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James R. Anthony

(b 1718; d Paris, after 1775). French composer, dancer, ?singer and harpsichordist. In his contemporary manuscript, Notices sur les oeuvres de théâtre, the Marquis d'Argenson commented that Duval, ‘une jeune fille de l'Opéra’, was 18 in 1736 when she composed Les Génies, ou Les caractères de l'Amour. Fétis gave 1769 as her death date; Choron identified her as a ‘singer at the Paris Opéra’ and claimed that she was ‘still living in 1770’; the Anecdotes dramatiques for 1775 referred to her as a ‘former actress at the Opéra’ and included a ‘Mlle Duval’ as a supernumerary among the dancers.

Duval was best known as the composer of Les Génies, ou Les caractères de l'Amour (libretto by Fleury [de Lyon]), a ballet-héröique in a prologue and four entrées (printed in Paris about 1736). The dedication page reveals that the Prince of Carignan was her ‘Protecteur’. Les Génies...

Article

Ian Mikyska

(b Boskovice, 19 Jan 1984).Czech composer and performer (voice, accordion, and tap dance). She studied the accordion (2004–10) and composition (2007–8) at the Brno Conservatory, and composition at the Janáček Academy of Music and Performing Arts (with martin smolka and Peter Graham[1]). She also studied as an exchange student at the Royal Conservatory in The Hague, the California Institute of the Arts (with michael pisaro), the Universität der Künste Berlin (with Marc Sabat), and Columbia University (with george e. lewis).

While she often works with elements outside of music, there is almost always an intense engagement with direct listening, often arrived at through intense focus on very limited material. Sources for her work include Morse code, maps of garments which she turns into scores (Shirt for Harp, Oboe, and Accordion; Jacket for Ensemble), field recordings which she notates descriptively and then asks musicians to interpret the notation (...