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Marc Anthony  

Frances R. Aparicio

[Muñiz, Marco Antonio]

(b New York City, Sept 16, 1968). American singer, songwriter, and actor of Puerto Rican ancestry. Named after the famous Mexican singer Marco Antonio Muñiz (b 1933), Marc Anthony has become one of the most famous and important Latino singer-songwriters in the United States. Because of the excellence of his voice and his commitment to his Latino and Caribbean roots, he has become the biggest selling salsa artist of all time, with over 10 million albums sold worldwide. After singing house and freestyle music in English in his early career, Marc Anthony revitalized salsa music with a series of early 1990s musical hits that paved the way for the 1999 Latin pop explosion. He has successfully crossed linguistic borders, singing both in English and Spanish within the same album and thus contesting the label of “crossover.” His stage performances and the hybrid musical arrangements that have cast traditional Puerto Rican songs like “Preciosa” and “Lamento borincano” as salsa songs embody his Nuyorican identity in the public space, thus exemplifying the transnational nature of salsa music. Some of his best-known songs in English include “I Need to Know” and “You Sang to Me.”...


Boone, Pat  

Jonas Westover

[Charles Eugene ]

(b June 1, 1934, Jacksonville, FL). American singer, actor, and author. He is best known for his success during the 1950s and 60s, when he delivered old-fashioned sounds with a wholesome image and was seen a safe antidote to the African American artists who were performing R&B and rock ’n’ roll. His success was due in part to his choice to cover many of their songs in his own fashion. These were targeted specifically to middle-class white teenagers and resulted in 38 top 40 hits. Boone began recording in 1954 for Republic Records, where he covered music by Fats Domino, Little Richard, Nat “King” Cole, and the El Dorados. Second only to Elvis Presley in terms of album sales during the 1950s, he branched out as an actor, appearing on television in “Arthur Godfrey and his Friends” and “Ozark Jubilee.” From 1957 he hosted his own program, “The Pat Boone Chevy Showroom,” in which he served as a spokesman for the car company and pitched his music. Among his most popular hits are “Ain’t that a Shame” (...


Cariou, Len  

William A. Everett and Lee Snook


(b Winnipeg, MB, Sept 30, 1939). Canadian actor and singer. An accomplished actor on stage, film and television, Cariou’s Broadway credits include Bill Sampson in Applause (1970), Frederik in A Little Night Music (1973), and the title character in Sweeney Todd, the Demon Barber of Fleet Street (1979). He reprised the role of Frederik in the 1977 film version of A Little Night Music; other film credits include The Four Seasons (1981). He has appeared in numerous television movies and has made guest appearances in various television shows, including the recurring role of Michael Hagarty in Murder, She Wrote, the series which featured his co-star from Sweeney Todd, Angela Lansbury. He possesses a wide range, excellent diction and a dramatic masculine sound, and his voice works effectively in both solo and ensemble settings. His true strength is as a character actor, and his voice quality enhances the theatrical effect of the wide variety of roles which he portrays....


Clooney, Rosemary  

Philip Gentry

(b Maysville, KY, May 23, 1928; d Beverly Hills, CA, June 29, 2002). American singer and actor. Raised in difficult circumstances in northern Kentucky, she won a talent competition with her sister Betty sponsored by a Cincinnati radio station, and in 1945 the pair joined the Tony Pastor Orchestra as the Clooney Sisters. Soon thereafter she struck out on her own: she signed with Columbia Records and established a musical partnership with the producer Mitch Miller.

After two modestly successful singles, in 1951 Clooney and Miller recorded the obscure pseudo-Armenian song “Come on-a my House,” with a jarring harpsichord accompaniment. The single was a spectacular success, and for the remainder of the 1950s Clooney’s musical output veered between her preferred romantic material, including her successful versions of “Half as Much” (1952) and “Hey there” (1954), and a series of witty novelty numbers that tended towards an interchangeably ethnic mode of performance, including “Botch-a-me (Ba-Ba-Baciami Piccina)” (...


Colón, Willie  

Lise Waxer

[Colón Román jr, William Anthony; ‘El malo’]

(b South Bronx, New York, April 28, 1950). American bandleader, composer, arranger, trombonist, popular singer, producer and actor. Dubbed ‘El malo’ (the ‘bad boy’) of salsa, he began playing the trumpet in 1963 with the teenage band the Dandees. Switching to trombone, he made his professional début at 17 with the album El malo (Fania, 1967). Both as a bandleader and a member of the Fania All-Stars, he quickly moved to the fore of the burgeoning New York salsa scene, cementing the raw, trombone-heavy ‘New York sound’ inspired by earlier artists such as Eddie Palmieri and Mon Rivera. Between 1967 and 1973 he made a series of important recordings with vocalist Hector Lavoe, which included the albums Asalto Navideño I and II (Fania, 1972 and 1973) with cuatro virtuoso Yomo Toro, where traditional Puerto Rican Christmas aguinaldos were fused with salsa. During his second period (...


