(b Lafayette, LA, Feb 14, 1951). American fiddler, guitarist, vocalist, and songwriter. Doucet has become arguably the most widely recognized Cajun musician ever. His formative influences within Cajun and Creole music include acknowledged masters such as Dewey Balfa, Canray Fontenot, and especially Dennis McGee, as well as lesser-known but no less important masters such as Varise Conner, Lionel Leleux, and Hector Duhon. Other influences include the folk rock, country, and swamp pop influences of his youth. Doucet first approached Cajun music in the 1970s in a group called Bayou des Mystères. He then founded a rock-country-Cajun fusion band called Coteau, the first such band to attract the attention of the younger university crowds. After Coteau dissolved, Doucet turned to his long-running band Beausoleil, which was informed by an eclectic collection of influences that reflect the complex history of Cajun music, including traditional, classical, rock, and jazz elements. Beausoleil has played all over the world and recorded more than 30 albums for many labels, including Swallow, Arhoolie, Rounder, Rhino, and Alligator. These albums have garnered 11 Grammy nominations and two wins. Doucet has also recorded albums with other musicians, including Marc and Ann Savoy, Ed Poullard, and his brother David Doucet. He has performed with symphony orchestras and with the Fiddlers Four. Along the way, he has made ingenious use of old material, for example, turning unaccompanied ballads that John and Alan Lomax collected in Louisiana in ...
Barry Jean Ancelet
(b Seguin, TX, July 6, 1953). American country/folksinger-songwriter. She grew up in a musical home, began playing guitar at a young age, and started writing songs at the age of six. When she was 14 she began performing in honky-tonks. After college Griffith taught kindergarten by day and performed in honky-tonks at night. It was not until 1977 that she decided to pursue a career in music. She self-promoted her first two albums at folk festivals and formed her own backing band, the Blue Moon Orchestra. In 1987 she landed a recording contract with MCA Nashville and made her major-label debut with the critically acclaimed album Lone Star State of Mind, charting a single with the title track. The album also featured Julie Gold’s song “From a Distance,” which has become Griffith’s signature tune. After several unsuccessful albums Griffith transferred to MCA’s pop division in 1989 and recorded her first pop-oriented album, ...
(b Oceanside, CA, Feb 20, 1981). American mandolinist and singer. Learning bluegrass mandolin as a child in Southern California, he began his musical career with a victory at the Walnut Valley Mandolin Championship at age 12, an appearance as part of the International Bluegrass Music Association’s Bluegrass Youth All-Stars also in 1993, and his first solo album Leading Off (Sugar Hill) the following year. His band Nickel Creek, which included Sean Watkins (b Vista, CA, 18 Feb 1977) on guitar and Sara Watkins (b Vista, CA, 8 June 1981) on fiddle, performed throughout the 1990s and released their eponymous album on Sugar Hill in 2000. Produced by Alison Krauss, the album established a number of musical hallmarks for the band: polished vocal harmonies, contemporary songwriting, and virtuosic, progressive-bluegrass-oriented instrumental work.
During his tenure with Nickel Creek, Thile pursued a variety of solo projects, including collaborations with Mike Marshall and Béla Fleck. After achieving an unusual degree of commercial success for a bluegrass-related band, Nickel Creek ceased touring and recording in ...
revised by Travis D. Stimeling
[Crosby, Ronald Clyde ]
(b Oneonta, NY, March 16, 1942). American folk and country singer, guitarist, and songwriter. A high-school dropout, he traveled around the United States playing banjo, guitar, and other instruments and singing a repertory consisting principally of songs by Pete Seeger, Woody Guthrie, and Jimmie Rodgers. By the early 1960s, he was performing at Greenwich Village folk clubs and on college campuses across the country, finding particular success among Texan audiences in Houston, Dallas–Fort Worth, and Austin. In 1966, while in Austin, he met Bob Bruno, with whom he formed the folk-rock band Circus Maximus; it recorded an album for Vanguard in 1967.
Around the same time, Walker also earned success as a songwriter, notably with “Mr. Bojangles” (1968), a hit for the Nitty Gritty Dirt Band in 1971. Also in 1971, Walker relocated to Texas, where he became a luminary in Austin’s emerging progressive country music scene. In ...