(b Port Chester, NY, Dec 16, 1944). American jazz guitarist, composer, and bandleader. He grew up in Greenwich, CT, and began playing guitar at the age of 14. He was primarily self taught until he studied at the Berklee College of Music (1962–6) and with Jack Petersen. Abercrombie joined Johnny Hammond’s touring band after the blues organist had spotted him performing with other Berklee students at Paul’s Mall in Boston. After studying briefly at the University of North Texas, in 1969 he moved to New York where he performed and recorded in Billy Cobham’s jazz-rock band Dreams (1970), joined Chico Hamilton’s group, and recorded with Gato Barbieri (1971), Barry Miles (1972), and Gil Evans (1974). Abercrombie attracted wider attention performing with Cobham’s fusion band Spectrum from 1974. He also toured with Jack DeJohnette and recorded his debut album, ...
[Abrams, Richard Louis ]
(b Chicago, IL, Sept 19, 1930). American pianist, composer, and administrator. After receiving private piano lessons, he studied at the Chicago Musical College and taught himself the system of composition devised by Joseph Schillinger. He began to work professionally in 1948 and performed regularly at the Cotton Club in Chicago during the 1950s, accompanying visiting musicians such as Dexter Gordon, Sonny Stitt, and Max Roach. After composing and arranging for the Walter “King” Fleming band in the mid-1950s, Abrams joined the hard bop ensemble MJT+3 and made his recording debut on the group’s album DADDY-O PRESENTS MJT+3 (1957, VJ 1013). Beginning in 1961 Abrams led the Experimental Band, a composer-centered rehearsal ensemble whose members included the double bass player Donald Rafael Garrett, Jack DeJohnette, Roscoe Mitchell, and the reed player Joseph Jarman. He subsequently co-founded the Association for the Advancement of Creative Musicians (AACM) in 1965...
(b Kingston, ON, Nov 5, 1959). Canadian rock singer, songwriter, and guitarist, and photographer. The son of a diplomat, he spent his youth in England, Israel, Portugal, and Austria. After returning with his family to North America, he began performing and recording at the age of 15 with rock bands in British Columbia and Ontario. In 1978 he began what became a long and successful songwriting partnership with Jim Vallance, with whom he created most songs recorded under his name up to 1987, as well as songs recorded by Rod Stewart, Kiss, Bonnie Raitt, Neil Diamond, and the Canadian groups Prism, BTO, and Loverboy.
Adams’ albums characteristically alternate between down-tempo piano ballads and straight-ahead rock numbers. His third solo album, Cuts like a Knife (1983) launched him to the status of an international celebrity; its singles included the ballad “Straight from the Heart” and the anthem “Cuts like a Knife,” which both featured for weeks on magazine charts and music television. The next album, ...
(b Springhill, LA, Jan 13, 1962). American country music singer. In line with country “hat acts” and neo-traditionalists such as Toby Keith and Tim McGraw, Trace Adkins has forged a working-class image and hard-driving sound by merging honky-tonk with Southern rock, gospel, and blues. His masculine bravado and allegiance to a blue-collar ethos has solidified his position as one of country’s top acts.
After time spent working on an oil rig, Adkins moved to Nashville in 1992 to pursue his musicalcareer. There he met producer Scott Hendricks, who signed him to Capitol Records. His 1996 debut album, Dreamin’ Out Loud, yielded the successful singles “Every Light in the House,” “I Left Something Turned on at Home,” and “(This Ain’t) No Thinkin’ Thing,” which became his first number-one country hit. Despite problems with alcoholism and a drunk-driving charge, his 2001 album Chrome reached the top five on Billboard’s Country Albums chart. In ...
