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Ruth Pincoe

(b Norwich, April 11, 1912). Canadian composer, theorist and conductor of English origin. He moved to Canada in 1928, becoming a Canadian citizen in 1930. His composition teachers have included Alfred Whitehead in Montreal and Paul Hindemith at Yale University (1952–3). He also studied conducting with Willem van Otterloo in Utrecht (1956). From 1946 until his retirement in 1977, he taught at Queen’s University in Kingston, Ontario. He also conducted the Queen’s SO (1946–54), and founded and conducted both the Kingston Choral Society (1953–7) and the New SO of Kingston (1954–7).

George’s music is in a 20th-century idiom characterized by traditional formal structures and modal harmonies, and influenced by his studies of ethnomusicology and the structural aspects of music. His operas are large-scale works based on historical events with librettos adapted from contemporary writing. He has also composed many choral pieces....

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Noël Goodwin

(Edward)

(b Melbourne, June 6, 1926). Australian conductor and musicologist. He studied in Melbourne and London, where he made his conducting début in 1953 as assistant to Beecham with the RPO, and worked with Knappertsbusch at Bayreuth. As a scholar he became absorbed by textual inaccuracies between autograph and published texts of operas by Verdi and Puccini, and was drawn into dispute with the Ricordi publishing house. He published papers on Verdi (La Scala, no.104, 1958, pp.11–15, 71–2) and on Puccini’s orchestration (PRMA, lxxxvii, 1960–61, pp.1–14), and the article ‘“Tradition” in Verdi and Puccini’ (Opera, xii, 1961, pp.301–5). He became adviser to UNESCO on musical copyright and its abuses (1962–7) and was largely responsible for the 1967 Stockholm revision of the Berne International Copyright Convention.

Vaughan was music director for the Elizabethan Trust Opera Company, Sydney, in 1966, and in the 1970s he worked at the Munich and Hamburg opera houses. He returned to Australia as music director of the State Opera of South Australia at Adelaide (...