm in Indiana and graduated from Anderson College with a major in English and a minor in music. He went on to receive a master’s degree in guidance and counseling and met his future wife and song-producing partner, Gloria Sickal, while both were teaching high school. Gaither started singing gospel music as a child and in 1956 formed the Bill Gaither Trio with his brother Danny and his sister Mary Ann. He started his own publishing company in 1959. He continued to perform and compose while a teacher at Alexandria High School and in 1961 formed the Gaither Music Company to publish his works. After their marriage in 1962, Gaither and his wife wrote their first major song, “He touched me,” which was a significant hit by 1963. He re-formed the Bill Gaither Trio with Gloria and Danny, and in ...
revised by Mickey Valley
Rock-and-roll male vocal duo. The singer, songwriter, and producer Jan Berry (b Los Angeles, CA, 3 April 1941; d Brentwood, CA, 26 March 2004) had his first success with the singer Arnie Ginsberg in the hit song, “Jennie Lee” (1958) which was recorded in Berry’s garage. He then formed a permanent partnership with the singer Dean Torrence (b Los Angeles, CA, 10 March 1941), and until 1966, when Berry was disabled in an automobile accident, Jan and Dean represented rock and roll as mindless fun, following and exploiting every new pop trend; their songs were based on doo-wop harmony and celebrated aspects of southern Californian hedonism such as surfing (“Surf City,” 1963, no.1) and fast cars (“Drag City,” 1963, no.10). Although Berry’s vocal abilities were not up to par and Torrence was little better, each managed to make at least one classic rock recording—Berry on Jan and Dean’s brilliantly orchestrated melodrama “Dead Man’s Curve” (...
Mark Anthony Neal
(b Chicago, IL, Jan 8, 1967). American R&B singer, writer, producer, and arranger. Kelly was born on the South side of Chicago. Raised, with his three siblings, by a single mother, he was encouraged to pursue a musical career by his high school music teacher and mentor, Lena McLin, who was the chair of the music department at the Kenwood Academy and the niece of the legendary gospel music composer Thomas Dorsey. In high school Kelly formed the group MGM (Musically Gifted Men), which won a $100,000 grand prize on the television talent show Big Break, hosted by Natalie Cole. The group eventually signed with Jive Records, though after creative and financial tensions, three of the members were replaced and the group renamed R. Kelly and Public Announcement. After a moderately successful debut that produced the hit singles “She’s Got That Vibe” and “Honey Love,” Kelly left the group in early ...
(b Plovdiv, 19 Dec 1937). Bulgarian composer, pianist, conductor, arranger, and bandleader. He was internationally acknowledged for his innovative ideas, cross-cultural experiments, and contribution to the concept of fusion and free improvisation. Classically trained at the Bulgarian State Conservatory (1955–60) under Pancho Vladigerov (composition) and Andrey Stoyanov (piano), he is the author of numerous compositions in styles and genres including jazz, pop, symphony, chamber, film, and theatrical music. He conducted the Radio and Television Big Band in Sofia (1962–6) and led his own avant-garde quartet, Jazz Focus’65 (1965–8), which won the Critic’s Prize at the Montreux Jazz Festival in 1967. In 1970 he left Bulgaria for political reasons and moved to the USA where he joined the Don Ellis Orchestra (1971–8), and later collaborated with the classical/jazz quartet Free Flight. He also played with outstanding jazz musicians including Art Pepper, Billy Cobham, and Dave Holland, among many others....
Ryan R. McNutt
[Gottwald, Lukasz ]
(b Westerly, RI, Sept 26, 1973). American songwriter and record producer. One of the most sought-after collaborators for popular singers in the 2000s, he helped reshape the sound of radio pop for the MP3 age. His hits include Kelly Clarkson’s “Since U been Gone,” Katy Perry’s “I Kissed a Girl,” and Ke$ha’s “Tik Tok.” As of January 2011, he had collaborated on 21 Top 40 Billboard Hot 100 singles.
Following two years at the Manhattan School of Music, he was hired as the lead guitarist for the Saturday Night Live house band in 1997. While working with the show, he began DJing throughout New York, producing or remixing tracks for artists including Mos Def and Black Star. After he met Swedish producer Max Martin at a house party, the duo collaborated on two songs for American Idol winner Kelly Clarkson’s second album, after which Dr. Luke soon wrote hits for Pink, Avril Lavigne, Britney Spears, Katy Perry, and others. Noted for his loud, polished sound and the adoption of electronic and indie rock tropes in his work, he claimed credits on nine separate top ten singles in ...
