( b London, 1817; d London, Dec 11, 1863). English composer . She was the eldest daughter of Joseph Glossop, a friend of George IV; she married Gilbert Abbott A’Beckett, a magistrate and humorous writer. Apart from a dozen songs and two waltzes for piano, A’Beckett composed three operas: The Young Pretender...
John R. Gardner
(b Oss, March 10, 1970). Dutch composer. He trained first as a recording engineer at The Hague Royal Conservatory, taking additional lessons in classical guitar with Antonio Pereira Arias, then went on to study composition with Andriessen family, §3, Gilius van Bergeijk and Diderik Wagenaar He quickly gained prominence as a composer of works for soloist and/or ensemble with soundtrack, combining economy of material with discontinuous structures and a theatrical component. In 2002, Van der Aa studied film direction at the New York Film Academy. Starting with the chamber opera One for soprano, video and soundtrack (2002), he has since expanded his activities to include script writing, filmmaking and stage directing. He has received the International Gaudeamus Prize (1999), the Matthijs Vermeulen prize (2004), the Charlotte Köhler Prize (2005), the Siemens Composers Grant (2005) and the Paul Hindemith Prize (...
City in Germany. The cathedral and its music were the creation of Charlemagne (742–814), who made the town the northern capital of the Holy Roman Empire; the Holy Roman emperors were crowned there from 813 to 1531. The city was occupied by France in 1794 and formally annexed in 1801; after the Congress of Vienna (1814–15) it became part of Prussia. It was severely damaged in World War II.
Aachen was the political, religious and cultural centre of Charlemagne’s empire, and the Hofkirche was constructed according to his own plans. The Aachen Cathedral choir dates from his founding of the Schola Palatina, whose teachers (including Alcuin from 782) were among the most distinguished scholars of the age. Alcuin described the school in a poem, mentioning a singing teacher named Sulpicius. For Charlemagne the idea of a politically united empire was closely linked with the establishment of a uniform liturgy, set to uniform music; his reforms in this direction led to the burning of all books connected with the Ambrosian rite in order to ensure adherence to the Gregorian style. As early as 774 he sent monks to Rome to study the teaching of such chant, and in 790 Pope Hadrian I responded to repeated requests from Charlemagne and sent two trained singers to the north with copies of the antiphonary. Organ music was also cultivated; in the early 9th century an Arab organ was sent to Charlemagne by Caliph Harun-al-Rashid and installed in the Hofkirche, while on the emperor’s instructions a second organ was built for the cathedral....
revised by Ole Kongsted
[Sistinus, Theodoricus; Malmogiensis, Trudo Haggaei]
(fl 1593–1625). Danish composer and organist. He was appointed organist of Vor Frue Kirke (now the cathedral), Copenhagen, on 23 June 1593 after having ‘pursued and learnt his art during a long period both in Germany and Italy’. He received a number of preferments, such as the free residence formerly set aside for the palace preacher, awarded to him in 1603. He was also on at least two occasions sent on commissions for the king, once to Prague (1600). He published under his latinized name Theodoricus Sistinus a set of secular Cantiones for three voices (Hamburg, 1608; ed. in Dania sonans, ii, 1966), his only known published music. The publication is dedicated to King Christian IV of Denmark, and it may be assumed that it won his approval, for during the period 1609–11 he received payments from the royal treasury in addition to his salary as organist, perhaps for teaching at the court. As early as ...
(bKouvola, Finland, Dec 12, 1935). Finnishtenor and alto saxophonist and flutist. He learned to play guitar and tenor saxophone during his years of schooling and army service, and spent three years in Sweden without playing; after returning to Finland he took up baritone saxophone, then changed to the alto instrument. He studied flute at the Sibelius Academy in Helsinki and later spent a period in Boston at the Berklee College of Music. In the 1950s he played in a sextet led by the trumpeter Heikki Rosendahl in Inkeroinen. He moved to Helsinki in 1961 and worked frequently as a studio musician, except during the late 1970s, when a three-year government grant gave him the freedom to pursue his own musical interests. At the same time he made a name as a lyrical free-jazz and jazz-rock soloist, recording with Eero Koivistoinen (1969–73), Edward Vesala (from ...
