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Article

Jeffrey Holmes

[Randal Edward ]

(b Philadelphia, PA, Nov 27, 1945). American trumpeter, flugelhorn player, composer, arranger, and bandleader, brother of Michael Brecker. After graduating from Indiana University in 1966, he moved to New York, where he played with Clark Terry, Duke Pearson, and the Thad Jones–Mel Lewis Jazz Orchestra. A versatile musician, he worked with Blood, Sweat and Tears, performing on their debut album, played hard bop and soul jazz with the Horace Silver Quintet and Art Blakey’s Jazz Messengers, and helped form the fusion group Dreams, which included his brother Michael, Billy Cobham, and John Abercrombie. During the 1970s he worked with Silver, Larry Coryell, Stevie Wonder, the Plastic Ono Super Band, and Cobham. He and Michael also performed and recorded (six albums) as the Brecker Brothers, garnering much critical acclaim. He continued to lead his own group into the 1980s and also recorded and toured with virtuoso performers Jaco Pastorious and Stanley Clarke. A reunion of the Brecker Brothers in ...

Article

Mark C. Gridley

revised by Charles Garrett

(b Chicago, IL, March 11, 1932; d New York, NY, Feb 24, 2007). American jazz violinist, composer, and bandleader. He was influenced by the violinists Jascha Heifetz, Eddie South, and Bruce Hayden, as well as the saxophonists Charlie Parker, Ornette Coleman, and John Coltrane. From 1965 to 1969 he played in Chicago with the Association for the Advancement of Creative Musicians and the Creative Construction Company, becoming the leading violinist in the free jazz style. He then helped to organize the Revolutionary Ensemble (1971) and led his own trio (1977–9) and quintet (1982–3). In addition to collaborating with such musicians as Cecil Taylor, Joseph Jarman, and Myra Melford, he also contributed to the new music scene by serving on the board of directors of the Composer’s Forum. In his later career, he turned to creating theatrical productions, including the operas Mother of Three Sons...

Article

Charles Garrett

Article

Michael Baumgartner

(b Oakland, CA, Feb 19, 1955). American jazz saxophonist, bass clarinetist, composer, and leader. He grew up in Berkeley, where he received his first musical training, in stride and ragtime piano. At the age of nine he began playing alto saxophone and at the age of 11 tenor saxophone. From the age of 12 through his later teens he led several R&B bands. He continued his formal training at Pomona College in Los Angeles, where stanley Crouch and Margaret Kohn were among his teachers. After his graduation in 1975 Murray moved to New York where he began playing the loft circuit with such experimental musicians as Anthony Braxton, Don Cherry, and Julius Hemphill. His first steady engagement came with the Ted Daniels’ Energy Band; its members were Hamiett Bluiett, Lester Bowie, and Frank Lowe. After his first European tour in 1976, Murray established the renowned World saxophone quartet ...

Article

A. Scott Currie

(b Bronx, NY, Jan 10, 1952). American jazz bass player, bandleader, and composer. He grew up listening to such swing artists as Duke Ellington and played trumpet, trombone, and cello. Inspired by Ornette Coleman, John Coltrane, Archie Shepp, Cecil Taylor, and Albert Ayler, he took up bass in his teens and had formal studies, first with Paul West, then with richard Davis , Art Davis, and milt Hinton at Jazzmobile. Later he studied privately with jimmy Garrison and Wilbur Ware and developed a unique style featuring a propulsive alternation between rapid-fire upper-register playing and low punctuating open-string strums, along with vamps, walking “freebop” lines, and lyrical arco work. In 1973 Parker launched his professional career in the downtown New York loft-jazz scene, performing with Muntu and the Music Ensemble, and making his recorded debut on Frank Lowe’s album Black Beings (1973, ESP). Soon he was playing in bands led by Cecil Taylor and Don Cherry at Carnegie Hall and the Five Spot Café, jointly organizing loft concerts and festivals, and leading his own Centering Orchestras. By the early 1980s he had become Taylor’s main bass player and he eventually filled the chair from ...

Article

Chip Henderson

[John Henry ]

(b Birmingham, AL, June 25, 1922; d Colorado Springs, CO, June 11, 2013). American jazz guitarist, composer, and bandleader. Smith’s first exposure to music was through his father, who played banjo. By the age of 13 he had taught himself to play the guitar. Smith’s early influences included Charlie Christian, Django Reinhardt, Les Paul, and Andrés Segovia. As a teenager he performed with the Fenton Brothers Dance Band and Uncle Lem and his Mountain Boys. Smith enlisted in the Army Air Corps at the start of WWII. Unable to fly, Smith played cornet in the Air Corps band. After the war he was hired as a staff guitarist for NBC Studios in New York and performed regularly with the New York Philharmonic and Philadelphia Symphony. From 1951 to 1965 Smith recorded for the Roost label. His recording of “Moonlight in Vermont” (1952) became one of the top-selling instrumental singles of all time. In ...

Article

Ryan D.W. Bruce

[Randolph Edward ]

(b Brooklyn, NY, April 6, 1926). American jazz pianist, bandleader, composer, and club owner. Weston did not identify with his classical music lessons as a youth, choosing instead to explore a percussive piano style under the influence of Duke Ellington. Other early influences include Count Basie, Nat “King” Cole, Art Tatum, and Coleman Hawkins. Weston’s playing was transformed after attending a concert by Hawkins and Thelonious Monk in 1945: Monk became Weston’s mentor from 1947–9, and inspired his heavy attack and improvisatory rhythmic displacements. He was hired by Marshall Stearns in 1949 to provide demonstrations of different jazz styles for university lectures given throughout the United States; their work lasted eight summers and fostered Weston’s interest in African music.

Beginning with his debut in 1954, his early recordings acquired critical recognition and included band members such as Art Blakey, Cecil Payne, Ahmed Abdul-Malik, and Coleman Hawkins. Some of his compositions of the time, especially “Little Niles” and “Hi-Fly,” gained popularity and have been recorded by many others. Weston also worked with arranger ...