Australian firm of publishers. It was started about 1890 in Sydney when Jacques Albert (b Fribourg, 1850; d at sea, 1914) began importing violins. In 1894 he was joined by his son Michel François [Frank] (1874–1962), who became sole proprietor in 1896. He continued to trade as J. Albert & Son and in the early 1900s negotiated Australian publishing rights with overseas music houses for both the American Annuals and Sixpenny Pops series. The firm extended its merchandise to orchestral and brass band instruments but sold this stock in 1932 to Allan’s in Melbourne. Shortly afterwards, J. Albert & Son Pty Ltd was formed to control the music publishing interests of the family. About 1970 the firm began the Albert Edition catalogue of predominantly Australian classical compositions, which now exceeds 500 titles and includes works by Ross Edwards, Margaret Sutherland, Wesley-Smith and Butterley. Alexis François Albert (...
Kenneth R. Snell
J.A. Fuller Maitland
revised by Peter Ward Jones
English music publishers. Eugene Ascherberg (b Dresden, 1843; d London, 28 May 1908) arrived in England after a period in Australia, and set up in London as E. Ascherberg & Co. by 1879, initially as a piano importer. The firm gradually moved over to music publishing and took over Duncan Davison & Co. in 1886. The firm of Hopwood & Crew (founded in 1860) published popular dance music by Charles d’Albert, Charles Coote (father and son), Waldteufel and others, as well as countless music-hall songs, and it absorbed the firms of Howard & Co. (1899) and Orsborn & Co. (1901) who had similar catalogues. An amalgamation in 1906 led to the formation of Ascherberg, Hopwood & Crew, and in the same year the firm of John Blockley was also acquired. Ascherberg, Hopwood & Crew’s substantial catalogue covered music of every description, but was based mainly on light music. Among its successful stage works were the operettas ...
English record company. It was formed in 1950 by Hilton Nixon, a New Zealand businessman. Initial releases were 78 r.p.m. records of popular music from the Paris-based Pacific company, but a recording of two Scarlatti sonatas, played in the Tausig arrangement by Monique de la Bruchollerie, and some choral items sung by Les Chanteurs de St Eustache were also released. In 1951 Nixa started to release Pacific recordings on LPs and classical material from US companies such as Bach Guild, Concert Hall Society, the Haydn Society, Lyrichord, Period, Polymusic, Renaissance and Urania. In late 1952 the first original Nixa recordings were made and these, two Vivaldi concertos for viola d’amore with Harry Danks and the London Ensemble, and Haydn’s symphonies nos.49 and 73 conducted by Harry Newstone, were released in 1953. A joint arrangement with the Westminster label produced outstanding recordings of Holst’s The Planets, Walton’s Belshazzar’s Feast and Vaughan Williams’s orchestral pieces, all conducted by Sir Adrian Boult, as well as recordings conducted by Hermann Scherchen and Artur Rodzinski. In ...
Orhan Memed and Maureen Fortey
French/British music publisher and record company. It was named after the rare Australian lyrebird (menura superba or novaehollandiae) and founded in 1932 as Les Editions de l'Oiseau-Lyre (‘The Lyrebird Press’) in Paris by Louise B.M. Dyer, née Smith (1884–1962), an Australian patron of the arts. Her aims were to make available early music that had never been printed in a good modern edition, and to support contemporary composers (Auric, Canteloube, Ibert, d'Indy, Milhaud, Roussel, Sauguet, Britten, Holst and the Australians Peggy Glanville-Hicks and Margaret Sutherland, among others) by commissioning and publishing their works. Her first project was the publication (1932–3) of the complete works of François Couperin to coincide with the 200th anniversary of the composer's death. The 12-volume limited edition that resulted epitomized the quality of subsequent publications in its rigorous scholarship, elegant engraving and modish book design.
After the death of her first husband, Louise Dyer married Joseph (‘Jeff’) B. Hanson (...
New Zealand music publisher . It was established in 1967 by Douglas Lilburn at the School of Music, Victoria University of Wellington. Lilburn's aim was to make inexpensive editions of New Zealand music available to conductors, performers, students and libraries worldwide. Preference was given to works which had recordings commercially available from Kiwi Pacific Records. Most publications are facsimile reproductions of composers' original manuscripts but since ...