Jazz division of Lincoln Center for the Performing Arts in New York. In 1987 Lincoln Center launched Classical Jazz, its first concert series devoted solely to jazz. In 1996 JALC became an autonomous jazz division with wynton Marsalis at the helm. Marsalis has continued to work as the artistic director of JALC and the music director of the Jazz at Lincoln Center Orchestra. This ensemble maintains an extensive repertoire of classic jazz works while continuing to commission and premiere new pieces. It tours extensively, frequently collaborating with guest artists, and participates in JALC programs, such as the annual Essentially Ellington High School Jazz Band Competition & Festival. JALC also maintains a busy schedule of concerts by visiting artists, lectures, and jazz education initiatives....
Chamber music programme founded in Marlboro, Vermont, in 1951 by Rudolf Serkin (former artistic director), Adolf and Hermann Busch, and Marcel and Louis Moyse. They conceived it as a workshop in which there would be no students or teachers, only participants. Casals, Schneider, Galimir and Horszowski are among the artists who participated regularly. Public performances are given weekly at Marlboro College during a five-week summer season. The festival has reached a wide audience through its recording series, the many taped performances it makes available to broadcasting stations, and through Musicians from Marlboro, a touring programme created in ...
Radio that is owned by a private, nonprofit organization and publicly funded, usually by donations from citizens or a local community. Community radio differs from public radio, which is government-supported; college radio, which is university-supported; and commercial radio, which is privately owned. As noted by Howley, community radio should not be conflated with alternative media, which strives to overturn or alter prevailing media systems. Rather, community radio is participatory in nature, drawing involvement from the station’s stakeholders and listeners but maintaining the structures and practices common to public and commercial stations. It is assumed that there is a high degree of accountability to listeners, who predominantly run and fund the station. The often limited amount of advertising time allotted to community stations dictates the need for external fundraising through pledge drives, grants, and donations. Community radio can serve a specific geographical region or a particular demographic or special-interest group. Programming includes music that is not mainstream (for example, independent artists or more obscure genres) and local-interest news and shows. It purports to represent marginalized or social and ethnic groups that are underrepresented in commercially oriented media. In its programming, the aim of community radio is to provide analysis of current events and culture that is otherwise absent from the public and corporate arms of broadcasting....