(b Mosso Santa Maria, nr Biella, Jan 31, 1921). Italian musicologist. He took diplomas in piano at the Parma Conservatory (1942) and in choral music at the Turin Conservatory (1948), and studied music history with Della Corte at Turin University, where he took an arts degree (1946). He subsequently taught music history in the conservatories of Bolzano (1950–51), Parma (1951–5) and Milan (1954–88); he has edited the journals Almanacco musicale italiano (1954–5), Ricordiana (1955–7) and Musica d’oggi (1958–63) and has been vice-director of Enciclopedia della musica Ricordi (1960–64). He has been a consulting editor for Ricordi since 1964. Music education is one of his major interests: he became director of the series Manuali di Didattica Musicale and Canti nel Mondo (Ricordi) in 1965, and editor of Educazione musicale...
Carolyn Gianturco and Teresa M. Gialdroni
H. Wiley Hitchcock
revised by Katherine K. Preston
(b Norfolk, VA, July 1, 1909, d New York, Sept 18, 1996). American pianist, editor, and music historian. She studied piano (with Josef and Rosina Lhévinne) and theory at the Juilliard School (1928–30). She pursued a career as a concert pianist (1930–64), performed in a duo (with Harold Triggs, 1932–6) that championed young American composers, and served as a staff pianist for CBS radio (1939–46). She abruptly gave up performance upon her husband’s death (1964) and embarked on a second career as a scholar. Lawrence was administrator of publications for the Contemporary Music Project (1967–70) and compiled and edited a three-volume catalogue (1968; 2/1969) of the CMP Library (c 500 works). She also edited notable facsimile publications of the piano compositions of Louis Gottschalk and Scott Joplin, as well as the complete run of Arthur Farwell’s Wa-Wan Press. Her book on music and American politics during the 18th and 19th centuries (...