(b Swanton Morley, Norfolk, bap. Jan 15, 1571; d Amsterdam, ?1622–3). English minister and psalmodist. He attended Cambridge University from 1586 to 1591, leaving without a degree. He was expatriated as a ‘Brownist’ in 1593 and settled in Amsterdam, where he became ‘teacher’ of the Ancient Separatist Church in 1596; in 1610 he founded an Independent church, becoming minister of it himself. He took the Calvinist position on predestination. He was the author of a number of controversial religious tracts, annotations, and translations of scripture. Many consider him one of the finest Hebrew scholars of his day. His Book of Psalmes: Englished both in Prose and Metre, with Annotations (Amsterdam, 1612, 4/1644; music ed. in ISAMm, xv, Brooklyn, NY, 1981) contains all 150 psalms in a new metrical version, together with prose translations and annotations. 48 are provided with monophonic tunes (six melodies are used twice and one three times). 21 of the 40 tunes are drawn from the Continental Reformed tradition, and 16 are from English sources (including three of the newer, short variety such as ...
H. Wiley Hitchcock
revised by Nicholas Temperley
Renee Lapp Norris
(b Northborough, MA, Sept 5, 1830; d Madison, WI, Dec 9, 1889). American classical scholar, teacher, editor, and writer. Allen is best known musically as an editor of Slave Songs of the United States (New York, 1867), also edited by Charles Pickard Ware and Lucy McKim Garrison, who were white collectors of black music.
Allen graduated from Harvard in 1851, subsequently studied in Europe, and returned to the United States in 1856. In 1863 he began an eight-month stint as a teacher on St Helena Island in South Carolina, home to former slaves who remained after plantation owners left in 1861. Here, Allen gained first-hand experience of slave singing that contributed to the detailed explanations of his 36-page prologue to Slave Songs. In 1867 Allen was appointed chair of ancient languages at the University of Wisconsin in Madison, where he remained until his death.
Allen’s interest in philology is evident in the many pages of the prologue to ...
Carolyn Gianturco and Teresa M. Gialdroni
(b Mosso Santa Maria, nr Biella, Jan 31, 1921). Italian musicologist. He took diplomas in piano at the Parma Conservatory (1942) and in choral music at the Turin Conservatory (1948), and studied music history with Della Corte at Turin University, where he took an arts degree (1946). He subsequently taught music history in the conservatories of Bolzano (1950–51), Parma (1951–5) and Milan (1954–88); he has edited the journals Almanacco musicale italiano (1954–5), Ricordiana (1955–7) and Musica d’oggi (1958–63) and has been vice-director of Enciclopedia della musica Ricordi (1960–64). He has been a consulting editor for Ricordi since 1964. Music education is one of his major interests: he became director of the series Manuali di Didattica Musicale and Canti nel Mondo (Ricordi) in 1965, and editor of Educazione musicale...
(b Comber, Co. Down, Aug 10, 1904; d Oxford, Oct 10, 1965). Northern Irish music scholar, teacher, organist, composer and editor. He went to Bedford School, and studied at the RCM in London, Trinity College, Dublin, and New College, Oxford, gaining doctorates of music at both universities. In 1938, after four years as organist and choirmaster at Beverley Minster, he moved to a similar position at New College. Thereafter, he lived and worked in Oxford, where he was a university lecturer in music and a Fellow of New College, and later of Balliol. He also taught at the RCM.
Andrews's published work consists of three books, various articles (including contributions to the fifth edition of Grove's Dictionary of Music), reviews, and several motets, services and songs. The Oxford Harmony, vol.ii, traces the development of chromatic harmony through standard repertory works and relates this to techniques of composition. The opening chapters of ...
(Carlo Zanobi Salvadore Maria )
(b Florence, 8/Sept 14, 1760; d Paris, March 15, 1842). Italian, composer, conductor, teacher, administrator, theorist, and music publisher, active in France. He took French citizenship, probably in 1794, and was a dominant figure in Parisian musical life for half a century. He was a successful opera composer during the Revolutionary period, and had comparable success with religious music from the beginning of the Restoration. He was made director of the Paris Conservatoire and consolidated its pre-eminent position in music education in Europe.
In the biographical preface to his work catalogue, compiled in 1831, Cherubini gave 8 and 14 September as his dates of birth, but the records of the baptistery of S Giovanni state that he was born on 14 September (and baptized the following day). He was the tenth of 12 children. It has been claimed that his mother died when he was four years old (Pougin, ...
revised by Giulia Anna Romana Veneziano
(b Florence, July 8, 1638; d Florence, Jan 16, 1703). Italian composer, teacher, music editor, theorist, organist and singer. He spent his entire life as a priest in Florence. On 1 August 1663 he was appointed chaplain at the cathedral, S Maria del Fiore, where he was also active as an organist and singer. He was particularly admired as a teacher, and it was this above all that determined the nature of his publications; the numerous reprints particularly of Il cantore addottrinato and Scolare addottrinato bear witness to the popularity of his methods. In these two manuals he sought to establish rules for the effective composition and performance of church music, contributing, according to his contemporaries, to the codification of the ‘true rule of ecclesiastical singing’. However, he is better remembered for his Corona di sacre canzoni and Colletta di laude spirituali, which have great importance for the final phase in the history of the ...
(b ?Bergeijk, c 1510–20; d after 1589). Dutch teacher, publisher and music theorist . The classical courtesy-form of his name, Oridryus, is a pun on his probable birthplace, Bergeijk; both names mean mountain-oak, in Greek and Dutch respectively, and his printer's mark was an oak on a knoll. He may have been related to Arnold van Bergheyk (d ?1533) or to the Eyck family of Brussels. He was headmaster of the grammar school at Amersfoort in the Netherlands probably from 1542 to 1550. In 1550 he was charged with heresy and was ordered by Charles V to leave the city. He is next heard of as being at the Gymnasium Illustre in Düsseldorf from 1556 to 1572 and according to his Practicae musicae utriusque praecepta brevia (Düsseldorf, 1557) he was a teacher there. At this time he set up a printing business there with Albert Buys, his brother-in-law. From ...
( b Oundle, March 1, 1835; d Hackney, Dec 5, 1909). English musical theorist, editor and teacher . The son of a Congregationalist minister, Prout showed exceptional musical promise as a child, but his father opposed a career in music, and, apart from a course of piano lessons from Charles Salaman, he was entirely self-taught as a musician. He worked as a schoolmaster from 1852, taking the degree of BA (London) in 1854, but in 1859 he turned to music as a profession, initially teaching a singing class at a ladies' school in Hackney and taking private pupils, the first of whom was the organist John Locke Gray. He was organist of several nonconformist chapels, including the Union Chapel, Islington (1861–73), and from 1861 to 1885 was professor of the piano at the Crystal Palace School of Art. In 1862 he won a Society of British Musicians prize with his String Quartet in E op.1, and in ...
(b Patton, PA, April 2, 1927). American liturgiologist . He took two BA degrees at St Vincent College (1949 and 1952) and the MS in piano at the Juilliard School (1954), and then took further graduate courses at Columbia University. From 1957 to 1967 he was associated with St Vincent College, first as a music teacher and later in administrative positions, including those of chancellor and chairman of the board of directors. He was a member of the university seminar in medieval studies at Columbia, 1957–66. In 1967 he was appointed abbot primate of the Benedictine Confederation and in 1977 he became the Archbishop of Milwaukee. He was also music editor of the New Catholic Encyclopedia. His principal interests are medieval Latin drama and music theorists, and Ambrosian chant. He studied the compositions and theoretical writings of Hucbald, and his transcription of the Play of Daniel...