(b Durrës, Albania, Jan 20, 1914; d Tirana, Albania, March 30, 1977). Albanian folk music researcher and composer. Born into an intellectual family, he studied music in Bucharest (1936) and later Milan (1939) before returning to Albania during World War II. Initially, Dheri was appointed music instructor at the high school in Shkodra, where he organized small ensembles and choral groups following the war. In 1949, he was transferred to the Committee for the Arts and Culture in Tirana and, in 1953, to Radio Tirana. During this period, Dheri contributed to the Radio’s sound archives, collected and transcribed folk pieces, created pedagogical texts, and composed light popular waltzes, tangos, and foxtrots. His primary contribution followed his appointment to the newly formed Institute of Folk Culture in 1968. As an editor and the founding director of the national archives for folk music, Dheri oversaw the publication of early systematic collections including ...
Laura Otilia Vasiliu
(b Reuseni, Suceava county, Romania, May 2, 1944). Romanian composer, musicologist, and teacher . Rooted in the folklore of Bukovina and in Byzantine liturgical music, furthering the musical environment of his predecessors Ciprian Porumbescu and George Enescu, his works stand at the crossroads of tradition and modernity, having become established through their authentic expression and mastery of form. His personality has been influential in the musical life of Iaşi and the George Enescu University of Arts, which he served as a professor, dean, and rector.
He studied at the George Enescu Conservatory in Iaşi. He graduated in pedagogy and composition under Vasile Spătărelu. He attended composition classes led by Ştefan Niculescu, Aurel Stroe, and Anatol Vieru at the Vacanţele muzicale de la Piatra Neamt (‘Musical Holidays of Piatra Neamţ’, 1972–80), and then he studied with Roman Vlad at the Santa Cecilia Academy in Rome (1980). Up until ...
Laura Otilia Vasiliu
(b Sibiu, Romania, March 27, 1940). Romanian composer, professor, and musicologist of German ancestry. His works are inspired by the folklore and academic art of the Transylvanian Saxons, while also manifesting a moderate tendency to assimilate modern idioms. Published especially by German and Swiss houses, his compositions gained him international prestige within German-language circles. Additionally, he pursued his vocation as a researcher by analysing the works of J.S. Bach and of Transylvanian musicians, especially Gabriel Reilich and Paul Richter. He studied at the Conservatory of Cluj (1959–65) with Sigismund Toduţă (composition), Cornel Tăranu (harmony), and Vasile Herman (musical forms). He took the Ph.D. in musicology from the Music Academy of Cluj-Napoca (1978) with a thesis called Contradominanta în creaţia lui W.A. Mozart (‘The Counter-Dominant in the Works of W.A. Mozart’). As a professor in the harmony/composition department of the Cluj-Napoca Conservatory, Türk developed significant treatises and courses, including the book ...