(b Los Angeles, CA, March 31, 1935). American trumpeter, composer, bandleader, and record company executive. He studied trumpet as a child and left college to play in the army for a two-year period. After three years of producing records on his own, he launched A&M Records with Jerry Moss in 1962. A&M’s first issue was also Alpert’s first recording as a trumpeter and bandleader, The Lonely Bull (A&M, 1962). The title track included sounds from the bullring in Tijuana, Mexico, so Alpert dubbed his band the Tijuana Brass. His music exploited a distinctive combination of Mexican mariachi-style brass with jazz rhythms, which was dubbed Ameriachi. A string of hits including “Mexican Shuffle” (A&M, 1964) and “Tijuana Taxi” (A&M, 1965) followed. In 1966 Alpert had five recordings simultaneously listed on the Billboard Top 20. His cover of “This guy’s in love with you” reached no.1 in ...
Terence J. O’Grady
revised by Bryan Proksch
Bill C. Malone
revised by Barry Mazor
[Chester Burton ]
(b nr Luttrell, TN, June 20, 1924, d Nashville, TN, June 30, 2001). American country-music guitarist and recording company executive. Although the first instrument he played professionally was the fiddle, he became internationally famous as a guitarist. Developed while he was in high school, his guitar style was influenced by Merle Travis, Les Paul, Django Reinhardt, and George Barnes and was characterized by the use of the thumb to establish a rhythm on the lower strings and multiple fingers to play melodic or improvisational passages on the higher strings, sometimes with complex voicings. In the early 1940s Atkins toured with Archie Campbell and Bill Carlisle playing both fiddle and guitar, and appeared with them on WNOX radio in Knoxville. He then toured with the second generation Carter Family as a sideman and in 1946 joined Red Foley. After beginning his association with the “Grand Ole Opry” he settled in Nashville in ...
[John Henderson ]
(b Whitehaven, TN, April 8, 1931). American singer-songwriter, producer, publisher, and entrepreneur. He began playing bluegrass while in the military and after his discharge in 1952, played at radio stations in Wheeling, West Virginia, and Boston. While enrolled in Memphis State University (from 1954), he worked nights and weekends at the Eagle’s Nest club. After working briefly for Fernwood Records, he was hired by Sun Records, where he recorded Roy Orbison, Jerry Lee Lewis, and Johnny Cash, among others. He wrote hits for several of Sun’s artists, including Johnny Cash’s singles “Ballad of a Teenage Queen” and “Guess things happen that way” (both Sun, 1958).
Clement left Sun in 1960 to became a staff producer for RCA in Nashville. In 1963 he moved to Texas, started a publishing company, and produced Dickey Lee’s hit “Patches” (Smash, 1963). After returning to Nashville in 1965, he discovered and produced Charlie Pride and wrote songs for a variety of country artists, including Pride (“Just between you and me,” RCA Victor, ...
[James Staton ]
(b Lundale, WV, July 26, 1922). American record label executive. Over the course of more than 50 years, Jim Foglesong has played an influential role in the administration of country music. He initially aimed to be a vocalist, performing on a local radio station as a teenager and receiving a degree as a vocal major from the Eastman School of Music in 1950. He subsequently moved to New York City, where he was hired by Columbia Records shortly thereafter. He was appointed the head of their Epic subsidiary in 1953 and held that position for the next ten years. He moved to RCA Victor in 1964 as the executive director of their pop acts. In 1970 Fogelsong moved to Nashville, Tennessee, and joined the Dot Record label as head of their Artist and Repertoire Department. In 1973 he became president of Dot Records. In 1979 he became president of MCA Records Nashville and was named the president of Capitol Records Nashville in ...
Darlene Graves and Michael Graves
[William J. ]
(b Alexandria, IN, March 28, 1936). American gospel songwriter, performer, producer, and publisher. He grew up on a small farm in Indiana and graduated from Anderson College with a major in English and a minor in music. He went on to receive a master’s degree in guidance and counseling and met his future wife and song-producing partner, Gloria Sickal, while both were teaching high school. Gaither started singing gospel music as a child and in 1956 formed the Bill Gaither Trio with his brother Danny and his sister Mary Ann. He started his own publishing company in 1959. He continued to perform and compose while a teacher at Alexandria High School and in 1961 formed the Gaither Music Company to publish his works. After their marriage in 1962, Gaither and his wife wrote their first major song, “He touched me,” which was a significant hit by 1963. He re-formed the Bill Gaither Trio with Gloria and Danny, and in ...
