(b Kiriat Haim, Dec 25, 1950). Israeli singer, composer, guitarist and bouzouki player. During the 1970s he played in various rock bands which performed mainly at weddings. One of these bands became known as Benzeen in the early 1980s, when Poliker established what was to become a fruitful and long-lasting creative partnership with the lyricist and critic Yaakov Gilad. Benzeen became highly successful with its hard rock sound, but disbanded in 1984 after the release of its second album. In 1985 Poliker made two albums of rock-oriented interpretations of Greek songs, with Hebrew lyrics by Gilad; these recordings widened Poliker’s popularity beyond the young audiences of rock and marked his shift towards a sound based on Mediterranean and Middle Eastern elements. In 1988 he recorded Ashes and Dust, in which he and Gilad explored their experiences of growing up in Israel in the 1960s as sons of survivors of the Holocaust, and this album is widely considered Poliker’s masterpiece. His later albums, two of which are purely instrumental, include virtuoso performances on guitar and ...
(b Heidelberg, Nov 13, 1897; d Jerusalem, Jan 15, 1974). Israeli composer, conductor, singer and keyboard player of German birth. He studied the organ with Philipp Wofrum and composition with Richard Strauss. From 1920 to 1926 he held the position of conductor at the Hamburg Neues Stadt-Theater, and from 1931 to 1932 was baritone and stage director at the Deutsche Musikbühne. He emigrated to Palestine in 1933, where he was appointed programme director of the newly founded Palestine Broadcasting Service (PBS, later Kol Israel [‘The Voice of Israel’]), a position he held until his retirement in 1962; he founded the PBS Orchestra (later the Kol Israel Orchestra) in 1938.
Many of Salomon’s early works were destroyed. His music from 1933 is tonal with modal inflections, combining European traditions with folk influences to create a light, accessible style. The Sepharadic Suite (1961) incorporates Spanish melodies; popular material is also used in the Second Symphony ‘Leilot be’Cna’an (‘Nights of Canaan’, ...