[Lincoln Wayne ]
(b LaGrange, GA, June 12, 1936). American guitarist, songwriter, producer, and entrepreneur. At age 14 he arrived in Memphis and soon worked with Johnny and Dorsey Burnette. His song “This Time” became a hit for Troy Shondell (1961, Liberty). He then worked for Stax Records, overseeing their first three hits. Ousted in 1962, he founded American Studios and assembled a house band, the Memphis Boys. With Dan Penn, he wrote “Dark End of The Street” for James Carr (1966, Goldwax) and “Do Right Woman” for Aretha Franklin (1967, Atl.). He produced works by Elvis Presley, the Gentrys, Dionne Warwick, B.J. Thomas, and many others. In 1972 he moved to Atlanta and then Nashville, where he became prominent in the Outlaw movement, producing Waylon Jennings and Willie Nelson and cowriting “Lukenbach, Texas (Back to the Basics of Love)” (1977, RCA) with Bobby Emmons. In 1982...
(b Fort Myers, FL, Oct 16, 1948). American Producer, arranger, and record executive. Norman met Don Henley when both were students at North Texas State University and formed the group Shiloh, which recorded a self-titled album (Amos, 1970), produced by Kenny Rogers, before disbanding in 1971. Norman, a keyboard player, began arranging for Henley’s new group, the Eagles, as well as Linda Ronstadt, Kim Carnes, Bob Seger, and America. Between 1977 and 1983 he achieved great success as a record producer, working with Crystal Gayle, Hank Williams, Jr., Johnny Lee, Mickey Gilley, and Anne Murray, with whom he produced nine albums, received four Grammy Awards, and earned the Country Music Association’s Single and Album of the Year awards for “A Little Good News” (Capitol, 1983).
In 1983 Norman joined Warner/Reprise as Vice-President of Artists & Repertoire, was named as Executive Vice President in 1984, and became President in ...
Olivia Carter Mather
[Alvis Edgar ]
(b Sherman, TX, Aug 12, 1929; d Bakersfield, CA, March 25, 2006). American country musician and businessman. He is widely considered the central figure of the Bakersfield sound, and his dominance of the country charts in the 1960s challenged Nashville’s hegemony and bolstered the West Coast country scene in Bakersfield and Los Angeles. During the 1950s he worked as a guitarist and session player for several Bakersfield artists before signing with Capitol Records in 1957. In 1963 he began a streak of 14 consecutive number-one country hits with “Act Naturally,” which was later covered by the Beatles. Other hits included “Together Again” (1964), “I’ve got a tiger by the tail” (1965), and a cover of “Johnny B. Goode” (1969).
Owens’s songs eschewed themes of hard living and rambling for a portrayal of the male subject as a lonely victim of romance. With his backing band, the Buckaroos, he developed a bright, driving sound which he described as a freight train feel: heavy bass and drums accompanying two Fender Telecaster electric guitars played by Owens and the guitarist Don Rich. The twangy Telecaster sound and high, close harmony of Owens and Rich characterized many of his recordings. The Buckaroos both toured and recorded with Owens, a contrast to country norms. Owens thus established an alternative to the popular “countrypolitan” sound produced in Nashville (he also never joined the “Grand Ole Opry”); in doing so he inspired such country-rock musicians as Gram Parsons and the Flying Burrito Brothers. He also marketed himself as a hard-country artist free of pop influence; in ...
(b Brno, 21 Feb 1978). Czech composer and therapist. After studies in composition at the Brno Conservatory with Pavel Zemek-Novák, he relocated to Prague, where he studied with Marek Kopelent and Milan Slavický, with whom he also completed his doctoral studies.
His music always contains an element of quieting down, of a gradual focusing. In contrast to other composers working with quietness and stillness, for Pálka, silence is always arrived at; it always stands in contrast to, and is intimately connected with, the spiritual dimension of man, often present directly in his music through the use of both sacred and secular texts.
There is an intense focus on simultaneity and the present moment in his music; materials do not repeat often and are usually clear and legible to the extreme, sometimes as gestures, other times as textures or sustained notes. The spatialization of sound is a frequent concern in his works, almost exclusively composed for specific venues. It was also the topic of his doctoral dissertation....
(b Cincinnati, OH, June 7, 1956). American songwriter, producer, and recording industry executive. One of the most influential African American music executives of the late 20th and early 21st centuries. Reid shared songwriting or production credits on a string of major crossover albums in the 1980s and 1990s, among them Bobby Brown’s Don’t Be Cruel (1988), Paula Abdul’s Forever Your Girl (1988), Whitney Houston’s I’m Your Baby Tonight (1990), The Bodyguard soundtrack album (1992), and TLC’s CrazySexyCool (1994). His first professional success came as a drummer for the R&B group the Deele, which featured singer Babyface Edmonds. In 1989 Reid and Edmonds began producing hits together in Los Angeles before starting LaFace Records in Atlanta under a joint partnership with Arista Records. LaFace mentored a new generation of artists including Usher, Outkast, Toni Braxton, and TLC, making Atlanta an important hub in the popular music industry. Reid and Edmonds collaborated on writing or producing 33 number one singles during their partnership, and in ...
