(b Basle, Oct 11, 1495; d Basle, April 1562). Swiss humanist, musician and lawyer. The son of the printer Johannes Amerbach, he began studying the classics in Engental (near Basle) as the private pupil of Conrad Leontorius, who in 1507 described him as ‘both talented and lazy’. Between 1507 and 1509 he continued his education in Schlettstadt at the distinguished humanist school run by Hieronymus Gebwiler and by 1510 had matriculated at the University of Basle. In 1513 he was awarded the degree of baccalaureus artium, and upon graduation moved to Freiburg im Breisgau, where as a candidate for the degree of magister artium he specialized in ethics, physics and grammar. While in Freiburg he also began studying law under Ulrich Zasius and later continued these studies with Andrea Alciati in Avignon where, in 1525, he was awarded the degree of doctor juris. It was during his student days that Amerbach’s close relationship with Erasmus began; when the Dutch humanist died in Basle in ...
(b Schneeberg, Saxony, April 4, 1515; d Königsberg, Nov 27, 1585). German jurist and humanist. He was one of the children of a Saxon mine inspector. In 1527 he went to school and later to university in Leipzig; in 1535 he took the Master of Arts degree and remained as a teacher at the university until 1550, when he became Hofmeister (private tutor) to two noble students at Leuven University and, from 1551, at the University of Paris. On returning to Leipzig in 1556, he was appointed councillor and chancellor to the Prince of Meissen (Saxony). In 1562 he went to Bologna to study at the university, taking the degree of Doctor of Laws, and in 1563 he was called by Duke Albrecht of Prussia to the chair of law at Königsberg University, where he stayed until his retirement in 1580.
Lobwasser's great achievement was the translation of the Genevan (or Huguenot) Psalter into German, following the original verse forms exactly, in the years immediately after its completion in ...
Donald G. Loach
(b Glarus, Feb 5, 1505; d Glarus, Feb 28, 1572). Swiss statesman, historian and collector of music. From his studies with Zwingli and with Glarean in Basle (1516–17) he developed a special enthusiasm for music. With Glarean’s help he studied the theorist's system of 12 modes and analysed a large repertory of the period 1460–1520, which included the work of Glarean and others. (He may not, however, have seen a completed draft of Glarean's Dodekachordon, as has sometimes been suggested.) After Tschudi had classified the repertory, grouping compositions together by genre, number of voice parts and the mode of their tenors, he began (probably after 1540) to assemble his own songbook ( CH-SGs 463). The extant discantus and altus partbooks include 87 Latin pieces, 49 lieder, 30 chansons, 16 canzonas, four pieces without title and one pavan. Tschudi attributed 94 of the works to 37 composers, citing in an index the national and sometimes regional origins of 25 contributors. Concordances identifying 19 other composers raise the number of attributable compositions to 122. Tschudi's attributions to composers attached to the French court during the second decade of the 16th century probably came from Glarean, who lived in Paris from ...