(b Genoa, c1600; d after 1640). Italian theorist. A Franciscan, he was chaplain and musician to Cardinal Franz von Dietrichstein, Prince-Bishop of Olomouc and governor of Moravia. Before 1629 he probably taught music at the seminary at St Oslowan and from 1629 at the newly established Loretan seminary at Nikolsburg (now Mikulov), the cardinal’s principal residence. He returned to Italy in 1632. His treatise Regulae contrapuncti excerptae ex operibus Zerlini et aliorum ad breviorem tyronum instructionem accommodate (St Oslowan, 1629/R), which in spite of its Latin title and dedicatory letter is written in Italian, was conceived as a textbook of counterpoint for his seminarians. It is an entirely unoriginal and conservative compendium of the most elementary rules concerning the use of consonances and dissonances, derived, according to the title, ‘from the works of Zarlino and others’.ČSHS EitnerQ E. Bohn: Die musikalischen Handschriften des 16. und 17. Jahrhunderts in der Stadtbibliothek zu Breslau...
(b Città di Castello, Jan 26, 1595; d Città di Castello, ? after March 15, 1679). Italian composer and teacher. He travelled to Rome with his brother Guidobaldo, an artist, in 1623 and 1625 (Andrae, 17–19), and was employed at S Giovanni in Laterano from January 1627 to May 1629. According to his verse autobiography (in I-Rvat ) he served there ‘seven years and some months’, or from 1622, but neither this nor his statement that he held earlier positions in Città di Castello and at the Gesù in Rome have been confirmed. He subsequently served as maestro di cappella at the cathedrals of Città di Castello (June 1629 to May 1632, December 1635 to November 1640 and May 1677 to March 1679) and Orvieto (December 1632 to 1635). In Rome his principal tenures were at S Maria Maggiore, where he trained boy sopranos (...
H. Wiley Hitchcock
revised by Nicholas Temperley
(b Swanton Morley, Norfolk, bap. Jan 15, 1571; d Amsterdam, ?1622–3). English minister and psalmodist. He attended Cambridge University from 1586 to 1591, leaving without a degree. He was expatriated as a ‘Brownist’ in 1593 and settled in Amsterdam, where he became ‘teacher’ of the Ancient Separatist Church in 1596; in 1610 he founded an Independent church, becoming minister of it himself. He took the Calvinist position on predestination. He was the author of a number of controversial religious tracts, annotations, and translations of scripture. Many consider him one of the finest Hebrew scholars of his day. His Book of Psalmes: Englished both in Prose and Metre, with Annotations (Amsterdam, 1612, 4/1644; music ed. in ISAMm, xv, Brooklyn, NY, 1981) contains all 150 psalms in a new metrical version, together with prose translations and annotations. 48 are provided with monophonic tunes (six melodies are used twice and one three times). 21 of the 40 tunes are drawn from the Continental Reformed tradition, and 16 are from English sources (including three of the newer, short variety such as ...
revised by Howard Hotson
(b Ballersbach, nr Herborn, March 1588; d Gyulafehérvár [Weissenburg, Transylvania; [now Alba Julia, Romania], Nov 9, 1638). German theologian, encyclopedist and music theorist. From 1608 he taught at the Calvinist academy, Herborn, where J.A. Komenský was among his pupils. Following the disruptions of the Thirty Years War, he transferred to Gyulafehérvár in Transylvania in 1629–30. His liberal strand of Calvinist thought is reflected in his theological understanding of music: he tolerated secular music (both polyphonic and instrumental) alongside strictly regulated church music as long as it was committed to the spiritual purpose of all music. Classifying music among the mathematical disciplines, he treated it briefly in a series of mathematical textbooks and most extensively in his masterwork, the largest, most comprehensive and systematic encyclopedia assembled to that time (1630). Like that of most of the 37 disciplines handled in the work, his treatment of music is derivative, and its chief importance lies in its comprehensiveness, systematic presentation, wide distribution and easy accessibility within the encyclopedia as a whole. Like Erycius Puteanus and David Mostart, he favoured seven-syllable solmization series (...
(b Alach, nr Erfurt, May 27, 1584; d Erfurt, Feb 12, 1640). German composer. He was sent to school at Erfurt in 1590 and went on to study theology at the university there in 1598, gaining the bachelor’s degree in 1599 and the master’s degree in 1603. He taught at Erfurt from 1600, beginning at the Reglerschule; from 1601 he was Kantor at St Andreas and from 1607 was also rector of the school connected with it. He abandoned teaching in 1609 and became a pastor: he worked in the parishes of Ilversgehofen and Marbach, near Erfurt, until 1610 and then moved to Tröchtelborn, near Gotha, where he stayed until 1621 and was probably also Kantor. He published most of his music during these years. He was likened to Orlande de Lassus as an ‘Orlandus Thuringiae’ and he himself was conscious of living at a time of great musical activity: as he wrote in the preface to his ...
[Comenius, Johann Amos]
(b Nivnice, nr Uherský Brod, March 28, 1592; d Amsterdam, Nov 15, 1670). Czech educational reformer, theologian, and hymnologist. He was made a priest of the evangelical church of the Bohemian Brethren in 1616, and in 1632 became its last bishop. He studied at the school of the Bohemian Brethren in Přerov from 1607, at the academy in Herborn from 1611 and at Heidelberg University from 1613. In 1614 he became administrator of the school in Přerov, and in 1618–21 he was spiritual guide of the community of German Brethren in Fulnek, north Moravia. In 1628 he left for Leszno in Poland to escape from Catholic persecution, and he returned there several times after visits to England (1641–2), Prussia (1642–8) and Hungary (1650–54). From 1656 until his death he lived in Amsterdam.
Komenský’s principal contribution to hymnology is his Kancionál, to jest kniha žalmů a písní duchovních...
(b Erfurt, Aug 31, 1609; d Erfurt, April 5, 1680). German writer on music and organist. He spent his whole life at Erfurt. He attended the St Michael Lateinschule until 1621, when he transferred to the Protestant Ratsgymnasium, which was at that time noted for its fostering of music. One of his teachers there was Liborius Capsius, director of the collegium musicum and an important Erfurt University professor. He matriculated at the university in 1626, took his bachelor’s degree in 1628 and became a Master of Philosophy in 1629. He then became organist at the Protestant Thomaskirche and at the Catholic church of the Neuwerk monastery. From 1632 to 1635 he was Kantor and teacher at the Protestant school of preaching and also studied theology. In 1635 he was ordained and became deacon (in 1638 pastor) of the Kaufmannskirche in succession to Joseph Bötticher, who had won a good reputation as a musician. In ...
(b c1620; d Liège, Oct 11, 1684). Flemish musician . He was appointed second succentor at Liège Cathedral on 24 November 1664 and at the same time received a benefice which was replaced by a more important one on 7 December 1668. He was to be responsible for the musical instruction of the duodeni. In November 1669 he and the first succentor were involved in a lawsuit against Lambert Pietkin. The cathedral canons admonished Thorette again and again for negligence, and since he did not improve they dismissed him from his post as succentor on 8 April 1672. But he retained his benefice and probably remained as a singer until his death. Auda was mistaken in stating that he was made a canon of Ste Materne. There is a short Chasse de St Hubert by him ( B-Lc ) for two violins, two cornetts (or flutes), two corni da caccia, bassoon and continuo (this last replaced in a 19th-century copy by two clarinets). It is based on brief fanfare motifs; the use of alternating sonorities would be pleasing if the piece were not unremittingly in G major. (...