Combs, Sean  

Athena Elafros

(John) [Diddy; P. Diddy; Puff Daddy; Puffy; Sean John]

(b New York, NY, Nov 4, 1969). American record producer, rapper, record executive, artist manager, and actor. His sample-heavy approach to production and R&B-infused sound contributed to the mainstreaming and resurgence of East Coast hip hop in the mid-1990s. As an entrepreneur and business executive, Combs parlayed his career in music into the multi-million dollar Bad Boy Entertainment empire, consisting of Bad Boy Records, the clothing lines Sean Jean and Sean by Sean Combs, a movie production company, and several restaurants. Often criticized for commercializing and watering down hip hop, Combs’s career, and the controversy surrounding it, exemplify fundamental tensions related to hip hop’s massive cultural influence and complicated relationship to global capitalism. Significantly, his wholesale recycling of popular hooks such as the Police’s “Every Breath You Take,“ Diana Ross’s “I’m Coming Out” and David Bowie’s “Let’s Dance,” to name only a few, have resulted in his music being heavily criticized (and heavily sold) both within and outside of hip hop circles....



Jared Pauley

[Lynn, Rashid Lonnie ]

(b Chicago, IL, March 13, 1972). American rapper and actor. He attended Florida A&M University as a business major but dropped out after two years. He originally went by the name Common Sense, but he was sued by a California reggae band that had already copyrighted the name. He first gained attention after being featured in the “Unsigned Hype” column of The Source in October 1991. Shortly thereafter, he signed with Relativity Records as Common Sense and released his debut album Can I borrow a dollar? (Relativity, 1992), which features him rapping in a double-time style popular in the early 1990s. His album Resurrection (Relativity, 1994) was produced almost entirely by Chicago producer NO I.D., who later mentored Kanye West. Resurrection included the song “I used to love H.E.R.,” whose lyrics feature an extended metaphor figuring his relationship with hip hop as a love affair gone sour. Several west coast artists, including Ice Cube, Mack 10, and WC, took offense to the song and criticized him on record. However, with memories of Tupac Shakur and Notorious B.I.G.’s public feud and unsolved murders weighing heavily upon them, the antagonism was put to rest at a summit led by Nation of Islam leader Louis Farrakhan....


Connick, Harry, Jr.  

Gary W. Kennedy

revised by Philip Gentry

(b New Orleans, LA, Sept 11, 1967). American pianist, singer, leader, and actor. He began playing piano at the age of three, was sitting in at local jazz clubs when he was six, and made his first recordings three years later; he had piano lessons with James Booker until 1980 and studied with Ellis Marsalis at the New Orleans Center for the Creative Arts. After a brief period at Loyola University he moved to New York and attended the Manhattan School of Music; he later transferred to Hunter College to study history and economics. In 1987 he began working in New York, where he held a residency at the Oak Room in the Algonquin Hotel. He made his first international tour in 1988, and the following year he recorded the soundtrack to the film When Harry Met Sally, the success of which elevated him to the status of a pop star and led to his forming an orchestra. During the 1990s he toured with this group and began working as a film and television actor. Connick’s piano playing is based on the New Orleans style, which he learned from Booker, but also shows the influence of Thelonious Monk and Erroll Garner. Although a pop crooner and a big band traditionalist for most of his career, he briefly experimented with funk styles on his album ...


Crespo (Díaz), Elvis  

J. Ryan Bodiford

(b New York, NY, July 30, 1971). American singer, composer, actor, and activist of Puerto Rican descent. Known to his fans as the King of Merengue, he has achieved international recognition for his self-styled brand of urban merengue fusion, which incorporates influences from Latin American genres like samba, salsa, and bomba, while also employing slick pop production techniques and hip-hop aesthetics. Romantic lyrical sentiments and attention to fashion further characterize his professional approach.

Crespo was raised primarily in Guaynabo, Puerto Rico. His career began when he was 17 when he joined the Willie Berríos Orchestra in San Juan; however, his major breakthrough came in 1995 when he joined the established Puerto Rican merengue group, Manía. Helping to infuse Manía’s sound with more of a hip-hop edge, Crespo wrote two of the group’s biggest hits, “Linda eh” and “Ojitos bellos.” After three years gaining recognition with the group, he went solo in ...