(b United States). American new Age pianist and producer. He played jazz trumpet and guitar during the 1960s in New York, and has credited John Coltrane as an early influence. He became interested in sonic healing and Eastern religions, both of which became fundamental to the transformation of his musical style. After undergoing a spiritual awakening in 1969 in the Santa Cruz mountains, Halpern developed what he called “anti-frantic alternative” music, releasing his first album, Spectrum Suite, in 1975. It became one of the foundational, and most influential, albums of New Age music. To create what was labeled music for “meditation and inner peace,” Halpern performed slowly unfolding, almost arrhythmic melodies on keyboards and synthesizers. Often using choral backdrops for his minimalist, meandering, and warm sonic environments, he weaves together spiritual growth and musical freedom with the goal of bringing self-actualization and wellness to the listener. He has released over 70 recordings featuring instrumental music as well as guided meditation. These include recordings targeted for specific purposes, such as ...
Mark Anthony Neal
(b Chicago, IL, Jan 8, 1967). American R&B singer, writer, producer, and arranger. Kelly was born on the South side of Chicago. Raised, with his three siblings, by a single mother, he was encouraged to pursue a musical career by his high school music teacher and mentor, Lena McLin, who was the chair of the music department at the Kenwood Academy and the niece of the legendary gospel music composer Thomas Dorsey. In high school Kelly formed the group MGM (Musically Gifted Men), which won a $100,000 grand prize on the television talent show Big Break, hosted by Natalie Cole. The group eventually signed with Jive Records, though after creative and financial tensions, three of the members were replaced and the group renamed R. Kelly and Public Announcement. After a moderately successful debut that produced the hit singles “She’s Got That Vibe” and “Honey Love,” Kelly left the group in early ...
revised by Andrea F. Bohlman
(b Brooklyn, NY, May 14, 1947). American rock critic, record producer, and manager. While a history student at Brandeis University (BA 1969) he was the main critic for Crawdaddy! (1966–7) and contributed a regular full-page column to Rolling Stone (1967–9). After graduating, he made his first attempts at record production with the MC5 and Livingston Taylor. In 1970 he returned to criticism, first for the Boston Phoenix (1970–2) and then the Real Paper (1972–5). From 1971 he was recordings editor for Rolling Stone, leaving rock criticism in 1975. In 1972 he had already published a collection of his writings. Landau’s authoritative style is direct in its assessment. His knowledge of rock history and his penchant for technical explanation contributed to his tremendous influence on rock’s development. Landau’s longtime association with Bruce Springsteen began in 1974 when he notably described the artist’s “rock and roll future” in the ...
Ryan R. McNutt
[Gottwald, Lukasz ]
(b Westerly, RI, Sept 26, 1973). American songwriter and record producer. One of the most sought-after collaborators for popular singers in the 2000s, he helped reshape the sound of radio pop for the MP3 age. His hits include Kelly Clarkson’s “Since U been Gone,” Katy Perry’s “I Kissed a Girl,” and Ke$ha’s “Tik Tok.” As of January 2011, he had collaborated on 21 Top 40 Billboard Hot 100 singles.
Following two years at the Manhattan School of Music, he was hired as the lead guitarist for the Saturday Night Live house band in 1997. While working with the show, he began DJing throughout New York, producing or remixing tracks for artists including Mos Def and Black Star. After he met Swedish producer Max Martin at a house party, the duo collaborated on two songs for American Idol winner Kelly Clarkson’s second album, after which Dr. Luke soon wrote hits for Pink, Avril Lavigne, Britney Spears, Katy Perry, and others. Noted for his loud, polished sound and the adoption of electronic and indie rock tropes in his work, he claimed credits on nine separate top ten singles in ...
(b New Orleans, LA, April 13, 1926). American label owner, producer, and engineer. The owner of Cosimo Recording Studios and Rex Records, he was one of the most important recording producers in the fertile New Orleans scene between 1945 and 1972. Matassa’s family, Sicilian immigrants, owned grocery and appliance stores in New Orleans, the latter of which sold radios as well as jukeboxes. As a teenager, Matassa was a field service representative for the family business, J & M Amusement Services. After Matassa began making money selling used records from the jukeboxes, he purchased a Duo Press disc cutter, installed it in the rear of the family store, hired out the space to outside producers, and began recording exclusive sides for the company to distribute. One such artist was Fats Domino, who cut his first single there in 1949. Relocating to a larger space in the French Quarter in ...