Bonnie J. Blackburn
(b Florence, c1480; d after 1545). Italian theorist and composer. Nothing is known of Aaron's early training, his teacher, or his career before 1516. He claims to have had ‘the greatest friendship and familiarity’ with Josquin, Obrecht, Isaac and Agricola in Florence (most likely between 1487 and 1495, and not necessarily at the same time). By 1516 he was a priest in Imola, where he wrote his first book, Libri tres de institutione harmonica, translated into Latin by the humanist Giovanni Antonio Flaminio. A contemporary poem by Achille Bocchi praises Aaron for rescuing music ‘from squalor and dismal neglect’. By March 1520 he was a singer in Imola Cathedral; he was also paid by the city to teach music to those who wished to learn. He resigned in June 1522, and by February 1523 he was in Venice in the household of Sebastiano Michiel, Grand Prior of the Knights of St John of Jerusalem, to whom he dedicated his ...
(b Paris, Jan 16, 1920). French clarinetist and bandleader. In 1941 he put together a jazz band which by 1943 had been joined by Boris Vian and was considered the first revival band in France. At its peak, in the years 1944–6, Abadie introduced such musicians as Claude Luter, Jef Gilson, and, from 1945, the Fol brothers, who may be heard on Tin Roof Blues (1946, Swing 212) and I’ve found a new baby (1946, Pathé 1013 [EP]). The band was strongly influenced by the Chicagoans and Bix Beiderbecke. In 1949 Abadie assembled a new band with such young players as Benny Vasseur and Jean-Claude Fohrenbach. He then retired from music (1952–63), but from 1965 led a modern-jazz nonet or tentet, which included the tenor saxophonist Paul Vernon (playing in a style influenced by Lester Young), with a repertory consisting of compositions by Ahmad Jamal, John Lewis, John Coltrane, and others....
F. Alberto Gallo
[Petrus Aponensis ]
(b ?Abano, nr Padua, 1257; d Padua, 1315). Italian philosopher and doctor . He studied at Padua and spent some time at Paris; later he became a professor at Padua University. Music is discussed in two of his works, the Conciliator differentiarum philosophorum et precipue medicorum (Venice, 1476) and the Expositio Problematum Aristotelis (Mantua, 1475). They contain the traditional notion of music as a discipline of the Quadrivium, but also interesting references to musical practice. Rhythm is related to pulse beats, and mention is made of the instruments rubeba and viella, the forms of the muteti and rote, and the practice of ‘bordonizare’.L. Thorndike: A History of Magic and Experimental Science, 2 (New York, 1923), 917ff F. Alessio: ‘Filosofia e scienza: Pietro da Abano’, ed. G. Folena Storia della cultura veneta, 2 (Vicenza, 1976), 171–206 F.A. Gallo: ‘La trattatistica musicale’, Storia della cultura veneta, 2 (Vicenza, 1976), 469–76...
(b Vilnius, USSR [now Lithuania], March 28, 1959). Lithuanian pianist. He played accordion from the age of four, studied piano from 1966 to 1977, and took courses in composition and jazz history at the M. K. Čiurlionis Gymnasium of Arts. At that time he admired rock music, but a recording by Oscar Peterson led to his interest in jazz. From 1977 he studied classical piano and composition at the Lithuanian music academy. In 1978 he formed a trio, which continued with a few changes in membership until 1994, and in the 1980s he led Jazz Archiv, a fusion group. He ceased to perform in public in 1992, though the trio played together for two more years. Abarius is admired for his use of impressionistic harmonies, his pure strong sound, and his impeccable technique, as heard on his album Reminiscence Blues (1988, Mel. C60-27877-007). He also plays other keyboard instruments and composes....
revised by Gary R. Boye
(b Bitonto, nr Bari; d after 1651). Italian composer and guitarist. He is known by four books of pieces for five-course Baroque guitar. They consist mainly of simple battute accompaniments to popular songs and dances of the early 17th century such as the passacaglia, ciaccona, folia, Ruggiero and aria di Fiorenza. The accompaniments are set down in the alphabet system of chord notation (alfabeto) devised by Girolamo Montesardo, in which letters of the alphabet designate fingering positions for various major and minor chords. Each of Abatessa’s books contains instructions concerning the interpretation of the alphabet tablature, the fingering of the chords and the tuning of the guitar; the 1652 book also explains how to tune the guitar with the harp, presumably for the simultaneous playing of continuo parts. The 1627 collection gives instructions regarding the execution of certain kinds of strum such as the trillo and ...
