(b Piraeus, May 19, 1929). Greek composer and musicologist. He graduated in theology from Athens University (1954), in neo-Byzantine music (1955) and harmony (1956) from the Piraeus League Conservatory, and in counterpoint, fugue and composition (1959) from the Hellenic Conservatory, where he studied with Yannis A. Papaïannou. At Brandeis University (1962–5) he studied composition (with Arthur Berger), Byzantine music palaeography and electronic music. In 1950 he revived the boys' choir of the Greek Royal Palace, which he directed until 1967. He also established and conducted the Athens Chamber Chorus (1958–61). Between 1961 and 1963 he taught Byzantine music at the Holy Cross Theological Academy, Boston, Massachusetts. In 1965 he established the first electronic music studio in Athens. He was a founder-member (1965) and later president (1975–85) of both the Hellenic Association for Contemporary Music and the Greek section of the ISCM. In ...
revised by George Leotsakos
(Carlo Zanobi Salvadore Maria)
(b Florence, Sept 8/14, 1760; d Paris, March 15, 1842). Italian, composer, conductor, teacher, administrator, theorist, and music publisher, active in France. He took French citizenship, probably in 1794, and was a dominant figure in Parisian musical life for half a century. He was a successful opera composer during the Revolutionary period, and had comparable success with religious music from the beginning of the Restoration. He was made director of the Paris Conservatoire and consolidated its pre-eminent position in music education in Europe.
In the biographical preface to his work catalogue, compiled in 1831, Cherubini gave 8 and 14 September as his dates of birth, but the records of the baptistery of S Giovanni state that he was born on 14 September (and baptized the following day). He was the tenth of 12 children. It has been claimed that his mother died when he was four years old (Pougin, ...
Wayne D. Shirley
(b Paris, July 21, 1883; d New York, May 6, 1944). American musicologist, administrator and composer of German birth. After studying at the universities of Strasbourg and Munich and as a composition pupil of Thuille in Munich, he emigrated to the USA (1905), becoming an American citizen in 1917. He was music editor for the Boston Music Company (1909–22), head of the Music Division of the Library of Congress (1922–34), president of the music publishing firm of G. Schirmer (appointed 1929) and honorary consultant in musicology to the Library of Congress (from 1934). Concurrently he worked as a columnist (1922–44) and editor (1929–44) of the Musical Quarterly. In 1934, with Sonneck and Kinkeldey, he founded the American Musicological Society, subsequently serving as its president (1937–8).
Engel was one of the first generation of American musicologists trained in Europe who applied the standards of continental musicology to American scholarship. He was closely associated with Sonneck (succeeding him as head of the Music Division of the Library of Congress, as president of G. Schirmer and as editor of the ...
revised by James Deaville
(b Würzburg, May 28, 1780; d Würzburg, Jan 5, 1862). German teacher, musical organizer, critic, theorist, conductor and composer. He studied music at the student institute of the Juliusspital in Würzburg, and studied law and philosophy at the university there. In 1801 he began his career as a violinist in the prince-bishop’s court orchestra. He also founded the Akademische Bande, a student choral and orchestral group, which in 1804 became the Akademisches Musikinstitut and was made part of the university, thus becoming the basis of the first state music school in Germany. His teaching and organizational work was of the highest importance and encompassed several disciplines and activities. He became reader in aesthetics in 1812, reader in pedagogical studies in 1819 and professor in 1821. In 1820 a singing school was established as part of the institute. He also conducted important historical concerts for King Ludwig I in ...
Hans Heinrich Eggebrecht
(b Bad Salzbrunn [now Szczawno-Zdrój], Silesia, Nov 20, 1925). German musicologist, choir director and composer. He studied singing with Hüsch, choir directing with Kurt Thomas, and musicology at the universities of Tübingen and Frankfurt, with sociology, Protestant theology and folklore as subsidiary subjects. In 1961 he received the doctorate at Frankfurt under Helmuth Osthoff with a dissertation proving through style criticism that Ghiselin and Verbonnet were the same person; he has also edited the complete works of that composer. He was Kantor at St Paul's in Stuttgart (1958–70) and in 1960 he founded the Stuttgart Schola Cantorum, which he led until it disbanded in 1990. He was adviser for new music for the South German Radio in Stuttgart (1969–88). In 1972 Pierre Boulez selected him to help in the planning of the Centre Beaubourg in Paris. His musicological estate is held by the Paul Sacher Stiftung....
(b Bermuda, March 2, 1915; d Haslemere, June 5, 1983). English musicologist, conductor, music administrator and composer. He went to Peterhouse, Cambridge, in 1932. Dent guided his studies at Cambridge and a grant from his college enabled him to study with Nadia Boulanger in 1934. In 1935 he took the BA and the MusB and joined the BBC music department, where he organized the ‘Foundations of Music’ series and later became responsible for all broadcast chamber music and recitals. In 1938 he devised a memorable series ‘Handel in Rome’. After the war he returned to the BBC to plan the Third Programme, which gave its first broadcast in 1946. Lewis took charge of the organization and general direction of all Third Programme music.
In 1947 he was elected Peyton and Barber Professor of Music at Birmingham University, where he continued his pioneering activities. During his 21-year professorship he conducted many revivals of orchestral, choral and stage works, particularly Handel operas; these performances are remembered for the high standards they established. During this time Lewis was also active in the recording studio and made the first English recordings of such works as Monteverdi's ...
(b Piraeus, 1897; d Piraeus, 1981). Greek composer, music teacher, conductor, music manager, and historian.
He studied music theory with Geōrgios Lampelet and Armando Marsik at Athens Conservatory, and continued his studies in Leipzig with Fritz Benesevic and Max Steinizer. From 1914, and for several years, he was a teacher of vocal training in several schools and a professor in the Academy of Film Studies, of the Higher School of Cinema. He was a member of the board of the organization ‘Ellēnikon Melodrama’ [Greek Melodrama] and directing advisor; founder and conductor of the choir in the church of the Greek community in Leipzig; and founding member of the board of the Union of the Critics of the Theatre and Music, the organization ‘Arxaion Drama’ [Ancient Drama], the Greek Society of composers, writers, and publishers, among others. He was the director of the journal Mousika Chronika [Musical Chronicles] (...
(b Vienna, Oct 26, 1957). Austrian composer, organist, musicologist and artistic administrator. He studied at the Vienna Hochschule für Musik with Michael Radulescu (organ, 1976–83) and Francis Burt (composition, 1982–5), among others, at the University of Vienna (1976–84), where he completed a dissertation on Messiaen, and at the Paris Conservatoire, where his teachers included Messiaen (composition) and Langlais (organ). He has served as music drama adviser at the Salzburg Landestheater (1986–9), music director of the Brucknerhaus, Linz (1990–98), and project director of the Guardini Foundation, Berlin (from 1995, chair 1998). In 1999 he was appointed deputy intendant of the Beethoven Festival in Bonn. He became a Chevalier des Arts et des Lettres in 1990.
Schlee's various professional activities, taken together, represent a consistent concern for musical trends and musical performance. Although he has chosen his compositional material and methods deliberately, his approach to music remains extremely poetic, even religious or metaphysical. He shapes sounds, rhythmic elements, melodies and harmonic colours into forms that develop organically in an analogous fashion to tonal structures. His discourse is rich in nuances, conflicts and contrasts. He has striven to achieve beauty, not by reprocessing the ideals of the past, but by engaging in a search of his own. (...