(b Brooklyn, NY, Sept 29, 1941; d Hackensack, NJ, March 10, 2009). American promoter, manager, and record label owner. The premiere promoter of “tropical” Latin music, Mercado was a teenager when he began organizing “waistline parties” that admitted women free of charge while men paid according to the size of their date’s waist. These parties soon led to the 3 & 1 club in Brooklyn, where he featured established and up-and-coming Latin music musicians. Mercado established himself in the Manhattan music scene by promoting live performances, such as the Latin jazz series at the Red Garter; dances at the Cheetah Lounge, including the legendary Fania All-Stars concert in 1971; and, in the early 1980s, the Salsa Meets Jazz series at the Village Gate with promoter Jack Hooke.
Mercado created RMM Management in 1972, eventually signing most of the artists under Fania Records. In 1987 he launched RMM Records, filling the void left by the demise of Fania in the early 1980s. Mercado quickly emerged as a leader in the industry and the shift toward ...
(b LaGrange, GA, June 12, 1936; d LaGrange, June 13, 2016). American guitarist, songwriter, producer, and entrepreneur. At age 14 he arrived in Memphis and soon worked with Johnny and Dorsey Burnette. His song “This Time” became a hit for Troy Shondell (1961, Liberty). He then worked for Stax Records, overseeing their first three hits. Ousted in 1962, he founded American Studios and assembled a house band, the Memphis Boys. With Dan Penn, he wrote “Dark End of the Street” for James Carr (1966, Goldwax) and “Do Right Woman” for Aretha Franklin (1967, Atl.). He produced works by Elvis Presley, the Gentrys, Dionne Warwick, B.J. Thomas, and many others. In 1972 he moved to Atlanta and then Nashville, where he became prominent in the Outlaw movement, producing Waylon Jennings and Willie Nelson and cowriting “Lukenbach, Texas (Back to the Basics of Love)” (1977, RCA) with Bobby Emmons. In ...
(b Caledonia, MN, Jan 19, 1911; d Somis, CA, Jan 6, 2008). American country music record producer. One of the most prolific, influential, and successful record producers in the country arena, Ken Nelson was raised in a Chicago orphanage and struck out on his own at the age of 14. He had a brief performing career as a member of the Campus Kids but soon thereafter achieved more success on Chicago radio. His promotion of country music received the attention of Los Angeles-based Capitol Records, which hired him as producer in 1947. Nelson was appointed head of the country division in 1951 and remained in the post until 1971. Over that period he produced thousands of sessions and achieved more than 100 number-one hits. The roster of artists with whom he was associated is astounding: Ferlin Husky, Red Simpson, Faron Young, Jean Shepard, Tommy Collins, Merle Travis, Wynn Stewart, Rose Maddox, the Farmer Boys, Hank Thompson, and Sonny James. Nelson also helped establish the commercial and aesthetic preeminence of the Bakersfield Sound by producing the career-establishing recordings of Merle Haggard and Buck Owens. He made his mark in other genres as well by signing humorist Stan Freberg to the label, recording rock and roll pioneers Wanda Jackson and Gene Vincent, promoting session musician Glen Campbell into a pop star, and bringing the Beach Boys to the attention of the company. Nelson retired from Capitol in ...
(b Fort Myers, FL, Oct 16, 1948). American Producer, arranger, and record executive. Norman met Don Henley when both were students at North Texas State University and formed the group Shiloh, which recorded a self-titled album (Amos, 1970), produced by Kenny Rogers, before disbanding in 1971. Norman, a keyboard player, began arranging for Henley’s new group, the Eagles, as well as Linda Ronstadt, Kim Carnes, Bob Seger, and America. Between 1977 and 1983 he achieved great success as a record producer, working with Crystal Gayle, Hank Williams, Jr., Johnny Lee, Mickey Gilley, and Anne Murray, with whom he produced nine albums, received four Grammy Awards, and earned the Country Music Association’s Single and Album of the Year awards for “A Little Good News” (Capitol, 1983).
In 1983 Norman joined Warner/Reprise as Vice-President of Artists & Repertoire, was named as Executive Vice President in 1984, and became President in ...
Olivia Carter Mather
[Alvis Edgar ]
(b Sherman, TX, Aug 12, 1929; d Bakersfield, CA, March 25, 2006). American country musician and businessman. He is widely considered the central figure of the Bakersfield sound, and his dominance of the country charts in the 1960s challenged Nashville’s hegemony and bolstered the West Coast country scene in Bakersfield and Los Angeles. During the 1950s he worked as a guitarist and session player for several Bakersfield artists before signing with Capitol Records in 1957. In 1963 he began a streak of 14 consecutive number-one country hits with “Act Naturally,” which was later covered by the Beatles. Other hits included “Together Again” (1964), “I’ve got a tiger by the tail” (1965), and a cover of “Johnny B. Goode” (1969).
