(b Harrisburg, PA, March 2, 1921). American singing actress, producer, stage director, and teacher. Possessing a wide range of performing skills, she is known for undertaking challenging operatic roles such as Birdie and Regina in Mark Blitzstein’s Regina (1949, 1953, and 1958) and Lizzie in Jack Beeson’s Lizzie Borden (1965). She worked on Broadway, in light opera, on radio and television, and at New York’s Metropolitan Opera. Lewis attended Penn State University and was encouraged by its Glee Club director to audition for a scholarship at the Curtis Institute of Music, where she went on to study with Emilio de Gogorza. After her teacher suddenly left the Institute, Lewis auditioned and made her debut with the Philadelphia Opera Company at the age of 19 in the role of the Marschallin in Richard Strauss’s Der Rosenkavalier. A remarkably quick study, Lewis absorbed music and words in any language almost on the spot, a gift to which she attributes most of her early success. In ...
Bonnie Elizabeth Fleming
(b New York, NY, Feb 18, 1943). American composer, opera singer, and educator. She studied literature and music at Columbia University, earning both undergraduate and graduate degrees. Her primary voice teachers were soprano Helen Merritt and Marina Ahmed Alam, a Hindustani raga singer. She studied composition with vladimir Ussachevsky , whom she first encountered in an undergraduate counterpoint course, and otto Luening . Ussachevsky eventually taught her the methods he developed for studio electronics and became her principal supervisor. During her student years she collaborated with Ussachevsky on film and television scores, including Line of Apogee and Incredible Voyage, which combined pure electronic and concrète sound sources; Shields also embraced this approach for many of her electronic music-theater pieces and operas. Her DMA in composition was conferred in 1975 with the completion of the third segment of a tripartite opera, begun in 1970, entitled The Odyssey of Ulysses the Palmiped...