1-2 of 2 results  for:

  • Composer or Arranger x
  • Religious or Ritual Musician x
  • Collector or Curator x
Clear all

Article

Robert Shay

(b Westminster, London, Jan 1648; d Oxford, Dec 14, 1710). English scholar, composer and music collector. He matriculated at Christ Church, Oxford (after early training in mathematics at Westminster School), in 1662, receiving the BA, MA and DD degrees in 1666, 1669 and 1682 respectively. He took holy orders and was assigned the rectorate at Wem, Shropshire, but chose to remain at Christ Church, becoming a canon in 1681 and dean (a unique position in Oxford as head of both college and cathedral) in 1689, also serving as vice-chancellor of the University of Oxford, 1692–5. He was a leader of the Oxford resistance to James II's Catholic advances, and under William III he became one of the chief defenders of High Church practices, publicly opposing both the comprehension of non-Anglicans and revisions to the prayer book. He was an industrious and practically minded scholar, producing books on logic, heraldry and architecture, designing a number of Oxford buildings, serving as draftsman and engraver for the Oxford Almanacks, and producing a sizable body of compositions for the English cathedral service. His account of Greek music survives in manuscript (...

Article

Sarah Fuller

(b 1163; d Jan 27, 1225). French chronicler of St Martial of Limoges and monk. Received as a boy scholar at St Martial in 1177, Itier held a succession of important offices, culminating in appointments as librarian (1204) and precentor (by 1211), posts he evidently held concurrently. Annotations in Itier's hand, scattered through surviving remnants of the St Martial library, testify to his interest in preserving the monastery books. One manuscript that he had bound includes a collection of early polyphonic music. Other musical manuscripts from the St Martial collection very probably owe their survival to his care.

Although not himself a professional scribe, Itier had charge of the monastery scriptorium and knew how to notate music. One composition in his hand, a Parisian motet based on the duplum of Perotinus's four-voice organum Sederunt ( F-Pn lat.2208, f.1), shows a musical connection between Paris and St Martial in Itier’s lifetime. The chronicle written by Itier is a central source of information on the monastery....