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Kay Edwards

[Blue Butterfly ]

(b Madison, WI, June 4, 1959). American composer and flutist of Mohican descent (enrolled member of Stockbridge Band of Mohican Nation). He earned degrees in music composition from Northern Illinois University (BM 1981) and Arizona State University (MM 1990) and a separate degree in American Indian Religious Studies from Arizona State University (MA 1992). Davids merges his classical training in Western music with Native American elements that have been nurtured by many visits to Stockbridge Munsee Reservation, where his father was raised; in many of his pieces, native percussion can be heard alongside European instruments to create a colorful musical tapestry. Davids is also a concert flutist, famous for performing on his signature handmade quartz crystal flutes, as well as standard flute and native wooden flutes. He has written commissioned works for the National Symphony Orchestra’s 60th anniversary, Garrison Keillor’s Prairie Home Companion, Chanticleer, Zeitgeist, the Kronos Quartet, the Miró String Quartet, and the Joffrey Ballet. He has received awards from In-Vision, Meet the Composer, Bush Foundation, McKnight Foundation, and Jerome Foundation, among others. In ...

Article

John-Carlos Perea

(b Tama, IA, May 13, 1933; d Ames, IA, Aug 16, 2006). Native American (Meskwaki) singer, drummer, and flute player. Kapayou was born on the Meskwaki Indian Settlement in Tama, Iowa, where his mother Lucille, a flute player, taught him sacred and secular repertoires of Meskwaki music. While serving in the Army and working in construction, Kapayou retained his commitment to these traditions. He received a National Heritage Fellowship from the NEA in ...

Article

Paula Conlon

[‘Doc’ Tate ]

(b Fletcher, OK, July 3, 1932; d Lawton, OK, March 5, 1996). Native American (Comanche) maker and player of juniper flutes. He attended the Fort Sill Indian School and Haskell Indian Institute. He learned flute making from the Kiowa maker Belo Cozad (1864–1950) and the Lakota maker Richard Fool Bull (1887–1976). He used the traditional method of splitting the wood, carving the channel, boring the holes, and inserting the plug, then gluing the flute back together with sap, binding it with leather thongs, and attaching the external block. His first album, Indian Flute Songs from Comanche Land (NAM 401C, n.d.), was the first commercial recording consisting entirely of music for solo Indian flute. He introduced new playing techniques, including cross-fingerings to extend the range, and extending the warbling sound on the lowest tone to all the available pitches, thus expanding the flute’s repertoire and contributing to its revival in the latter 20th century. Tate (the English name given to him) was recognized as a National Heritage Fellow in ...