1-6 of 6 results  for:

  • Music Manager or Administrator x
  • Music Technologist or Audio Engineer x
  • Musical Concepts, Genres, and Terms x
Clear all

Article

Daniele Buccio

(Henry )

(b Canton, OH, Aug 18, 1905; d West Redding, CT, July 31, 1978). American composer, violinist, bandleader, recording engineer, and producer. After graduating from Johns Hopkins University, he performed as a light classical violinist in the United States and Europe. During the 1930s he studied conducting with Maurice Frigara in Paris. After a near-fatal car accident in 1940, he organized his own dance band, the Light Brigade, which recorded for RCA and Columbia. After he disbanded it at the turn of the decade, Light devoted himself to management, working for several record companies before becoming president of Waldorf Music Hall Records in 1954. He founded his own label, Grand Award, in 1956 and had success with Dixieland and honky-tonk piano albums. In 1959, he founded Command Records on which he released Persuasive Percussion, the first in a successful series of high-fidelity albums that used stereo technology to great advantage. Over the next two decades, he continued to produce hit albums drawing on the latest technological savvy and packaged with covers usually designed by Josef Albers. Musicians who appeared on Light’s albums include the Free Design, Doc Severinsen, Dick Hyman, Bobby Byrne, and Bobby Hackett. In ...

Article

Jonas Westover

(b Utica, NY, Oct 20, 1944). American Disc jockey, producer, and party planner. He spent his youth listening to records with a racially mixed crowd and then relocated to New York in the early 1960s. Moving to a loft (known later as “The Loft”), Mancuso became involved designing sound systems for clubs around the city, including Larry Levan’s Paradise Garage. He began to host invitation-only parties in the mid-1960s for which he spun a wide range of musical styles; many of the guests, including Tony Humphries and Frankie Hawkins, would become DJs themselves. Later parties took on titles and became special events, including “Love Saves the Day,” which took place in 1970. In 1974 Mancuso and Steven D’Aquisto developed a shared record pool for local DJs. His parties continued at The Loft until 1985, when he began to search out new locations offering more space. After 1995 Mancuso began to hold the parties in a variety of other locations, sometimes outside of the United States. Two CDs, both entitled ...

Article

Anne Beetem Acker

(b Bermuda, July 10, 1957). American audio engineer, musician, and owner of Keith McMillen Instruments, based in Berkeley, California. He received his BS in acoustics from the University of Illinois, where he also studied classical guitar and composition. In 1979 he founded Zeta Music, which designed and sold electric and electronic violins and basses. In 1992 he organized a research laboratory for Gibson Guitars. He developed a computerized composition, notation, and performance system, and also helped devise ZIPI, a MIDI-like music control language. At the Center for New Music and Audio Technologies at the University of California, Berkeley, he researched audio networking, synthesizers, and string instruments. In 1996 he became director of engineering for the audio processing and distributed music networks division of Harmon Kardon. In 1999 he founded Octiv, Inc., an Internet audio signal processing company, which produced the ‘Volume Logic’ plug-in for iTunes that allows digital audio remastering to improve the sound produced by computers and MP3 players....

Article

Gary W. Kennedy

[Van Noorden, Philip Van Loon Guybo Schaap ]

(b New York, April 8, 1951). American disc jockey and record producer. His father, Walter Schaap, a scholar and a translator of French jazz texts, collaborated in 1937 with Hugues Panassié and Charles Delaunay in creating a bilingual jazz periodical, Le jazz hot. In 1970 Phil Schaap became an announcer for Columbia University’s radio station WKCR; later he also worked at the radio stations WBGO and WNYC and had a syndicated program, “Jazz Session.” This radio work is characterized by his encyclopedic and anecdotal knowledge of the material he plays; he is especially known for his daily WKCR program “Bird Flight,” on which he discusses and plays recordings by Charlie Parker. Schaap organized jazz performances at the West End Café in 1980. He has taught at the New School for Social Research and at Princeton University, and he has written liner notes for new and reissued recordings.

As a record producer Schaap has been involved in tape vault research, the restoration of archived materials, and the production and packaging of material to be reissued. In this capacity he strives for the best possible sound and incorporates such ancillary material as alternate and incomplete takes, or assorted studio chatter, within the chronological presentation of originally released material. Though this exhaustive approach generally reflects contemporaneous trends in jazz issues, and has been much praised, it has also engendered some criticism, particularly following Schaap’s reorganization of Duke Ellington’s classic Columbia LP ...

Article

Thomas Owens

(b Jersey City, NJ, c1925). Recording engineer. In the late 1940s he created a recording studio in the living room of his parents’ home in Hackensack, New Jersey, and began recording as a hobby. An optometrist by profession, he became the principal recording engineer for Blue Note in 1953, and the following year he began working for Prestige (to 1969) and Savoy as well. After abandoning optometry, in July 1959 he moved into a newly built home and studio in Englewood Cliffs, New Jersey. He also made numerous recordings for Cadet, CTI, Elektra Musician, Enja, GRP, Impulse!, Kudu, Milestone, Muse (ii), Reservoir, Riverside, and Verve.

Van Gelder’s skill at getting a proper mix of instruments directly onto the master tape (long before multiple-channel recording existed) was exemplary, and his clean, crisp, well-balanced drum-kit sounds were especially noteworthy. Perhaps his most distinctive aural signature was the tight, boxy sound of his small Steinway grand piano. Although his output slowed from the frenetic pace he set during the 1950s and 1960s, he continued to work, and in the late 1980s he changed to digital technology....

Article

Marina Henderson

(b Odessa, 5/Aug 18, 1907; d Paris, Feb 11, 1984). Russian stage, costume and film designer, resident in France from 1920. He studied in Paris, taking painting and sculpture at the Ecole des Arts Décoratifs and architecture at the Ecole des Beaux-Arts. In the course of a prolific career he was responsible for more than 600 productions: some 150 films (including Michel Carné’s Les visiteurs du soir, 1942), 300 plays and 200 operas, staged in most of the leading European houses. He worked with the director Peter Brook in both opera and theatre.

Wakhévitch’s designs were characterized by a bold, sometimes coarse, painterly style, the sumptuous use of strong colour, dramatic chiaroscuro lighting effects and – reflecting his architectural training – confident, if conventional, handling of complicated stage space. Typical productions were the barbarically Russian Boris Godunov (1948, Covent Garden; directed by Peter Brook), the dramatic, enduring ...