(b New York, NY, Dec 18, 1980). American singer. She is one of the most popular singers of her generation. Her father (originally from Ecuador), a sergeant in the US Army, and her American mother, a Spanish teacher, divorced when Aguilera was seven. As a child, Aguilera placed second on the television show Star Search, and performed on the Mickey Mouse Club along with Justin Timberlake and Britney Spears. In 1998, she launched her recording career with a track for Disney’s animated film Mulan. In 1998 she also signed with RCA, and her first album, Christina Aguilera (1999) reached number one on the Billboard 200. Her singles from that album, “Genie in a Bottle,” “What a Girl Wants,” and “Come on Over Baby” reached Number 1 on the Billboard Hot 100. Her first Spanish language album, Mi reflejo (2000), stood for 20 weeks at Number 1 on the Billboard Latin charts and earned her a Latin Grammy for Best Female Pop Vocal Album. In ...
J. Bradford Robinson
(b Dairen, China, Dec 12, 1929). Japanese jazz composer, pianist and bandleader. She studied classical music and turned to jazz only in 1947 after moving to Japan. There she was discovered by Oscar Peterson, who urged her to take up a career in the USA. After studying at Berklee College of Music (1956–9) she became a highly regarded bop pianist, especially in groups with the alto saxophonist Charlie Mariano (who was at that time her husband). She worked in Japan (1961), joined Charles Mingus in the USA (1962–3), then returned to Japan until 1965. In 1973 she founded a large rehearsal band in Los Angeles with the tenor saxophonist and flautist Lew Tabackin, whom she had married in 1969. Its first album, Kogun (1974, RCA), was commercially successful in Japan, and the group attracted increasing popularity and critical acclaim until, by ...
E. Ron Horton
(b Hollywood, CA, Aug 30, 1957). American jazz and pop saxophonist. With Grover Washington jr and George Benson he was at the forefront of a movement in the 1970s that combined a jazz sensibility with more mass-market styles such as funk, rock, and rhythm and blues. Albright attended Locke High School where Patrice Rushen was a fellow student. At the University of Redlands, he read business management with a minor in music; during this time he refined his saxophone technique and learned to play bass guitar. He subsequently performed and recorded with Rushen, playing the well-known saxophone solo on her hit single “Forget me nots” (Rhino, 1982). Thereafter, his career flourished as he worked with a range of artists including Anita Baker, the Winans Family, Lola Folana, Whitney Houston, Phil Collins, and Quincy Jones. One of Bill Clinton’s favorite saxophonists, Albright performed at the president’s inauguration as well as at several of his private functions. As a leader, he has made nine albums and sold more than one million records in the United States; his recordings ...
Gareth Dylan Smith
[Patterson, Robert, Jr. ]
(b Philadelphia, PA, July 1, 1935; d New York, NY, Aug 13, 2009). American jazz drummer. He learned congas from the age of nine and studied percussion while in the US Army (1952–5). After attending the Granoff School in Philadelphia, he worked in jazz and rhythm-and-blues bands and in 1963 moved to New York, where he was a key figure in the free-jazz movement, performing with Albert Ayler, Don Cherry, Sun Ra, and Archie Shepp. In addition he collaborated with John Coltrane, including the albums Expression and Interstellar Space (both 1967, Imp.), on which Ali’s performance displays the influence of Sunny Murray and Milford Graves. Ali also learned from Elvin Jones, with whom he competed for the drum chair in Coltrane’s band. In 1967 Ali worked in Europe with Niels-Henning Orsted Pedersed, studied with Philly Joe Jones, and worked at Ronnie Scott’s, London, with Jon Hendricks and Dave Holland. The following year he returned to New York, where he played with Sonny Rollins and Jackie McLean, and for five years from ...
