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(b Modena, c 1700; d Naples, ?1774). Italian dancer, choreographer and impresario . He spent the early part of his career in Venice, where he created ballets for more than 40 operas, 1720–45. His name first appears as a choreographer for the 1720 Ascension season (Orlandini’s Griselda) at the Teatro S Samuele, here he worked for 11 Ascension seasons (later productions included works by Porpora, Albinoni and Galuppi, and Gluck’s Demetrio in 1742). He also choreographed at S Giovanni Grisostomo (24 operas, 1722–45, including Porpora’s Siface, Meride e Selinunte, Rosbale and Statira, and Hasse’s Alessandro nell’Indie and Semiramide riconosciuta) and at S Angelo, S Cassiano, and S Moisè. At the Teatro Falcone in Genoa (1731) and the Regio Ducal Teatro in Milan (1732–3, Lampugnani’s Candace; 1737–40, works by Bernasconi, Brivio and Leo) he worked with his wife Maria, a Venetian ballerina. While in Milan Goldoni, who knew the couple from Venice, spent an evening at their home, in his ...


(Anton Christoph)

(bap. Vienna, Nov 17, 1710; d Vienna, May 30, 1768). Austrian dancer, choreographer and impresario. He was a member of a large theatrical dynasty active in Vienna from at least the 1660s. His father, Johann Baptist Hilverding, had been an associate of the famous Hanswurst Josef Anton Stranitzky, and his elder brother Johann Peter Hilverding led various troupes of German actors, ending his career in Russia. Franz Hilverding’s principal training – at the emperor’s expense – was with the dancer Blondy in Paris during the mid-1730s. While there he probably witnessed performances of Fuzelier and Rameau’s opéra-balletLes Indes galantes, an entrée of which, Le Turc généreux, he later imitated in a pantomime ballet. Hilverding’s sojourn in Paris almost certainly contributed significantly to his overall cultural education; his knowledge of literature and skill as a draughtsman and composer of music were thought unusual in a choreographer.

By 1737 he was engaged as a dancer at the Habsburg court, where he soon began composing ballets alongside Alexander and Franz Anton Phillebois. According to his pupil Gasparo Angiolini’s account, the period of mourning after the death of Charles VI in ...


Olive Baldwin and Thelma Wilson


(b London, bap. May 19, 1692; d London, Nov 26, 1761). English theatre manager and dancer. He was the son of Christopher Rich (d 1714), the manager of the company that staged Purcell's later dramatic operas and the early English-Italian operas. In 1714 John opened the new theatre at Lincoln's Inn Fields, which his father had built. He kept a full repertory of plays, but his real preferences were music, dance and spectacle. These elements were combined in his famous pantomime afterpieces, most of which had music by Galliard. Under the name of Lun, Rich danced Harlequin in them for many years, and he was highly praised for his artistry in mime and movement. Pepusch wrote music for him at Lincoln's Inn Fields, and it was here that The Beggar's Opera (1728) made ‘Gay rich, and Rich gay’. He built the first Covent Garden theatre and continued to produce ballad operas, pantomimes and burlesques there from ...