(b Jirapa, Ghana, June 22, 1958). Ghanaian xylophone maker, player, and teacher. Born into a family of gyilli makers and players in northwest Ghana, Doozie began playing at six years of age. When he was 12 his father taught him to make his first gyilli and he was a practised maker by age 15. After secondary school Doozie moved to Accra to become a xylophonist with the Ghana Dance Ensemble. He was also an instructor at the Institute of African Studies at the University of Ghana, Legon. Among other appointments, he has performed with the National SO Ghana and has been associated with the Institute of African Studies and the music and performing arts departments of the University of Ghana. In 1990 he established a workshop to produce xylophones; he made the xylophones used in the Broadway production of The Lion King. He has also restored instruments in museum collections. He continues to teach and perform and is managing director of Dagarti Arts and Music in Accra and a member of the Arts Council of Ghana. He is also involved in promoting fair trade practices. Doozie’s xylophone bars—from eight to 18 for each instrument—are made of aged, fire-dried planks of wood from male shea trees. Gourd resonators are affixed under the bars, which are tied to the curved frame. The tips of the wooden beaters are padded with rubber recycled from tyres....
Kathryn Bridwell Briner
(b Chicago, IL, Jan 27, 1950). American horn player, historical horn maker, music educator, and composer. He studied horn with Ernani Angelucci, John Barrows, Helen Kotas, Ethel Merker, Frank Brouk, and Dale Clevenger. He was appointed assistant principal horn for the Detroit Symphony in 1972, and has also performed as principal horn with the Mexico City Philharmonic (1978–80), the Cincinnati Symphony (1984–6), the Toledo Symphony (1990–7), and as guest principal horn with the Antwerp Philharmonic/Royal Flemish Orchestra. He has taught the horn at Interlochen Arts Academy, Wheaton College, Oakland University, the University of Cincinnati, the University of Michigan, the School of Perfection in Mexico City, and the Carl Nielsen Academy in Odense, Denmark. Greer has written solo pieces for both the modern and natural (valveless) horn, as well as a mass for hunting horns and organ.
Noted for his flexible tone and facile technique, Greer has toured widely as a soloist and has made notable recordings, particularly on the natural horn; those recordings include Beethoven’s Sonata for horn, Brahms’ Trio for horn, violin, and piano, and the horn concertos of Mozart....
(b Philadelphia, PA, 1945). American maker of historical woodwinds, performer, and teacher. He founded Levin Historical Instruments, Inc. around 1970 to produce period instrument replicas in collaboration with Steven Silverstein, who was once a partner in the business. Levin arrived on his instrument designs by exploring museum collections in Europe, particularly Germany and Holland. His mentors included friedrich von Huene , Anthony Baines, william Dowd , and Gerrit and Henk Klop. Eventually, his company offered Renaissance- and Baroque-style recorders, cornetti, shawms, and dulcians (fagotti), as well as Baroque and Classical bassoons and oboes. Levin dissolved the company in 1990 to pursue a career in software development and technical writing, but his instruments continue to be sought after and remain in use worldwide.
Levin graduated from the Manhattan School of Music (BA, 1967), where he studied modern bassoon with Elias Carmen. He became a faculty member at the Oberlin College Baroque Performance Institute (...
Sabine K. Klaus
(b Detroit, MI, July 12, 1957). American horn player, teacher, and brass instrument maker. He was a pupil of lowell Greer (Detroit Symphony Orchestra) and Philip Farkas (Indiana University) and holds a BM from Wayne State University and a MM degree from Indiana University.
A pioneer in the United States in natural horn performance and teaching, Seraphinoff has been on the faculty of the Indiana University Jacobs School of Music (modern and natural horn) since 1986, and has made reproductions of baroque and classical natural horns and trumpets since 1983. As a modern horn player he has performed with the Toledo Symphony, Michigan Opera, and Detroit Symphony Orchestra. His activities as natural horn player include performances with virtually every period instrument orchestra in the United States, including the Boston Early Music Festival Orchestra, the Smithsonian Chamber Players, and the Atlanta Baroque Orchestra. His publications cover a wide range of topics, from horn performance and history to brass instrument technology. Since ...