(b Pontiac, MI, June 12, 1957). American jazz pianist and composer. She began classical piano study at age seven with Patricia Wilhelm, who also encouraged her interest in jazz. After graduating from Detroit’s Cass Technical High School in 1975 (where trumpeter Marcus Belgrave was one of her teachers), she studied with John Malachi at Howard University (BA 1979, jazz studies) and with Nathan Davis at the University of Pittsburgh (MA 1982, ethnomusicology). She also took private piano lessons with Kenny Barron in 1979. She moved to New York in the early 1980s, where she became a member of the M-BASE collective. Allen recorded her first album as a leader, The Printmakers, in 1984 (Minor Music). Since then she has performed on more than 100 recordings in a variety of capacities. She worked in trios with Ron Carter and Tony Williams (on albums such as Twenty One, 1994, Blue Note) and with Charlie Haden and Paul Motian (...
(b Louisville, KY, May 25, 1924). American alto saxophonist and bandleader. He began clarinet lessons when he was ten and later took up alto saxophone. After joining the US Army at 18 years of age, Allen performed in military bands and, while stationed in Paris, formed a trio with Art Simmons and Don Byas. Allen remained in Europe following his discharge, touring with James Moody and studying clarinet at the Paris Conservatory with Ulysse Delécluse. He returned to the United States in 1951 and led dance bands and worked as a composer in Chicago. After hearing a demo recording of Sun Ra’s Arkestra in a record store, Allen sought out the bandleader during a rehearsal and began an apprenticeship. He subsequently rehearsed with the Arkestra for more than a year before joining officially in 1958. His association with the ensemble has lasted more than 50 years.
Allen worked closely with Sun Ra for much of his professional career, composing for the bandleader and performing both in concert and on more than 200 albums; he even shared a house with him. Alongside John Gilmore Allen anchored the reed section, adding flute, clarinet, oboe, and in later years wind synthesizer. He invented the morrow, a woodwind instrument combining a saxophone mouthpiece with an open-holed wooden body, and learned to play and build the kora, a West African multi-string instrument. Allen rarely worked outside the Arkestra, although he made a notable recording with Paul Bley (...
[Stephen Valentine Patrick William]
(b New York, NY, Dec 16, 1921; d Encino, CA, Oct 30, 2000). American composer, radio and television personality, pianist, singer, and comedian. The son of Belle Montrose and Billy Allen, both of whom worked in vaudeville, he moved from place to place as a child, attending many schools for short periods of time. He played piano from an early age, although his musical training was mainly informal. He began a professional career in Los Angeles as a disc jockey on radio during the 1940s, then turned to television in the 1950s; he established himself as a comedian, and often played the piano during his shows, improvising jazz and singing his own songs. Among the musicians who appeared with him regularly was the vibraphonist Terry Gibbs. Allen’s most popular television program was “The Tonight Show,” which he began broadcasting locally in New York in 1953, subsequently leading it to nationwide success the following year. Allen performed the title role in the film ...
(Pastor Gomez )
(b Sincelejo, Colombia, Feb 18, 1949). American saxophonist of Colombian birth. His father was a percussionist who performed traditional Colombian music and Almario began his career playing in this style. Influenced by the Cuban music that was popular along the Caribbean coast of Colombia, Almario studied wind instruments and theory in Barranquilla, where he later moved. After a tour of the United States in 1967, he accepted an invitation to move to Miami and in 1969 was offered a scholarship to the Berklee School of Music. Two years later, while he was still studying, Almario was invited to sit in with Mongo Santamaria, who subesequently hired him as musical director for his ensemble; Almario can be heard on a number of Santamaria’s recordings, including Afro-Indio (1975, Fania). In the following years, Almario worked with Duke Ellington, Machito, Willie Bobo, and Charles Mingus. His group Koinonia, which he formed with Alex Acuña, performed West Coast jazz and promoted Christian spirituality, such as on the album ...
