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Kathryn Bridwell Briner

(David )

(b Chicago, IL, Jan 27, 1950). American horn player, historical horn maker, music educator, and composer. He studied horn with Ernani Angelucci, John Barrows, Helen Kotas, Ethel Merker, Frank Brouk, and Dale Clevenger. He was appointed assistant principal horn for the Detroit Symphony in 1972, and has also performed as principal horn with the Mexico City Philharmonic (1978–80), the Cincinnati Symphony (1984–6), the Toledo Symphony (1990–7), and as guest principal horn with the Antwerp Philharmonic/Royal Flemish Orchestra. He has taught the horn at Interlochen Arts Academy, Wheaton College, Oakland University, the University of Cincinnati, the University of Michigan, the School of Perfection in Mexico City, and the Carl Nielsen Academy in Odense, Denmark. Greer has written solo pieces for both the modern and natural (valveless) horn, as well as a mass for hunting horns and organ.

Noted for his flexible tone and facile technique, Greer has toured widely as a soloist and has made notable recordings, particularly on the natural horn; those recordings include Beethoven’s Sonata for horn, Brahms’ Trio for horn, violin, and piano, and the horn concertos of Mozart....

Article

Stephen Montague

(b Mount Vernon, NY, Nov 24, 1953). American composer, computer instruments inventor and educator. He studied composition and cello at the University of California, Santa Cruz (1971–3), Columbia University (1973–4), the Juilliard School (BM 1975, MM 1977), specialising in computer music technology at the Massachusetts Institute of Technology and Stanford University. His principal teachers were Luigi Dallapiccola (1973), Roger Sessions (1973–5) and Elliott Carter (1975–8). He was the principal cellist with the Canadian Opera Company (1975–6) and a guest composer at IRCAM, Paris (1978–9), where he subsequently served as director of musical research (1980–84). He returned to the United States and in 1985 joined the faculty of MIT as professor of music and media at its new media laboratory and became director of the Experimental Media Facility and head of the Hyperinstruments/Opera of the Future group where he continues to work. In ...