(b Port Chester, NY, Dec 16, 1944). American jazz guitarist, composer, and bandleader. He grew up in Greenwich, CT, and began playing guitar at the age of 14. He was primarily self taught until he studied at the Berklee College of Music (1962–6) and with Jack Petersen. Abercrombie joined Johnny Hammond’s touring band after the blues organist had spotted him performing with other Berklee students at Paul’s Mall in Boston. After studying briefly at the University of North Texas, in 1969 he moved to New York where he performed and recorded in Billy Cobham’s jazz-rock band Dreams (1970), joined Chico Hamilton’s group, and recorded with Gato Barbieri (1971), Barry Miles (1972), and Gil Evans (1974). Abercrombie attracted wider attention performing with Cobham’s fusion band Spectrum from 1974. He also toured with Jack DeJohnette and recorded his debut album, ...
[Abrams, Richard Louis ]
(b Chicago, IL, Sept 19, 1930). American pianist, composer, and administrator. After receiving private piano lessons, he studied at the Chicago Musical College and taught himself the system of composition devised by Joseph Schillinger. He began to work professionally in 1948 and performed regularly at the Cotton Club in Chicago during the 1950s, accompanying visiting musicians such as Dexter Gordon, Sonny Stitt, and Max Roach. After composing and arranging for the Walter “King” Fleming band in the mid-1950s, Abrams joined the hard bop ensemble MJT+3 and made his recording debut on the group’s album DADDY-O PRESENTS MJT+3 (1957, VJ 1013). Beginning in 1961 Abrams led the Experimental Band, a composer-centered rehearsal ensemble whose members included the double bass player Donald Rafael Garrett, Jack DeJohnette, Roscoe Mitchell, and the reed player Joseph Jarman. He subsequently co-founded the Association for the Advancement of Creative Musicians (AACM) in 1965...
(b Kingston, ON, Nov 5, 1959). Canadian rock singer, songwriter, and guitarist, and photographer. The son of a diplomat, he spent his youth in England, Israel, Portugal, and Austria. After returning with his family to North America, he began performing and recording at the age of 15 with rock bands in British Columbia and Ontario. In 1978 he began what became a long and successful songwriting partnership with Jim Vallance, with whom he created most songs recorded under his name up to 1987, as well as songs recorded by Rod Stewart, Kiss, Bonnie Raitt, Neil Diamond, and the Canadian groups Prism, BTO, and Loverboy.
Adams’ albums characteristically alternate between down-tempo piano ballads and straight-ahead rock numbers. His third solo album, Cuts like a Knife (1983) launched him to the status of an international celebrity; its singles included the ballad “Straight from the Heart” and the anthem “Cuts like a Knife,” which both featured for weeks on magazine charts and music television. The next album, ...
J. Bradford Robinson
(b Dairen, China, Dec 12, 1929). Japanese jazz composer, pianist and bandleader. She studied classical music and turned to jazz only in 1947 after moving to Japan. There she was discovered by Oscar Peterson, who urged her to take up a career in the USA. After studying at Berklee College of Music (1956–9) she became a highly regarded bop pianist, especially in groups with the alto saxophonist Charlie Mariano (who was at that time her husband). She worked in Japan (1961), joined Charles Mingus in the USA (1962–3), then returned to Japan until 1965. In 1973 she founded a large rehearsal band in Los Angeles with the tenor saxophonist and flautist Lew Tabackin, whom she had married in 1969. Its first album, Kogun (1974, RCA), was commercially successful in Japan, and the group attracted increasing popularity and critical acclaim until, by ...
E. Ron Horton
(b Hollywood, CA, Aug 30, 1957). American jazz and pop saxophonist. With Grover Washington jr and George Benson he was at the forefront of a movement in the 1970s that combined a jazz sensibility with more mass-market styles such as funk, rock, and rhythm and blues. Albright attended Locke High School where Patrice Rushen was a fellow student. At the University of Redlands, he read business management with a minor in music; during this time he refined his saxophone technique and learned to play bass guitar. He subsequently performed and recorded with Rushen, playing the well-known saxophone solo on her hit single “Forget me nots” (Rhino, 1982). Thereafter, his career flourished as he worked with a range of artists including Anita Baker, the Winans Family, Lola Folana, Whitney Houston, Phil Collins, and Quincy Jones. One of Bill Clinton’s favorite saxophonists, Albright performed at the president’s inauguration as well as at several of his private functions. As a leader, he has made nine albums and sold more than one million records in the United States; his recordings ...