Terence J. O’Grady
revised by Bryan Proksch
(b Los Angeles, CA, March 31, 1935). American trumpeter, composer, bandleader, and record company executive. He studied trumpet as a child and left college to play in the army for a two-year period. After three years of producing records on his own, he launched A&M Records with Jerry Moss in 1962. A&M’s first issue was also Alpert’s first recording as a trumpeter and bandleader, The Lonely Bull (A&M, 1962). The title track included sounds from the bullring in Tijuana, Mexico, so Alpert dubbed his band the Tijuana Brass. His music exploited a distinctive combination of Mexican mariachi-style brass with jazz rhythms, which was dubbed Ameriachi. A string of hits including “Mexican Shuffle” (A&M, 1964) and “Tijuana Taxi” (A&M, 1965) followed. In 1966 Alpert had five recordings simultaneously listed on the Billboard Top 20. His cover of “This guy’s in love with you” reached no.1 in ...
(b Houston, TX, Nov 11, 1928). American jazz and blues singer. At the age of 12, she won a talent contest held at the El Dorado Ballroom in Houston by improvising new melodies to popular songs and in 1941 began performing with Russell Jacquet. In an attempt to remove Anderson from the nightclub scene and improve her academic standing, her family moved to Seattle in 1944. However, this was just as the jazz scene began to thrive there, and Anderson subsequently performed in bands under Bumps Blackwell, Ray Charles, Johnny Otis, and Lionel Hampton. She also recorded with Gigi Gryce (Nica’s Tempo, 1955, Savoy) and toured Scandinavia with Rolf Ericsen (1956). While in Sweden, she recorded her debut album Hot Cargo (1956, Met.). This album, coupled with performances championed by Ralph J. Gleason, made Anderson a sensation. However, a legal dispute with Mercury, which prevented her from recording for around five years, then derailed her career. Anderson’s popularity was revived by a celebrated performance at the Concord Jazz Festival in ...
(b Chicago, IL, Oct 5, 1934; d Honolulu, HI, May 29, 2009). American educator and organist. He attended Illinois Wesleyan University and Union Theological Seminary (MSM 1957, DSM 1961), studying organ with Lillian McCord, Robert Baker, and, as winner of a Fulbright grant for two years, Helmut Walcha in Frankfurt, Germany. An exacting, demanding, and colorful organ teacher, Anderson spent his entire career (1960–98) in the Meadows School of the Arts at Southern Methodist University, Dallas, where he mentored a large number of prize-winning organists, served as organist of the school’s Chapel, and was honored with the highest academic rank, University Distinguished Professor. Three recordings for the Aeolian-Skinner Organ Company’s King of Instruments series organized as three separate programs, one each of 18th-, 19th-, and 20th-century organ music, illustrate a brilliant stylistic command of organ repertory spanning all periods from the earliest to the most contemporary. Holder of the highest certificate from the American Guild of Organists (FAGO), Anderson served that organization as National Councilor for Education and was program chair for two national conventions of the Guild in Dallas. He toured widely as a recitalist in the USA and Europe and was frequently employed as a competition adjudicator and organ consultant....
S. Timothy Maloney
(b Ottawa, ON, July 30, 1941). Canadian singer-songwriter, naturalized American. He was singing for amateur shows and local radio stations by the age of ten and formed the Bobby Soxers vocal trio while still in high school. At 15 he recorded one of his own songs in Hollywood and in 1957 signed a songwriting and recording contract with ABC-Paramount in New York. His first single, “Diana” (EMI Columbia, 1957), was a number one hit and became one of the best-selling records in pop music history. Other hits followed, including “You are my destiny” (ABC-Paramount, 1958), “Lonely Boy” (ABC-Paramount, 1959), and “Put your head on my shoulder” (EMI Columbia, 1959). He also has more than 400 songs to his credit, many of which have been covered by other artists, among them, Buddy Holly, Johnny Mathis, Patti Page, Elvis Presley, Sammy Davis Jr., Barbra Streisand, and Michael Bublé. “My Way” (Reprise, ...
