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James B. Kopp

(b London, UK, July 17, 1946). Conservator of musical instruments and maker of brasses, based in Ottawa, Canada. After studying fine arts and English at the University of Toronto, he joined the Canadian Conservation Institute, Ottawa, in 1975 as a conservator of furniture and wooden objects. He was trained in instrument conservation at the Germanisches Nationalmuseum, Nuremberg, and received a PhD from the Open University in 1999. He has undertaken wide-ranging projects in the conservation, display, and use of historical instruments in European and North American museums. He has received awards from the American Musical Instrument Society, the Galpin Society, and the Historic Brass Society for his numerous writings. He was named senior conservator at the Canadian Conservation Institute in 1991 and retired in 2007.

Barclay began in 1976 to make reproduction trumpets after models by Johann Carl Kodisch, Johann Leonhard Ehe (iii), and Hanns Hainlein. His book ...

Article

Allison A. Alcorn

(b Kingston-on-Thames, Surrey, UK, March 14, 1940). English dealer in musical instruments, rare music books, music iconography, and related ephemera. After leaving school at the age of 16, Bingham trained as a quantity surveyor and opened his own surveying business in 1961, about the same time he began dealing in general antiques. He had a partnership in a musical instrument business for one year until 1966, when he opened his first independent shop at 247 Kings Road, London. Through extensive travels Bingham obtains and sells both Western and non-Western instruments. He specializes in assembling collections of European woodwinds, illustrating their development also with patent documents, methods, and other materials. His shop at 11 Pond Street features collections of metronomes, oil paintings of musicians, trade cards, tuning forks, and trade catalogues in addition to instruments. Major museum clients include the Metropolitan Museum of Art (New York), the National Music Museum (South Dakota), the Musée de la Musique (Paris), and the Musashino Academia Musicae (Tokyo), while private collectors have included Joe R. Utley, Nicholas Shackleton, and H. Iino. Bingham has also published several important works on musical instruments, such as William Waterhouse’s ...

Article

(b 1960; d Oct 24, 2000). American fretted-instrument collector, based in Toms River, New Jersey. During the 1990s he amassed more than 1000 vintage and 20th-century guitars, harp-guitars, banjos, mandolins, ukuleles, and other types representing a broad spectrum of designs, many by outstanding American luthiers and some previously owned by famous performers. His collecting activity, concentrated in a few years, drove up prices for fine fretted instruments generally and brought attention to guitars as works of art. Chinery lent generously for exhibitions and to performers, and intended to build a museum to house his holdings. His ‘Blue Guitar’ collection was inspired by a D’Aquisto Centura Deluxe model with a blue finish; Chinery commissioned 22 contemporary makers to build archtop guitars of their own design but all with a blue finish like D’Aquisto’s. Chinery also collected Cuban cigars, watches, automobiles, and comic books, among other hobbies supported by a fortune made from marketing nutrition supplements and other physical fitness products through Cybergenics, a company he sold in ...

Article

(b Piotrków Trybunalski, Poland, 1910; d New York, Aug 27, 2010). American musician, instrument collector, bow maker, and jeweller. Kaston studied the violin with his father and grandfather before taking lessons with Enescu in Paris from 1937. After World War II he came with his wife to New York; their son was born during the passage. He played briefly with the Cleveland Orchestra before joining the Metropolitan Opera orchestra in 1943. In the 1960s he worked part-time for Wurlitzer as a bow maker and repairer, honing his skills as a copyist especially of Tourte bows, which he imitated so successfully that some have passed in the market as authentic. His knowledge of Tourte’s work was summarized in the book François-Xavier Tourte: Bow Maker (New York, 2001). Along with fine bows, Kaston created jewellery, including pieces commissioned by Salvador Dalí. Some of his bows incorporated jewels in their fittings. Kaston also invented a rubber mute, marketed as the ‘Heifetz’ mute....

Article

(b Antwerp, Belgium, 13 Feb 1928). Belgian organologist and museum curator. She studied at the University of Ghent from 1948 to 1952 and received the PhD (1957) with a dissertation on music at the Burgundian-Habsburg court in the Netherlands. She started her career in 1953 at the Vlees-huis museum (Antwerp), where she cared for a small collection of historical instruments including Ruckers harpsichords in intact condition. Specialist visitors to the museum, including Raymond Russell and Frank Hubbard, encouraged Lambrechts-Douillez to undertake archival research on the Ruckers family, resulting in seminal publications. For guidance in the preservation of historical harpsichords she sought advice from John Henry van der Meer and members of the Galpin Society, with whom she built strong connections that helped bring the Vleeshuis collection to international attention, especially among instrument builders and early-music performers.

Lambrechts-Douillez was a founding member in 1960 of the International Committee of Musical Instrument Museums and Collections (CIMCIM), serving as its president from ...

Article

Sarah Adams Hoover

(b Little Fork, MN, Nov 10, 1942). American organologist and curator. He received a BFA in music education (1964) and MM in music literature (1968) from the University of South Dakota and a PhD in musicology from West Virginia University (1974). In 1973 he returned to South Dakota to become the first director of the Shrine to Music Museum (renamed the National Music Museum in 2002) at the University of South Dakota in Vermillion. During his tenure (1973–2011) he established a major international collection of instruments (augmenting a private collection owned by his father, Arne B. Larson) and created a significant resource for exhibiting, studying, and conserving historical instruments. He taught music history at USD and established and oversaw the university’s masters program in the history of musical instruments. A recipient of the American Musical Instrument Society’s Curt Sachs Award for lifetime contributions to the field of organology, he served as its president from ...