Swedish pop group. Its members were Benny Andersson (b Stockholm, 16 Dec 1946), Agnetha Fältskog (b Jönköping, 5 April 1950), Anni-Frid Lyngstad (b Ballangen, Norway, 15 Nov 1945) and Björn Ulvaeus (b Göteborg, 25 April 1945). Having established separate careers within Swedish pop they started working together in 1970, from 1972 under the name Björn, Benny, Agnetha och Anni-Frid. The acronym ABBA was adopted in 1973. Their victory in the Eurovision Song Contest in 1974, with Waterloo, launched the most successful international career to emerge from that context. During the period 1974–82 the group attained global popularity with songs such as Mama Mia (1975), Fernando (1976), Dancing Queen (1976), The Name of the Game (1977), Take a chance on me (1978) and Super Trouper (1980), all of which were number one hits in the UK, and albums such as ...
Giovanni Carli Ballola
revised by Roberta Montemorra Marvin
(b Alessandria, March 20, 1851; d Alessandria, May 2, 1894). Italian organist and composer. He began his musical studies with his stepfather, Pietro Cornaglia. From 1868 to 1871 he attended the Milan Conservatory, studying the piano with Antonio Angeleri and composition with Lauro Rossi and Mazzucato. His graduation exercise, the cantata Caino e Abele, won the first prize and a medal of honour. He toured abroad as a concert pianist, but from 1880 until his death was organist at the cathedral in Alessandria, where he also founded a school of composition, singing and piano, and conducted concerts for the Associazione filarmonica alessandrina. He composed three operas, Isabella Spinola (1877, Milan), Maria di Warden (1884, Venice) and Una partita a scacchi (1892, Pavia), the latter based on Giuseppe Giacosa's popular comedy. In these works, which did not have much success, Abbà Cornaglia remained uninfluenced by the innovatory tendencies of the ‘Scapigliatura’ and of Catalani and by the new ...
(b Genoa, 1821; d Milan, 1896). Italian mezzo-soprano . She studied with her father, the composer and teacher Natale Abbadia, making her début in 1836 at Sassari. In Vienna she sang Corilla in Donizetti’s Le convenienze ed inconvenienze teatrali (1840). At La Scala she created Giulietta in Verdi’s ...
(b Milan, June 26, 1933; d Bologna, Jan 20, 2014). Italian conductor. Son of the violinist and teacher Michelangelo Abbado, he heard Debussy’s Nocturnes as a small boy and immediately had the ambition to become a conductor. Soon after the war he attended rehearsals by Furtwängler and Toscanini in Milan; his quiet, undemonstrative manner on the podium derives in part from his aversion to the dictatorial approach he witnessed in Toscanini. He first learnt the piano with his father, and studied at the Milan Conservatory until 1955, before going to the Vienna Music Academy to study conducting with Hans Swarowsky. In 1958 he won the Koussevitzky Competition, and a series of concert and operatic engagements in Italy followed. His career was further boosted when he won the Mitropoulos Prize in 1963 and worked for five months with the New York PO. His international success was rapid, and led to his first appearances at the Salzburg Festival in ...
(b Milan, Dec 30, 1954). Italian conductor. He studied at the conservatories in Pesaro and Milan, and with Franco Ferrara in Rome. He made his conducting début with the orchestra of the Accademia di S Cecilia in 1977, and his operatic début, with Simon Boccanegra, in Macerata the following year. His career developed with guest appearances in leading Italian opera houses and regular collaborations with orchestras in Italy, France, Germany and the USA, where he made his début (with the Orchestra of St Luke’s) in 1991. He has also conducted at the Edinburgh Festival (1982) and at festivals in Israel, Lille and Munich. In 1991 Abbado was appointed chief conductor of the Munich RO, a post he held until 1998. Meanwhile, he has consolidated his operatic career with guest engagements at La Scala, the Vienna Staatsoper, the Staatsoper in Munich (making his début with a new production of ...
