( b Rome, Jan 25, 1960). Italian harpsichordist, organist and conductor . Largely self-taught, he conducted his first major concert, of Cavalli's Calisto, in Rome in 1985, with a group of singers that were to form the nucleus of a permanent ensemble, Concerto Italiano. The ensemble's first recording, of Monteverdi's fourth book of madrigals, was widely acclaimed for its passion and colour, winning a Gramophone award in 1994; subsequent recordings have included madrigals by Monteverdi, Marenzio and Frescobaldi, and vocal works by Lassus. In 1995 Alessandrini founded the complementary Concerto Italiano instrumental ensemble, with whom he has performed and recorded concertos by Bach and Vivaldi, and made an imaginative recording of Bach's Art of Fugue. His other recordings include Bach's sonatas for violin and harpsichord, vocal works by Vivaldi, Alessandro Scarlatti and Pergolesi, and Handel's Roman oratorio Il trionfo del Tempo e del Disinganno. With Concerto Italiano he has appeared at major concert halls and festivals throughout Europe. In ...
[Ricketts, Frederic Joseph]
(b London, Feb 21, 1881; d Reigate, May 15, 1945). English composer and bandmaster. As a cornet-player with the Royal Irish Regiment, he served in India. Subsequently he studied at Kneller Hall (1904–8), qualifying as a bandmaster, and in 1908 was appointed to the 2nd Argyll and Sutherland Highlanders. In 1912, under the pseudonym Alford (his mother's name), he published the marches The Vedette and Holyrood, the first of a long series of marches. Two of the most famous, written during World War I, illustrate differing approaches to march-style. Colonel Bogey (1913) is in simple time; the golfing allusion of the title reflects the work's origin on the green, where Alford's partner would whistle the notes C and A instead of shouting ‘fore’. On the Quarter Deck (1917) is in the compound time made popular by the American John Philip Sousa. Alford is unlikely to have missed Sousa's concert on ...
(b Stockholm, May 1, 1872; d Falun, May 8, 1960). Swedish composer, conductor and violinist. He attended the Stockholm Conservatory (1887–91) and then took private lessons with Lindegren (composition) and Zetterquist (violin); from 1887 he also studied painting. A violinist in the Hovkapellet (the opera orchestra, 1890–92), he decided in 1892 to make his career in music. From 1904 to 1957 he conducted the Siljan Choir – a group of five church choirs and regional choirs in Dalarna – and he was the director of other choruses, including the Orphei Drängar (1910–47), with whom he made 22 tours throughout most of Europe. In addition he was Director Musices of Uppsala University (1910–39). A Hugo Alfvén Foundation has been established in Stockholm.
Alfvén's music is distinguished by orchestral subtlety and by a painterly exploitation of harmony and timbre. His output was almost entirely of programme music, often suggested by the Swedish archipelago; he commented that ‘my best ideas have come during my sea-voyages at night, and, in particular, the wild autumns have been my most wonderful times for composition’. A few pieces, often performed, have maintained his reputation: ...
John W. Wagner
(b ?Dartmoor, June 4, 1770; d Boston, Aug 2, 1827). American conductor, composer and publisher of English birth, father of John Hill Hewitt. Apart from family records giving his place and date of birth, the first documented information about him is that he occupied 12 Hyde Street, Bloomsbury, London, during 1791–2. He arrived in New York on 5 September 1792. Although he advertised himself there as having had concert experience in London under ‘Haydn, Pleyel, etc.’, no evidence of this has been found. He lived in New York until 1811, his longest period of residence at one address being from 1801 to 1810 at 59 Maiden Lane. From 1792 until the end of March 1808, he was conductor of the orchestra at the Park Street Theatre, where his duties included arranging and composing music for many ballad operas and other musical productions. He also operated his own ‘musical repository’, where he gave lessons and sold musical instruments and music composed by himself and others....
(b Plovdiv, 19 Dec 1937). Bulgarian composer, pianist, conductor, arranger, and bandleader. He was internationally acknowledged for his innovative ideas, cross-cultural experiments, and contribution to the concept of fusion and free improvisation. Classically trained at the Bulgarian State Conservatory (1955–60) under Pancho Vladigerov (composition) and Andrey Stoyanov (piano), he is the author of numerous compositions in styles and genres including jazz, pop, symphony, chamber, film, and theatrical music. He conducted the Radio and Television Big Band in Sofia (1962–6) and led his own avant-garde quartet, Jazz Focus’65 (1965–8), which won the Critic’s Prize at the Montreux Jazz Festival in 1967. In 1970 he left Bulgaria for political reasons and moved to the USA where he joined the Don Ellis Orchestra (1971–8), and later collaborated with the classical/jazz quartet Free Flight. He also played with outstanding jazz musicians including Art Pepper, Billy Cobham, and Dave Holland, among many others....