Gareth Dylan Smith
[Patterson, Robert, Jr. ]
(b Philadelphia, PA, July 1, 1935; d New York, NY, Aug 13, 2009). American jazz drummer. He learned congas from the age of nine and studied percussion while in the US Army (1952–5). After attending the Granoff School in Philadelphia, he worked in jazz and rhythm-and-blues bands and in 1963 moved to New York, where he was a key figure in the free-jazz movement, performing with Albert Ayler, Don Cherry, Sun Ra, and Archie Shepp. In addition he collaborated with John Coltrane, including the albums Expression and Interstellar Space (both 1967, Imp.), on which Ali’s performance displays the influence of Sunny Murray and Milford Graves. Ali also learned from Elvin Jones, with whom he competed for the drum chair in Coltrane’s band. In 1967 Ali worked in Europe with Niels-Henning Orsted Pedersed, studied with Philly Joe Jones, and worked at Ronnie Scott’s, London, with Jon Hendricks and Dave Holland. The following year he returned to New York, where he played with Sonny Rollins and Jackie McLean, and for five years from ...
(b Pontiac, MI, June 12, 1957). American jazz pianist and composer. She began classical piano study at age seven with Patricia Wilhelm, who also encouraged her interest in jazz. After graduating from Detroit’s Cass Technical High School in 1975 (where trumpeter Marcus Belgrave was one of her teachers), she studied with John Malachi at Howard University (BA 1979, jazz studies) and with Nathan Davis at the University of Pittsburgh (MA 1982, ethnomusicology). She also took private piano lessons with Kenny Barron in 1979. She moved to New York in the early 1980s, where she became a member of the M-BASE collective. Allen recorded her first album as a leader, The Printmakers, in 1984 (Minor Music). Since then she has performed on more than 100 recordings in a variety of capacities. She worked in trios with Ron Carter and Tony Williams (on albums such as Twenty One, 1994, Blue Note) and with Charlie Haden and Paul Motian (...
(b Louisville, KY, May 25, 1924). American alto saxophonist and bandleader. He began clarinet lessons when he was ten and later took up alto saxophone. After joining the US Army at 18 years of age, Allen performed in military bands and, while stationed in Paris, formed a trio with Art Simmons and Don Byas. Allen remained in Europe following his discharge, touring with James Moody and studying clarinet at the Paris Conservatory with Ulysse Delécluse. He returned to the United States in 1951 and led dance bands and worked as a composer in Chicago. After hearing a demo recording of Sun Ra’s Arkestra in a record store, Allen sought out the bandleader during a rehearsal and began an apprenticeship. He subsequently rehearsed with the Arkestra for more than a year before joining officially in 1958. His association with the ensemble has lasted more than 50 years.
Allen worked closely with Sun Ra for much of his professional career, composing for the bandleader and performing both in concert and on more than 200 albums; he even shared a house with him. Alongside John Gilmore Allen anchored the reed section, adding flute, clarinet, oboe, and in later years wind synthesizer. He invented the morrow, a woodwind instrument combining a saxophone mouthpiece with an open-holed wooden body, and learned to play and build the kora, a West African multi-string instrument. Allen rarely worked outside the Arkestra, although he made a notable recording with Paul Bley (...
[Stephen Valentine Patrick William]
(b New York, NY, Dec 16, 1921; d Encino, CA, Oct 30, 2000). American composer, radio and television personality, pianist, singer, and comedian. The son of Belle Montrose and Billy Allen, both of whom worked in vaudeville, he moved from place to place as a child, attending many schools for short periods of time. He played piano from an early age, although his musical training was mainly informal. He began a professional career in Los Angeles as a disc jockey on radio during the 1940s, then turned to television in the 1950s; he established himself as a comedian, and often played the piano during his shows, improvising jazz and singing his own songs. Among the musicians who appeared with him regularly was the vibraphonist Terry Gibbs. Allen’s most popular television program was “The Tonight Show,” which he began broadcasting locally in New York in 1953, subsequently leading it to nationwide success the following year. Allen performed the title role in the film ...
(Pastor Gomez )
(b Sincelejo, Colombia, Feb 18, 1949). American saxophonist of Colombian birth. His father was a percussionist who performed traditional Colombian music and Almario began his career playing in this style. Influenced by the Cuban music that was popular along the Caribbean coast of Colombia, Almario studied wind instruments and theory in Barranquilla, where he later moved. After a tour of the United States in 1967, he accepted an invitation to move to Miami and in 1969 was offered a scholarship to the Berklee School of Music. Two years later, while he was still studying, Almario was invited to sit in with Mongo Santamaria, who subesequently hired him as musical director for his ensemble; Almario can be heard on a number of Santamaria’s recordings, including Afro-Indio (1975, Fania). In the following years, Almario worked with Duke Ellington, Machito, Willie Bobo, and Charles Mingus. His group Koinonia, which he formed with Alex Acuña, performed West Coast jazz and promoted Christian spirituality, such as on the album ...