Ice Cube  

Will Fulton

[Jackson, O’Shea ]

(b Los Angeles, CA, June 15, 1969). American rapper and actor. Born and raised in Compton, California, a city southeast of downtown Los Angeles, Ice Cube began rapping in his teens with a group called C.I.A., which released one single produced by Dr. Dre, “My Posse” (independent, 1987). He joined N.W.A in 1987, serving not only as a rapper on the group’s first album N.W.A. and the Posse (Ruthless, 1987), but also as a lyricist. For example, he penned the lyrics for rapper Eazy-E’s seminal track “Boyz-N-The-Hood,” which helped to put West Coast gangsta rap on the map. Ice Cube also played a major role on N.W.A.’s second, highly influential album Straight Outta Compton (Ruthless, 1988). He served as one of the principal rappers, as well as lyricist for Eazy-E and Dr. Dre. He wrote a majority of “Fuck The Police,” an out-spoken song protesting police brutality and racial profiling by Los Angeles police officers. Cube’s storytelling style, which described gang culture and African American lifestyle in South Central Los Angeles, would define his subsequent career as a rapper and actor....


Mos Def  

Jared Pauley

[Smith, Dante Terrell; Yasiin Bey]

(b Brooklyn, NY, Dec 11, 1973). American rapper and actor. He is known for his wide-ranging abilities as a lyricist and is also a competent multi-instrumentalist. He first came to prominence during the late 1990s as a member of Black Star, a duo with the rapper Talib Kweli. Many of his lyrics focus on political and socioeconomic subjects.

A convert to Islam, he initially formed a group with his younger brother and sister called Urban Thermo Dynamics. The group was signed to Payday Records, but they managed to release only two singles and their debut album Manifest Destiny was shelved until 2004. In 1996 he appeared in several songs on Da Bush Babees’ album Gravity (1996). He also made an appearance on De La Soul’s album Stakes is High (1996).

In 1998 Mos Def (shorthand for “most definitely”) teamed up with Kweli to form Black Star; the pair released their critically acclaimed debut ...


Snoop Dogg  

Jared Pauley

[Broadus, Calvin Jr.; Snoop Doggy Dogg; Snoop Lion]

(b Long Beach, CA, Oct 20, 1971). American rapper and actor. One of the world’s most recognized hip-hop personalities, he began MCing in the sixth grade. Known for having a versatile flow capable of moving deftly between a laid-back drawl and rapid-fire delivery, he first came to fame performing with Dr. Dre on the 1992 hit single “Deep Cover.” Snoop Doggy Dogg became a household name in 1992 with the release of Dr. Dre’s West Coast classic The Chronic. In addition to appearing on a number of tracks, he, along with rapper The D.O.C., wrote many of the album’s lyrics.

In 1993, Death Row Records released his debut album Doggystyle. Like The Chronic, it was heavily rooted in synthesized funk, featuring heavy bass lines and live-sounding drums backing his loping, laid-back hip-hop drawl. The album has sold over four million copies to date and was, at the time of its release, the highest chart debut in ...



Joseph R. Matson

[Mathers, Marshall Bruce III; Slim Shady]

(b St. Joseph, MO, Oct 17, 1972).

American rapper, record producer, and actor. As a youth, Eminem moved between multiple residences in and around Kansas City and Detroit; he has remained based in the Detroit area since the late 1980s. He was raised by his mother, Debbie (Deborah) Mathers; Ronnie (Ronald) Dean Polkinghorn, an uncle who was only a few months older than Eminem, first introduced him to hip-hop music. Eminem and Kim (Kimberly; Kimberley) Anne Scott, whom he later married and divorced twice, have one daughter, Hailie Jade Scott. During his third attempt to complete the ninth grade, Eminem dropped out of high school permanently to focus on his career as a rapper.

Proof [DeShaun] Holton (1972–2006), Eminem’s closest friend in high school, effectively functioned as his teacher, manager, and back-up band at various times in his early career. Together with four other Detroit rappers, they formed a collective unit called D12. In ...