Owens’s songs eschewed themes of hard living and rambling for a portrayal of the male subject as a lonely victim of romance. With his backing band, the Buckaroos, he developed a bright, driving sound which he described as a freight train feel: heavy bass and drums accompanying two Fender Telecaster electric guitars played by Owens and the guitarist Don Rich. The twangy Telecaster sound and high, close harmony of Owens and Rich characterized many of his recordings. The Buckaroos both toured and recorded with Owens, a contrast to country norms. Owens thus established an alternative to the popular “countrypolitan” sound produced in Nashville (he also never joined the “Grand Ole Opry”); in doing so he inspired such country-rock musicians as Gram Parsons and the Flying Burrito Brothers. He also marketed himself as a hard-country artist free of pop influence; in ...
(b Nashville, TN, Aug 27, 1928; d Nashville, June 13, 2012). American music executive and philanthropist. Preston began her career as a messenger for the National Life and Accident Insurance Company. She soon became a receptionist at the company’s radio station, WSM, and was largely responsible for organizing the early WSM Disc Jockey Convention, an event that would become the most important annual gathering for country music professionals. In 1958 she was hired to open a Nashville office for Broadcast music, inc . Under her direction, BMI became the dominant performing rights organization in the region and, by offering advances to new publishers and songwriters, the central economic engine of the country music industry. By 1964 BMI Nashville had expanded from two people working in Preston’s garage to 400 employees, and she reportedly became the first female executive in Tennessee when she was promoted to vice president. In 1985...
(b Cincinnati, OH, June 7, 1956). American songwriter, producer, and recording industry executive. One of the most influential African American music executives of the late 20th and early 21st centuries. Reid shared songwriting or production credits on a string of major crossover albums in the 1980s and 1990s, among them Bobby Brown’s Don’t Be Cruel (1988), Paula Abdul’s Forever Your Girl (1988), Whitney Houston’s I’m Your Baby Tonight (1990), The Bodyguard soundtrack album (1992), and TLC’s CrazySexyCool (1994). His first professional success came as a drummer for the R&B group the Deele, which featured singer Babyface Edmonds. In 1989 Reid and Edmonds began producing hits together in Los Angeles before starting LaFace Records in Atlanta under a joint partnership with Arista Records. LaFace mentored a new generation of artists including Usher, Outkast, Toni Braxton, and TLC, making Atlanta an important hub in the popular music industry. Reid and Edmonds collaborated on writing or producing 33 number one singles during their partnership, and in ...
(b North Little Rock, AR, Aug 18, 1938). American country music songwriter and producer. One of the most prolific and successful country music songwriters and producers of the last few decades, Reynolds also has played a major role in the careers of a number of artists, most notably Garth Brooks. Reynolds began writing songs while studying for a degree in English at Rhodes College in Memphis, Tennessee. One of his classmates was singer-songwriter Dickey Lee, with whom Reynolds became a collaborator when the duo moved to Beaumont, Texas. They cowrote “I saw Linda yesterday,” which was a top-20 hit for Lee in 1963. Reynolds and Lee returned thereafter to Memphis and formed a publishing company, whose writing roster included Bob McDill and Paul Craft. In 1965 the firm achieved a top-five hit with the Vogues’ recording of Reynolds’s “Five O’Clock World.” Reynolds moved to Nashville in 1970 and established a reputation as a premiere producer and songwriter. He has coordinated projects for Kathy Mattea, Hal Ketchum, Don Williams, Crystal Gayle, Emmylou Harris, and the O’Kanes and written several hit songs, including Crystal Gayle’s “Wrong Road Again” and “Somebody loves you,” Waylon Jennings’s “Dreaming My Dreams with You,” and Don Williams’s “We should be together.” His most successful association has been with Garth Brooks, who remains the best-selling artist of the post-Sound Scan era (post-...
(b New York, NY, Sept 19, 1952). American producer, composer, and guitarist. At the helm of the band Chic , Rodgers and his bass-playing production partner Bernard Edwards (1952–96) epitomized the very best of the disco era while transcending the genre with one of popular music’s most dynamic and cohesive rhythm sections. Individually with highly distinctive guitar licks, Rodgers also successfully transitioned into the 1980s, producing platinum pop records for David Bowie, Madonna, Duran Duran, and many other major acts. This effectively made him one of that decade’s most highly regarded and commercially bankable industry figures.
Rodgers and Edwards met in 1970, becoming members of the Big Apple Band that backed R&B vocal group New York City in 1973, and eventually formed Chic in 1977, releasing an eponymous debut album that year on Atlantic Records that included the Top Ten hit and gold record “Dance, Dance, Dance (Yowsah, Yowsah).” The follow-up album ...