Terence J. O’Grady
revised by Bryan Proksch
(b Los Angeles, CA, March 31, 1935). American trumpeter, composer, bandleader, and record company executive. He studied trumpet as a child and left college to play in the army for a two-year period. After three years of producing records on his own, he launched A&M Records with Jerry Moss in 1962. A&M’s first issue was also Alpert’s first recording as a trumpeter and bandleader, The Lonely Bull (A&M, 1962). The title track included sounds from the bullring in Tijuana, Mexico, so Alpert dubbed his band the Tijuana Brass. His music exploited a distinctive combination of Mexican mariachi-style brass with jazz rhythms, which was dubbed Ameriachi. A string of hits including “Mexican Shuffle” (A&M, 1964) and “Tijuana Taxi” (A&M, 1965) followed. In 1966 Alpert had five recordings simultaneously listed on the Billboard Top 20. His cover of “This guy’s in love with you” reached no.1 in ...
(b Chichester, England, 1971). American singer-songwriter and pianist. After the Hegarty family moved to San Jose, Ccalifornia, in 1981, Antony studied experimental theater at New York University, formed a performance collective with Johanna Constantine, and collaborated with filmmaker William Basinski (Life on Mars, 1997) and rock icon Lou Reed (The Raven, Sire, 2003; Animal Serenade, RCA, 2004). Antony has become the world’s most famous transgender musician. Male-bodied and feminine-identified, Antony retains his birth name and uses masculine pronouns professionally. His band, Antony and the Johnsons (formed in 1996), is named after the murdered African American transgender activist Marsha P. Johnson.
Antony’s vocal depth, resonance, and melismatic grace evoke African American musical traditions. His tremulous vibrato and seemingly self-imposed limitations (also evident in his amateurish piano playing) express the grave earthly burdens of his lyrics. His eclectic work has been influenced by the AIDS-ravaged New York art scene (Peter Hujar), British synth-pop (Marc Almond), soul (Nina Simone, Boy George), and experimental underground music (Diamanda Galás). His band includes vocals, piano, drums, guitar, bass, cello, violin, and horns, he regularly appears with an orchestra, and he released an album of live symphonic performances with the Danish National Chamber Orchestra featuring arrangements by Nico Muhly, Rob Moose, Maxim Moston, and himself (...
David F. Garcia
(b Ranchuelo, Las Villas, Cuba, April 4, 1928). Cuban trumpet player, active in the United States. Known for his uniquely traditional Cuban style, Armenteros began playing trumpet in the youth municipal band of Ranchuelo. After moving to Havana in 1949, he made his first recordings with René Álvarez y Su Conjunto titled “Llego María La ’O” and “Jovenes del muelle.” He later became a member of Arsenio Rodríguez y Su Conjunto and the Beny Moré orchestra, performing on Cuban radio as well as recordings. Armenteros performed in New York for the first time in 1956 as a member of Fajardo y Sus Estrellas. Soon afterward he moved there, performing and recording with Machito and His Afro-Cubans, La Sonora Matancera, Larry Harlow, Moncho Leña, Charlie Palmieri, Eddie Palmieri, Grupo Folklórico y Experimental Nuevayorquino, and many others through the 1970s. Since then he has recorded with Cachao, John Santos, and Poncho Sanchez, as well as leading his own recording projects totaling more than eight albums. His ongoing performance and recording career encompasses seven decades. Recordings of his playing demonstrate the idiomatic markers of Cuban trumpet playing and music, including ...
Bill C. Malone
revised by Barry Mazor
[Chester Burton ]
(b nr Luttrell, TN, June 20, 1924, d Nashville, TN, June 30, 2001). American country-music guitarist and recording company executive. Although the first instrument he played professionally was the fiddle, he became internationally famous as a guitarist. Developed while he was in high school, his guitar style was influenced by Merle Travis, Les Paul, Django Reinhardt, and George Barnes and was characterized by the use of the thumb to establish a rhythm on the lower strings and multiple fingers to play melodic or improvisational passages on the higher strings, sometimes with complex voicings. In the early 1940s Atkins toured with Archie Campbell and Bill Carlisle playing both fiddle and guitar, and appeared with them on WNOX radio in Knoxville. He then toured with the second generation Carter Family as a sideman and in 1946 joined Red Foley. After beginning his association with the “Grand Ole Opry” he settled in Nashville in ...
