1-2 of 2 results  for:

  • Music Business, Institutions and Organizations x
  • 21st c. (2000-present) x
  • Music and Media x
  • Music Education and Pedagogy x
Clear all

Article

Jason Freeman and Frank Clark

[GTCMT]

Interdisciplinary research centre for music, computing, engineering, design, and business, founded in 2008 at the Georgia Institute of Technology in Atlanta. The Center focuses on the development and deployment of transformative musical technologies, and emphasizes the impact of music technology research on scholarship, industry, and culture. In 2012 the Center had 23 faculty members.

Numerous projects have involved the development of new musical instruments, particularly mobile instruments for smartphone devices; robotic musicians that can listen to and collaborate with human performers; and novel instruments and interfaces designed for health and educational applications. GTCMT research projects have received many grants, mostly from the National Science Foundation. Two spinoff companies, ZooZ Mobile and Khush, have commercialized research results to produce mobile music creation applications.

Though the GTCMT does not have a direct educational mission, it collaborates closely with the university’s School of Music, and several of its faculty members teach courses and advise students in Georgia Tech’s Master of Science and Ph.D. programmes in music technology. The GTCMT presents concerts featuring new instruments, and related events, notably the annual Margaret Guthman Musical Instrument Competition, co-sponsored since ...

Article

Francis Kayali

[K&D]

Radio show and cybercast devoted to new music. Hosted by composers Dennis Báthory-Kitsz (“Kalvos”) and David Gunn (“Damian”), the show aired weekly from 1995 to 2005 on the WGDR-FM 91.1 station at Goddard College in Plainfield, Vermont. Since 2005, new K&D shows have been made available online, albeit on an occasional and irregular basis. Kalvos & Damian’s New Music Sesquihour started on 27 May 1995 as a 90-minute weekly summer radio show. That September they expanded to a permanent two-hour slot, retitled Kalvos & Damian’s New Music Bazaar, and introduced a website (www.kalvos.org) that offered live online streaming and, eventually, archived broadcasts, which reached a much wider audience. In 2000 K&D was recognized as “a music website of singular excellence” and its hosts were awarded an ASCAP-Deems Taylor Internet Award.

K&D shows are characterized by a humorous, quirky, playful, and unpretentious tone. Their opening segment consists of a ten-minute “introductory essay,” an often zany, Dadaist narrative written and read by Damian, accompanied by sound effects and banter from Kalvos. The main portion of the show is devoted to interviews and recordings of new music. Over the years, K&D has interviewed a vast range of contemporary composers: experimental and mainstream, symphonic and electronic, prominent and emerging, Vermont natives and overseas figures. K&D also ran online mentoring programs for junior high and high school students and organized the Ought-One Festival of Non-Pop in Montpelier, Vermont. After Báthory-Kitsz and Gunn decided to pursue new projects, the final radio broadcast of K&D aired on ...