(b Genoa, c1600; d after 1640). Italian theorist. A Franciscan, he was chaplain and musician to Cardinal Franz von Dietrichstein, Prince-Bishop of Olomouc and governor of Moravia. Before 1629 he probably taught music at the seminary at St Oslowan and from 1629 at the newly established Loretan seminary at Nikolsburg (now Mikulov), the cardinal’s principal residence. He returned to Italy in 1632. His treatise Regulae contrapuncti excerptae ex operibus Zerlini et aliorum ad breviorem tyronum instructionem accommodate (St Oslowan, 1629/R), which in spite of its Latin title and dedicatory letter is written in Italian, was conceived as a textbook of counterpoint for his seminarians. It is an entirely unoriginal and conservative compendium of the most elementary rules concerning the use of consonances and dissonances, derived, according to the title, ‘from the works of Zarlino and others’.ČSHS EitnerQ E. Bohn: Die musikalischen Handschriften des 16. und 17. Jahrhunderts in der Stadtbibliothek zu Breslau...
(b Città di Castello, Jan 26, 1595; d Città di Castello, ? after March 15, 1679). Italian composer and teacher. He travelled to Rome with his brother Guidobaldo, an artist, in 1623 and 1625 (Andrae, 17–19), and was employed at S Giovanni in Laterano from January 1627 to May 1629. According to his verse autobiography (in I-Rvat ) he served there ‘seven years and some months’, or from 1622, but neither this nor his statement that he held earlier positions in Città di Castello and at the Gesù in Rome have been confirmed. He subsequently served as maestro di cappella at the cathedrals of Città di Castello (June 1629 to May 1632, December 1635 to November 1640 and May 1677 to March 1679) and Orvieto (December 1632 to 1635). In Rome his principal tenures were at S Maria Maggiore, where he trained boy sopranos (...
revised by Marc Leroy
(b Whilton, Northants., England, Dec 22, 1785; d Versailles, France, Feb 19, 1859). English organ builder. The son of a local joiner, he first learnt his father’s trade. Against family wishes he was apprenticed to the organ builders James and David Davis and in 1818 went to work with Hugh Russell. Abbey became acquainted with Sébastian Erard in London and went to France in 1826 to build an organ that Erard designed for the 1827 Industrial Exhibition at the Louvre; before 1864 it was moved to the Paris Conservatoire. After moving to Paris and then Versailles, Abbey received a royal commission to build an organ for the chapel of the Légion d’honneur at St Denis and another designed by Erard for the chapel of the Tuileries Palace (1827; destroyed 1830). In 1831 with Meyerbeer’s support Abbey was employed to build an organ for the Paris Opéra (destroyed by fire, ...
(b Verdello, Sept 14, 1898; d Bergamo, Jan 22, 1981). Italian music critic. He took a diploma in composition at the Turin Conservatory (1929) and studied musicology with Cesari. His career as a critic was centred in Milan; after working on Secolo sera (1928–34), he succeeded Cesari at Corriere della sera, remaining there until his retirement (1973). In 1949 he founded the monthly journal La scala, which he edited until its closure in 1963; he was particularly interested in opera, especially its authentic performance. Abbiati also published a history of music in five volumes (1939–46), which he later updated and revised in four volumes (1967–8). This was well received, although (being the work of a single author) it was inevitably incomplete; the comments in the second edition on 20th-century composers, notably Italian composers of Abbiati’s own generation, are especially valuable as a contemporary response. His four-volume work on Verdi (...
English firm of organ builders. It was established in Leeds in 1869 by Isaac Abbott, who had worked for 20 years with William Hill in London. William Stanwix Smith, also a former Hill employee, was the firm’s manager until Abbott retired, in 1889; thereafter Smith and Abbott’s son continued the firm, which subsequently passed to Smith’s sons and grandson. In 1964 the firm was sold to its foreman, J.H. Horsfall, and in 1975 it moved to the premises of Wood Wordsworth & Co. Up to 1964, Abbott & Smith built or rebuilt hundreds of organs throughout Britain, including some 250 in Yorkshire, and more than 60 around Leeds. James Jepson Binns was head voicer from 1875 until 1880. Their earlier instruments, using mechanical action through the 1880s, have a robust singing quality suited to Yorkshire Methodist congregations, though several were in town halls, including those in Leeds and Ryde. Their organ for St Mark’s, Manningham, had four manuals and 48 speaking stops. The firm also built organs in St Albans Cathedral (...