(b Monterrey, Nuevo León, Mexico, Dec 8, 1945). Mexican accordionist, singer, and bandleader. Born in Monterrey and raised in Reynosa, Tamaulipas, Ramón Ayala has been the foremost figure in norteño music along the Gulf Coast and Texas border region since the 1970s. He first became famous in the 1960s as the accordionist and coleader of Los Relámpagos del Norte, with the singer-songwriter Cornelio Reyna; then formed his own band, Los Bravos del Norte, in 1971. In Mexico, Ayala is regarded as part of a great generation of border bandleaders, along with Carlos y José and Los Cadetes de Linares. North of the border, though, he has far outstripped his peers, and only California’s Los Tigres del Norte rival his ongoing popularity. Unlike the Tigres, who have consistently pushed norteño in new directions, Ayala is a traditionalist, and his success is due as much to his image as a hard-working, old-fashioned bearer of the classic tradition as to his intricate accordion passages and his keen eye for good material, from gunfighter corridos to romantically mournful ...
(b Los Angeles, CA, Sept 10, 1940). American vibraphonist. He grew up in a musical family and learned other instruments before taking up vibraphone at the age of 17, despite being given a pair of vibraphone mallets by Lionel Hampton as a child. In the 1960s he worked mainly in Los Angeles and was hired as the music director of Herbie Mann’s group after performing with the flutist in 1966. He recorded several successful albums with Mann, including Memphis Underground (1968, Atl.). After moving to New York, Ayers founded the ensemble Ubiquity (1970), which featured a line-up of musicians—veterans as well as newcomers—that changed regularly and a repertoire that drew from jazz, soul, pop, blues, and funk. Ayers found success among popular and disco audiences, notably with “Everybody loves the sunshine” (1976). After touring Nigeria with Fela Kuti in 1979, he was inspired to address social issues, and such themes subsequently shaped his album ...
(b Orange, TX, March 20, 1949). American blues singer and pianist. Ball began playing piano at age five, one in a long line of female pianists in her family. Her earliest influences were Tin Pan Alley songs, but as a young teenager she became interested in soul and blues music. Inspired by the music of Irma Thomas, Ball continued to play, attended Louisiana State University and performed with the blues/rock band, Gum. She decided to leave the area in 1970, but only made it as far as Austin, TX, where she put together a band named Freda and the Firedogs. Ball began songwriting in earnest around the same time, feeling a kindred spirit in the music of Professor Longhair. She was signed to Capitol Records in 1974, and launched her solo career with the album, Circuit Queen (1978). In the next two decades, she would release six records on Rounder Records while working on her personal sound, which has been described as a mix between “Texas stomp-rock” and “Louisiana swamp blues.” One of her most successful albums was ...
[Walker, William Vincent]
(b Mobile, AL, Sept 20, 1947; d Harlem, NY, April 11, 2011). American jazz violinist and composer. He moved with his mother to the Bronx as a young child and attended school in Harlem where he played the conga. Bang took up violin at the age of 12 and played it in his school orchestra. After studying with a scholarship at the Stockbridge School, MA (1961–3), he served a tour of combat duty in the Vietnam War and subsequently joined the anti-war movement. Bang was inspired to take up violin again by the records of Ornette Coleman and Leroy Jenkins. He purchased an instrument at a pawnshop in 1968 and was playing professionally by 1972 after studying with Jenkins and practicing with Eric Dolphy records. He was active in the New York avant-garde loft scene, leading the Survival Ensemble and playing with Sam Rivers and Frank Lowe, and in ...
(b Lisle, IL, Nov 8, 1955). American singer, pianist, composer, and bandleader. Her father played with the Glenn Miller band and her mother was a professional blues singer. After studying psychology and classical piano at the University of Iowa, Barber returned to Chicago and began playing five nights a week at the Gold Star Sardine Bar, where she attracted varying critical attention for her husky voice and the inclusion of pop songs, including “Black Magic Woman” and “A Taste of Honey,” in her repertoire. She recorded her first album, Split (Floyd), in 1989 and her second album, A Distortion of Love (Antilles) in 1991. She subsequently moved to the independent label Premonition, which was bought by Blue Note in 1998. In 2003 Barber became the first songwriter to be awarded a Guggenheim Fellowship. Under its aegis she composed a song cycle based on Ovid’s Metamorphoses. She is the subject of a documentary, ...
Gareth Dylan Smith
(b Richmond, VA, June 26, 1955). American jazz drummer. He learned to play drums by listening to and imitating recordings and first worked professionally in Dixieland and rock-and-roll bands. He briefly attended the Berklee College of Music before moving to Los Angeles, where he worked as a studio musician and played with, among others, Chet Baker, Stan Getz, Dizzy Gillespie, Carmen McRae, and Helen Merrill. After moving to New York in 1982, he worked with Toshiko Akiyoshi, Fred Hersch, Red Rodney, and Toots Thielmans and began a ten-year working relationship with Bill Frisell, during which he recorded seven albums. In the late 1980s he performed as a soloist and with the band Miniature. Known for his ability to combine music from many traditions, including klezmer, jazz, and blues, Baron played a prominent part in the neo-bop movement of the early 1990s, leading a trio, Baron Down, from 1991...