(b Sept 10, 1945, Pasadena, CA). American music critic. Von Rhein is best known as the critic for the Chicago Tribune, where he worked from 1977 into the first decade of the 21st century. He began his career as a violinist, playing through college. After receiving his BA in English from UCLA in 1967, he pursued graduate work at California State University in Los Angeles. Von Rhein began working as a critic for the Hollywood Citizen-News (1968–71) until he took a position in Ohio for the Akron Beacon Journal between 1971 and 1977. His interests are centered on classical music, especially on opera. He has contributed to a wide range of classical publications, including Opera magazine, Gramophone, American Record Guide, Opera News, Fanfare, Vanity Fair, Ovation, Los Angeles Times, Boston Globe, and Opera Now. Von Rhein has also produced a number of liner notes for labels like Sony BMG, Pro Arte, and Stradivari. In ...
(b Brno, 13 March 1966). Czech composer, pedagogue, and writer on music, son of zdeněk zouhar. He studied composition at the Janáček Academy of Music and Performing Arts (JAMU) in Brno (with Miloš Ištván and alois piňos) and musicology at the Masaryk University, followed by post-graduate studies at the Hochschule für Musik und darstellende Kunst Graz (with Herman Markus Preßl and younghi pagh-paan) and JAMU. He remains an external pedagogue at both these institutions, as well as being active as a researcher at the Palacký University Olomouc (vice-dean starting in 2010), Ostrava University, and Masaryk University.
His brand of postmodernism is surprisingly respectful, using disparate materials in a serious manner, and generally staying with a few pieces of material for the duration of a piece or movement. Often composed in an additive, evolutionary structure, his works are sonically reminiscent of New York post-minimalism, but are very European in their approach to expressivity and emotional intensity. This approach includes both the intense rhythms of ...