Frances R. Aparicio
[Muñiz, Marco Antonio]
(b New York City, Sept 16, 1968). American singer, songwriter, and actor of Puerto Rican ancestry. Named after the famous Mexican singer Marco Antonio Muñiz (b 1933), Marc Anthony has become one of the most famous and important Latino singer-songwriters in the United States. Because of the excellence of his voice and his commitment to his Latino and Caribbean roots, he has become the biggest selling salsa artist of all time, with over 10 million albums sold worldwide. After singing house and freestyle music in English in his early career, Marc Anthony revitalized salsa music with a series of early 1990s musical hits that paved the way for the 1999 Latin pop explosion. He has successfully crossed linguistic borders, singing both in English and Spanish within the same album and thus contesting the label of “crossover.” His stage performances and the hybrid musical arrangements that have cast traditional Puerto Rican songs like “Preciosa” and “Lamento borincano” as salsa songs embody his Nuyorican identity in the public space, thus exemplifying the transnational nature of salsa music. Some of his best-known songs in English include “I Need to Know” and “You Sang to Me.”...
(b Chichester, England, 1971). American singer-songwriter and pianist. After the Hegarty family moved to San Jose, Ccalifornia, in 1981, Antony studied experimental theater at New York University, formed a performance collective with Johanna Constantine, and collaborated with filmmaker William Basinski (Life on Mars, 1997) and rock icon Lou Reed (The Raven, Sire, 2003; Animal Serenade, RCA, 2004). Antony has become the world’s most famous transgender musician. Male-bodied and feminine-identified, Antony retains his birth name and uses masculine pronouns professionally. His band, Antony and the Johnsons (formed in 1996), is named after the murdered African American transgender activist Marsha P. Johnson.
Antony’s vocal depth, resonance, and melismatic grace evoke African American musical traditions. His tremulous vibrato and seemingly self-imposed limitations (also evident in his amateurish piano playing) express the grave earthly burdens of his lyrics. His eclectic work has been influenced by the AIDS-ravaged New York art scene (Peter Hujar), British synth-pop (Marc Almond), soul (Nina Simone, Boy George), and experimental underground music (Diamanda Galás). His band includes vocals, piano, drums, guitar, bass, cello, violin, and horns, he regularly appears with an orchestra, and he released an album of live symphonic performances with the Danish National Chamber Orchestra featuring arrangements by Nico Muhly, Rob Moose, Maxim Moston, and himself (...
Lori Burns and Jada Watson
[Richards, Jann (Arden Anne)]
(b Springbank, AB, March 27, 1962). Canadian singer-songwriter. Her songs are characterized by a lyrical emphasis on heartbreak and introspection, set to seamless pop and rock arrangements featuring smooth vocals and catchy rhythmic riffs. She began writing songs at the age of 13 and released her debut single “Never Love a Sailor” as Jann Richards in 1980. Arden busked and performed with rock bands in clubs and at festivals before signing with A&M Records and releasing her debut album Time for Mercy (A&M, 1993), which included the single “I would die for you.” The album garnered her a Juno Award for Best New Solo Artist in 1994 and she subsequently received two more, for Songwriter of the Year, in 1995 and 2002.
Arden’s success continued with Living under June (A&M, 1994), which featured three of her biggest singles “Insensitive,” “Could I be your Girl,” and “Good Mother.” Arden has continued to release studio albums as well as a greatest hits album (...
(b 9 Dec, 1950, St Kitts, Leeward Islands). English singer-songwriter. One of five children, she spent the first few years of her life with her grandparents in the West Indies, following the rest of her family to Birmingham in 1958. An introverted youngster, she taught herself piano and guitar and as a teenager, inspired initially by Marianne Faithfull, she began writing and performing her own songs in clubs. While singing in the touring production of Hair, she met Pam Nestor with whom she recorded an album, Whatever's for Us (Cube, 1972). Produced by Gus Dudgeon, who had also worked with David Bowie and Elton John, it was a critical success but a commercial failure. Back to the Night (A&M, 1975) established Armatrading as a solo artist. However, she gained both critical and popular acceptance with her next album, Joan Armatrading (A&M, 1976), which included her best-known hit single ...