(b North Little Rock, AR, Aug 18, 1938). American country music songwriter and producer. One of the most prolific and successful country music songwriters and producers of the last few decades, Reynolds also has played a major role in the careers of a number of artists, most notably Garth Brooks. Reynolds began writing songs while studying for a degree in English at Rhodes College in Memphis, Tennessee. One of his classmates was singer-songwriter Dickey Lee, with whom Reynolds became a collaborator when the duo moved to Beaumont, Texas. They cowrote “I saw Linda yesterday,” which was a top-20 hit for Lee in 1963. Reynolds and Lee returned thereafter to Memphis and formed a publishing company, whose writing roster included Bob McDill and Paul Craft. In 1965 the firm achieved a top-five hit with the Vogues’ recording of Reynolds’s “Five O’Clock World.” Reynolds moved to Nashville in 1970 and established a reputation as a premiere producer and songwriter. He has coordinated projects for Kathy Mattea, Hal Ketchum, Don Williams, Crystal Gayle, Emmylou Harris, and the O’Kanes and written several hit songs, including Crystal Gayle’s “Wrong Road Again” and “Somebody loves you,” Waylon Jennings’s “Dreaming My Dreams with You,” and Don Williams’s “We should be together.” His most successful association has been with Garth Brooks, who remains the best-selling artist of the post-Sound Scan era (post-...
(b New York, NY, Sept 19, 1952). American producer, composer, and guitarist. At the helm of the band Chic , Rodgers and his bass-playing production partner Bernard Edwards (1952–96) epitomized the very best of the disco era while transcending the genre with one of popular music’s most dynamic and cohesive rhythm sections. Individually with highly distinctive guitar licks, Rodgers also successfully transitioned into the 1980s, producing platinum pop records for David Bowie, Madonna, Duran Duran, and many other major acts. This effectively made him one of that decade’s most highly regarded and commercially bankable industry figures.
Rodgers and Edwards met in 1970, becoming members of the Big Apple Band that backed R&B vocal group New York City in 1973, and eventually formed Chic in 1977, releasing an eponymous debut album that year on Atlantic Records that included the Top Ten hit and gold record “Dance, Dance, Dance (Yowsah, Yowsah).” The follow-up album ...
(b Upper Darby, PA, June 22, 1948). American singer-songwriter, composer, and producer. He began his career as a teenager singing with the bands Woody’s Truck Stop and the more successful rock quartet Nazz. As a member of the latter group, he wrote two of their hit songs, “Hello, it’s me” and “Open your Eyes” (both 1968). After releasing three albums with Nazz, Rundgren left the group and worked as a solo artist, recording most of the vocal and instrumental parts himself. He cited the songwriter Laura Nyro as a significant influence. During the early 1970s Rundgren worked with a trio, Runt, recording two albums, the second entitled Runt: the Ballad of Todd Rundgren (1971), and his own two-record set, Something/Anything? (1972). The latter album brought him unprecedented fame through the singles “I Saw the Light” and a new version of “Hello, it’s me.” The recordings ...
[Bridges, Claude Russell ]
(b Lawton, OK, April 2, 1942). American singer, songwriter, keyboard player, and producer. He is well respected for his solo work—a mix of rock, folk, and country music—but his work as a session musician has also brought significant recognition. He began playing piano at the age of four and was playing in clubs in Tulsa as a high school student. His band, the Starlighters, managed to score a spot as the opening act for Jerry Lee Lewis in 1959. Russell moved to Los Angeles the same year and quickly established himself as a session musician, notably with Wrecking Crew, the, the group of musicians Phil Spector used to accompany his artists. With the Wrecking Crew, he accompanied artists such as the Byrds, Herb Alpert, and Gary Lewis and the Playboys. The keyboard player on hundreds of recordings, he opened his own recording studio in 1967. He has since been active in almost all fields of popular music, from musician to singer to songwriter to label owner (he founded Shelter Records in ...
(b El Palomar, Buenos Aires, Argentina, Aug 19, 1951). Argentine musician, recording producer, and film music composer. With his bands Arco Iris and Soluna, Santaolalla was one of the pioneers of Argentine “rock nacional” in the 1960s. In 1978 he moved to Los Angeles, California, where he formed the punk-influenced band Wet Picnic. In the early 1980s his interest in folk-rock fusion helped develop a unique Latin American rock and pop sound. He has produced albums for Argentine, Mexican, Colombian, and Chilean artists such as León Gieco, Divididos, Bersuit Vergarabat, Café Tacuba, Maldita Vecindad, Molotov, Julieta Venegas, Caifanes, Juanes, and Los Prisioneros. In the last decade Santaolalla has also produced classical-crossover recordings such as Kronos Quartet’s Nuevo and participated as a composer and performer for some tracks of Osvaldo Golijov’s Ayre. Santaolalla has also recorded his own solo albums: Santaolalla (1981), Gas (1995), and ...