1-5 of 5 results  for:

  • Musicology and Music History x
  • 21st c. (2000-present) x
Clear all

Article

Gabriel Banciu and Cristina Şuteu

[Angi István]

(b Ojdula, 16 Oct 1933) Romanian music aesthetician and musicologist. He is considered the founder of musical aesthetics in Romania. Ştefan Angi studied at Cluj-Napoca Conservatory (1953–8) where his teachers included Márkos Albert (music theory), Jodál Gabor (harmony), Max Eisikovits (counterpoint), Jagamas János (forms), Földes László (aesthetics), Lakatos István and Benkő András (music history), Zsurka Péter (violin), Ana Voileanu-Nicoară (chamber music), Antonin Ciolan (orchestral ensemble), and Szenik Ilona (folklore). He then studied at Lomonosov Moscow State University (1963–5), with the philosopher Valentin Ferdinandovich Asmus, where he graduated with a dissertation on Music and Affectivity and took the PhD in Romania in 1966. In 1958 he joined the academic staff of Cluj-Napoca Conservatory and between 1976 and 1986 was the dean of the Theoretic Faculty. He was awarded the ‘Cultural Merit’ medal (1970) and the ‘Romanian Academy Award’ (1977). Angi is a permanent correspondent on serial radio broadcasts, has published more than 100 articles, and has attended 70 conferences – on musicology, philosophy, and aesthetics....

Article

Cristina Şuteu

(b Sibiu, 4 Nov 1956) Romanian musicologist and music aesthetician. He studied at Cluj-Napoca Conservatory (1976–81) where he joined the academic staff (in 1996), earned a doctorate on music aesthetics (1999), was pro-rector (2008–12), and became president of the Senate in 2012.

Owing to his multiple interests Banciu has been recognized as a member of several professional music associations (starting in 2002), an evaluator on many national committees and music competitions (starting in 2006), a member of the board of directors at the Union of Romanian Composers and Musicologists (starting in 2014), the vice-president of the ‘Performing Arts Commission’ within the National Council for the Certification of University Titles, Diplomas, and Certificates (C.N.A.T.D.C.U., starting in 2016), a peer reviewer on journals (Musicology Papers, Musicology Today, Studia Musica), and an organizer of international conferences (The International Congress on Musical Signification in ...

Article

Petr Macek

(b Šternberk, 22 April 1964). Czech musicologist. He studied musicology with Jiří Vysloužil, Jiří Fukač, and Miloš Štědroň at Brno University. Then he worked at the Faculty of Arts, Charles University in Prague where he taught and researched until 1999. Between 1991 and 2002 he also taught at the Palacký University, Olomouc. In 1998 he started working at the Masaryk University, Brno (head of the Institute of Musicology, 1999–2004; vice-rector 2004–11; rector starting in 2011).

Bek’s scholarly specializations include music sociology, history of music after 1750, and music analysis. He is a co-director of the online Český hudební slovník osob a institucí (‘Czech Music Dictionary of Persons and Institutions’), and co-ordinator of RIPM for the Czech Republic (2001–3). He also participates actively in the international musicological colloquia that form part of the international music festival, Moravian Autumn, each year in Brno.

(selective list)...

Article

Amra Bosnić

(b Mostar, 1946). Bosnian and Herzegovinian musicologist. She gained the Masters in Pedagogical Sciences in the Faculty of Philosophy (1977), and the Doctorate in Pedagogical Sciences at the Academy of Music in Sarajevo (1984). She worked at the Academy of Music in Sarajevo from 1971 until her retirement in 2011. She was employed at various levels from teaching assistant to full professor at the Academy, teaching subjects including methods in music education, and pedagogy with the basics of psychology, and was appointed Dean of the Academy from 2003 until 2007. She was also engaged as a professor of Music Culture and Methods at the Pedagogical Academy in Sarajevo (1992–2009).

Ferović was actively involved in establishing and leading the most important music institutions in Sarajevo: the Musicological Society of the Federation of Bosnia and Herzegovina, the Institute of Musicology (2007–9) at the Academy of Music in Sarajevo, the Sarajevo vocal octet Preporod, and the academic female vocal ensemble, also called Preporod. She was an editor and reviewer of the collection of papers of the International Symposium, ...

Article

Jonathan Pieslak

Music has always been a part of war. While much of music’s role throughout history has been to signal commands and maneuver troops, it also appears as a powerful way to inspire troops for combat, to boost morale, or even to intimidate an adversary. Plato believed that the Phrygian mode could incite aggressive behavior. In American history, George Washington felt that music was so important to the morale of his troops that he ordered drum and fife majors to improve the quality of music or suffer a deduction in wages....