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Article

Ronit Seter

[Berman, Bernhardt]

(b Wiesbaden, July 20, 1923). Israeli critic, composer and musicologist. He moved to Mandatory Palestine in 1936. After studying composition with Paul Ben-Haim, his most influential teacher, Bar-Am attended the Ecole Normale de Paris (1949–51). He studied musicology at Tel-Aviv University (BA 1977), where he became the principal lecturer for courses on Jewish music and Israeli contemporary music (1973–96) and the first director of the Archive of Israeli Music. The secretary general of the Israeli League of Composers (1960–76, 1976–8), he became chair of the organizing committee of the ISCM in Israel in 1980. Though most influential as the music critic of the Jerusalem Post between 1958 and 1995, Bar-Am also wrote many essays on Israeli music in Hebrew, English and German, notably ‘A Musical Gateway between East and West’ (Jerusalem Post, 20 April 1988). He ceased composing in the early 1970s but resumed in ...

Article

Howard Schott

revised by Dennis K. McIntire

(b Berlin, Sept 27, 1930; d Redding, CT, Jan 23, 2002). American harpsichordist, fortepianist and critic, son of Alexander Kipnis. After studying at the Westport School of Music, Connecticut, and at Harvard, he worked as art and editorial director of Westminster Records (1955–9), as director of recorded music for a chain of radio stations based in New York (1959–61) and as a music critic (from 1955). In the meantime he took up the harpsichord professionally. Although essentially self-taught, he was guided and encouraged by a number of musicians, notably Thurston Dart. He made his début in a radio broadcast in New York in 1959 and gave his first recital there in 1962. He performed widely as a soloist with leading orchestras and as a recitalist, touring Europe, Israel, South America, Australia, the Soviet Union and East Asia. His teaching career began in 1964...