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Article

Francis Kayali

[K&D]

Radio show and cybercast devoted to new music. Hosted by composers Dennis Báthory-Kitsz (“Kalvos”) and David Gunn (“Damian”), the show aired weekly from 1995 to 2005 on the WGDR-FM 91.1 station at Goddard College in Plainfield, Vermont. Since 2005, new K&D shows have been made available online, albeit on an occasional and irregular basis. Kalvos & Damian’s New Music Sesquihour started on 27 May 1995 as a 90-minute weekly summer radio show. That September they expanded to a permanent two-hour slot, retitled Kalvos & Damian’s New Music Bazaar, and introduced a website (www.kalvos.org) that offered live online streaming and, eventually, archived broadcasts, which reached a much wider audience. In 2000 K&D was recognized as “a music website of singular excellence” and its hosts were awarded an ASCAP-Deems Taylor Internet Award.

K&D shows are characterized by a humorous, quirky, playful, and unpretentious tone. Their opening segment consists of a ten-minute “introductory essay,” an often zany, Dadaist narrative written and read by Damian, accompanied by sound effects and banter from Kalvos. The main portion of the show is devoted to interviews and recordings of new music. Over the years, K&D has interviewed a vast range of contemporary composers: experimental and mainstream, symphonic and electronic, prominent and emerging, Vermont natives and overseas figures. K&D also ran online mentoring programs for junior high and high school students and organized the Ought-One Festival of Non-Pop in Montpelier, Vermont. After Báthory-Kitsz and Gunn decided to pursue new projects, the final radio broadcast of K&D aired on ...

Article

Gillian Turnbull

Radio that is owned by a private, nonprofit organization and publicly funded, usually by donations from citizens or a local community. Community radio differs from public radio, which is government-supported; college radio, which is university-supported; and commercial radio, which is privately owned. As noted by Howley, community radio should not be conflated with alternative media, which strives to overturn or alter prevailing media systems. Rather, community radio is participatory in nature, drawing involvement from the station’s stakeholders and listeners but maintaining the structures and practices common to public and commercial stations. It is assumed that there is a high degree of accountability to listeners, who predominantly run and fund the station. The often limited amount of advertising time allotted to community stations dictates the need for external fundraising through pledge drives, grants, and donations. Community radio can serve a specific geographical region or a particular demographic or special-interest group. Programming includes music that is not mainstream (for example, independent artists or more obscure genres) and local-interest news and shows. It purports to represent marginalized or social and ethnic groups that are underrepresented in commercially oriented media. In its programming, the aim of community radio is to provide analysis of current events and culture that is otherwise absent from the public and corporate arms of broadcasting....