1-5 of 5 Results  for:

  • Donor or Patron x
  • Collector or Curator x
Clear all


Roger J.V. Cotte

[Ennal, Charles-Ernest]

(b Fockenhof, Kurland, Feb 14, 1722; d Paris, March 24, 1791). French dilettante, amateur violinist and composer, patron of the arts and instrument collector. A magnificent and very wealthy nobleman, he both amused and astounded his contemporaries. M. Audinot in his comic opera La musicomanie (1779), and possibly E.T.A. Hoffmann in his tale Die Serapionsbrüder (1819), attempted to evoke his strange personality, emphasizing its ridiculous nature.

At the death of his father, a landed nobleman, in 1747, Bagge inherited a large fortune which enabled him to study the violin in Italy with Tartini. By 1750 he had settled in Paris; in the following year he was awarded the title chambellan du Roi de Prusse (then Frederick II) and married the daughter of the Swiss banker Jacob Maudry. With Maudry's death in 1762 the very large inheritance proved a source of contention to the ill-matched couple and they soon separated. Bagge later attempted to gain possession of the inheritance of Mme Maudry, who had died in ...


Jonathan P. Wainwright

(b Barking, Essex, June 28, 1605; d nr Corby, Northamptonshire, July 4, 1670). English music patron and collector. His family's principal residence was at Kirby Hall, near Corby. His father, also Sir Christopher Hatton (c1570–1619), was a patron of Orlando Gibbons; Gibbons's First Set of Madrigals and Motets (1612) and Hume's Poeticall Musicke (1607) are both dedicated to him. The younger Hatton was Charles I's Comptroller of Household at Oxford during the Civil War and was created 1st Baron Hatton on 29 July 1643. He employed George Jeffreys as steward and appears to have engaged Stephen Bing and John Lilly for specific copying projects. Michael East dedicated his Seventh Set of Bookes (1638) to him. The Hatton music collection still survives ( GB-Och ). Much of the Venetian printed music was bought from the London bookseller Robert Martin; Jeffreys and Bing made manuscript copies, perhaps for performances at the Oxford court (...


Raoul F. Camus


(b New York, Jan 15, 1922; d Poughkeepsie, NY, Feb 16, 1983). American band enthusiast and philanthropist. After attending Pomona College, Claremont, California (BA 1943), he owned and managed an architectural woodworking firm in Poughkeepsie for over 20 years, and later a chain of bowling alleys. An amateur euphonium player, he amassed an encyclopedic collection of band scores, rivaling that of the US Marine band. In conjunction with Commander Donald Stauffer, director of the US Navy Band, he issued a series of 15 recordings made by the band entitled Heritage of the March. Each of these records presented unavailable marches by an American composer on one side, and a European composer on the other. Hoe then invited many American and European service, community, college, and high school bands to make recordings. He provided most of the music from his own collection, prepared liner notes and biographies, financed the recordings, and distributed them, free of charge, to schools, libraries, and radio stations. The initial ...


Gary Galván

(b Mineola, TX, July 10, 1882; d London, England, Aug 19, 1975). American art collector, preservationist, musician, and philanthropist. She was the only daughter of lawyer and Texas governor Colonel James Stephen Hogg. She was named after the heroine in the candid Civil War poem “The Fate of Marvin,” written by her uncle, Thomas Hogg [pseudo. Tom R. Burnett]. She never married and was known simply as Miss Ima for most of her life.

Inspired by her mother, Hogg began piano lessons at around five years of age. She attended the University of Texas at Austin for two years before moving to New York in 1901 to study piano at the National Conservatory of Music. Between 1907 and 1908, she studied piano with Franz Xaver Scharwenka (1850–1924) in Vienna and Martin Krause (1853–1918) in Berlin. Upon returning to the United States, Hogg shied away from a career as concert pianist and chose instead to immerse herself in musical events and teach piano. In ...


Peter Wollny

(b Berlin, June 19, 1761; d Berlin, May 11, 1854). German harpsichordist, music collector and patron. She was a daughter of the Jewish banker Daniel Itzig (1723–99) and great-aunt of Mendelssohn. On 2 July 1783 she married the banker Samuel Salomon Levy (1760–1806). With her siblings, of whom Fanny von Arnstein (1758–1818) and Zippora Wulff (later Cäcilie von Eskeles, 1760–1836) were particularly well known as musical amateurs, she received a thorough musical education. She is said to have been a pupil of W.F. Bach at a later date, and she was certainly in contact with C.P.E. Bach, from whom she commissioned a harpsichord concerto. A number of contemporary documents mention her activity as a harpsichordist in private musical circles, for instance in the house of her brother-in-law Joseph Fliess. Later she frequently performed with the Ripienschule of the Berlin Sing-Akademie founded by C.F. Zelter. She was particularly interested in the music of the Bach family as well as the works of other Berlin composers (J.G. and C.H. Graun, Janitsch and Quantz), and is therefore one of the figures central to the appreciation of Bach in Berlin in the late 18th and early 19th centuries. She gave the Sing-Akademie considerable parts of her extensive collection of music, including autograph manuscripts by W.F. and C.P.E. Bach; after her death, some of the remaining items apparently came into the possession of A.W. Bach, and is now dispersed among many European and North American libraries....