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Nalini Ghuman

[Maud Mann, Maud Foulds, Tandra Devi, Swami Omananda Puri, Maud Coote]

(b Cluain Meala (Eng. Clonmel), Tipperary, 4 July 1882; d Douglas, Isle of Man, 6 June 1967). Irish violinist, ethnomusicologist, authority on Indian music, writer, music therapist, and polymath. In 1884 the MacCarthys emigrated to Australia: in 1892 mother and daughter returned to Britain where Maud made her solo violin debut, playing to critical acclaim in Britain, Ireland, and the United States. Over-playing caused painful neuritis and led to a change in direction: she became deeply interested in Indian music. In 1907 she sailed alone to India, beginning her sojourn in Adyar, Chennai where she studied Karnatic classical singing. During journeys of 8,500 km north from Thanjāvūr to Vārānasī and Lahore she learned a variety of music and became proficient in Hindi and Urdu. Meticulous field notes document her pioneering ethnomusicological work.

Late in 1909 MacCarthy returned to London where, for two decades, driven by a commitment to bridging the colonial divide, she presented erudite lecture-recitals of Indian music across Britain and in Paris, singing in several languages and accompanying herself on ...

Article

Daniele Buccio

(b Camden, SC, June 30, 1927; d March 12, 1995). American ethnomusicologist, composer, and gamelan performer. She obtained her BA degree in composition and performance from Cornell University and her MA degree in composition from UCLA, where she was among Mantle Hood’s first students to research Indonesian music. In 1953 she collaborated with Lester Horton on the realization of the ballet Yerma based on Federico García Lorca’s subject. She taught at Cornell University and from the 1970s until her death at Loyola Marymount University, where served as Associate Professor of Music and Chair of the Department of Music. She conducted field research in Bali, where she studied with the famous Balinese master of music Cokorde Agung Mas and also in India, Trinidad, and Ghana. Her ethnomusicological knowledge, particularly the Balinese gamelan, influenced her own compositions, including Bayang Bayangan (Shadows) for Western Septet, Balinese Octet, Dancers and Visuals (...