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Wendy F. Hsu

(b Taipei, Taiwan, Dec 15, 1973). Rock musician and songwriter of Taiwanese birth. Hsu moved to Houston, Texas, with his family in 1989. His brother, Kevin Hsu, was a pop star in Taiwan who signed to Golden Point/BMG. Self-taught in guitar, keyboards, voice, and drums, Hsu formed in 2001 the alternative rock band Johnny Hi-Fi, which has toured extensively in the United States and Asia. As a songwriter Hsu writes songs in both English and Mandarin Chinese. He has collaborated with Taiwanese recording artists and producers and has had success overseas. His song titled “Don’t Go,” performed by Richie Ren, reached the top 10 pop music chart in Taiwan. Hsu also has toured with Taiwanese rock musician Chang Chen-Yue on his US tour in 2004.

In 2004 Hsu began organizing the Asian Rock Fest in recognition of Asian American Heritage Month in May. An annual festival series, Asian Rock Fest has brought together Asian American artists and showcased rock music talent including Eyes Like Knives, Kite Operations, Carol Bui, Burning Tree Project, Festizio, Vudoo Soul, Jack Tung, and Johnny Hi-Fi. The first Asian Rock Fest took place at The Pianos in New York. The festival continued to feature Asian American musicians after Hsu’s relocation to the west coast in ...

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Mary Talusan

(b Anaheim, CA, Nov 15, 1970). American jazz percussionist and composer. Of Filipino heritage, Ibarra grew up in Houston, Texas. She received a music diploma from Mannes College and a BA from Goddard College. She studied drums with Buster Smith and Vernel Fournier and percussion with Milford Graves. She also played with William Parker and his big band, The Little Huey Creative Music Orchestra. In the 1990s, Ibarra became interested in Philippine musical traditions and took lessons on kulintang from master artist Danongan Kalanduyan. She joined the avant-garde free jazz quartet led by David S. Ware and became well known in the New York jazz scene. She collaborated on several albums with a number of respected musicians such as Assif Tsahar, Cooper-Moore, Charles Burnham, Chris Speed, Wadada Leo Smith, and Pauline Oliveros, notably on the album ...

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Michael Baumgartner

(b Philadelphia, PA, March 25, 1931; d New York, NY, Nov 22, 2011). American jazz drummer and composer. He grew up in Providence, Rhode Island, where he began playing guitar and drums at the age of 12. During the Korean War he studied at the Navy School of Music in Washington before being stationed in Brooklyn from November 1953. After his discharge in September 1954 he moved to New York, entered the Manhattan School of Music and took private lessons on drums and timpani. In the mid- to late 1950s he accompanied various musicians, including Tony Scott, Stan Getz, Oscar Pettiford (in both his quintet and big band), Lennie Tristano, Lee Konitz, Al Cohn and Zoot Sims. In 1956 Motian began collaborating with Bill Evans, appearing on the pianist’s first album. Subsequently he was the drummer in Evans’s first and second trios (1959–64). He continued his career as an experienced drummer of piano trios, first with Paul Bley’s group (...

Article

Gareth Dylan Smith

(b Kalamazoo, MI, April 23, 1952). American drummer, producer, and composer. The drum major in his high school marching band, he majored in music for three semesters at Western Michigan University, and then joined a soul band from Fresno, California. After witnessing the Mahavishnu Orchestra in concert, he sought to learn from that band’s leader and guitarist, john McLaughlin. At 21 years of age, following lessons from McLaughlin, he played on Apocalypse as a member of the Mahavishnu Orchestra, replacing Billy Cobham. Propelled by the advice of his (and McLaughlin’s) guru Sri Chinmoy (who gave him the name “Narada,” meaning “supreme musician”) to “compete with himself,” Walden has maintained a highly successful and versatile career as a drummer and a producer, known equally for his work in each of these roles. He also contributed as a composer, vocalist, and percussionist to the Mahavishnu Orchestra’s 1976 album Inner Worlds...