Evans, Dale  

Holly George-Warren

[Smith, Lucille Wood; Smith (Fox), Frances Octavia]

(b Uvalde, TX, Oct 31, 1912; d Apple Valley, CA, Feb 7, 2001). American Western-music and popular singer-songwriter and actor. As Frances Fox, the name used in her first marriage, she began singing jazz, blues, and pop tunes on radio stations in Memphis in 1929. In May 1935 she took the stage name Dale Evans as staff vocalist at WHAS in Louisville, Kentucky. She moved to WFFA in Dallas, and by 1940 she was singing with the Anson Weeks Orchestra in Chicago, where she joined the CBS affiliate station WBBM. In 1941 Evans signed with 20th-Century Fox, playing bit parts in Hollywood musicals. She became a vocalist on several national radio shows, including “The Chase and Sanborn Hour” (1941), “The Jack Carson Show” (1944), and “The Camel Caravan” (1945). In 1943 she signed with Republic and, the following year, co-starred with roy Rogers, whom she married in ...


Fernández [Gómez], Vicente  

Lorenzo Candelaria

(b Huentitán el Alto, Jalisco, Mexico, Feb 17, 1940; d Guadalajara, Jalisco, Dec 12, 2021). Mexican singer and actor. He was the leading interpreter of the canción ranchera (ranch song), a rurally inflected music popularized on Mexican film and radio since the 1930s. There are over 60 albums and 30 movies to his credit; most were produced in the 1970s and 1980s. His humble origins and subsequent promotion as an accessible “everyman” helped him earn a loyal following that continued to sell out live performances into the 2000s. Born to Ramón Fernández and Paula Gómez, ranchers in a small town northeast of Guadalajara, Vicente began singing and playing the guitar at age eight, assimilating the repertories and styles of the charros cantantes (singing cowboys) then popular on Mexican radio and film. He cited Pedro Infante as an important early influence. In 1954 Fernández won an amateur singing contest in Guadalajara and in ...


Foster, Sutton  

Sharon O’Connell Campbell

(Lenore )

(b Statesboro, GA, March 18, 1975). American performer. Embodying the “triple-threat” performance model of singer, actor, and dancer, Sutton Foster enjoyed a rapid rise to musical theater stardom. Foster debuted on Broadway in 1993 as a chorus member and understudy for Eponine in Les Misérables (opened 1987), then played Sandy Dumbrowski in Grease (1994). She appeared in Annie (1997) and The Scarlet Pimpernel (1997). Foster created the role of Thoroughly Modern Millie’s Millie Dillmount in California tryouts in 2000. Despite being little-known, she was cast for the show’s Broadway (2002) opening; her performance earned Tony, Drama Desk, and Outer Critics Circle Awards for Best Actress in a Musical, and an Astaire Award for Best Female Dancer. Subsequently, Foster created the roles of Jo in Little Women (2005), Janet Van De Graaff in The Drowsy Chaperone (...


Funicello, Annette  

Alexandra M. Apolloni

(b Utica, NY, Oct 22, 1942; d Bakersfield, CA, April 8, 2013). American singer and actor. Raised in Los Angeles she began her career in show business at the age of 12, when she was recruited by Walt Disney to be one of the original Mouseketeers on the television show “The Mickey Mouse Club.” Her popularity led to a starring role in her own Mickey Mouse Club serial, “Annette.” On the basis of her fans’ overwhelming response to her on-air performance of the song “How will I Know my Love,” Funicello was offered a recording contract with Disney’s Buena Vista Records, and the song was released as a single. Under Buena Vista, Funicello released several successful singles including “Tall Paul” (Buena Vista, 1959), “O dio mio” (Buena Vista, 1960), and “Pineapple Princess” (Buena Vista, 1960). She also starred in number of Disney films, including The Shaggy Dog...


González [Ramírez], Eulalio “Piporro”  

Cathy Ragland

(b Los Herreras, Nuevo León, México Dec 16, 1921; d Monterrey, Nuevo León, México, Sept 1, 2003). Mexican actor, singer, songwriter, and film director. Eulalio “Piporro” González Ramírez is best known for developing an idiosyncratic style of parodying Northern Mexican, or norteño, identity, lifestyle, and language through music and comedic acting for radio, stage, and film. His career spanned 60 years. He began as a newspaper reporter and radio personality in Monterrey and in US-Mexico border towns when he landed a role on the radio comedy, Ahí viene Martín Corona (Here Comes Martín Corona) produced in México City and starring the popular singer and actor Pedro Infante. At age 28, he played Infante’s elderly sidekick in 19th-century northern México where his bumbling character, “Piporro,” helped solve conflicts and dustups in local ranch life. The show’s success led to the 1951 film of the same name starring González and Infante. González enjoyed countless roles as “Piporro” in classic ...


Hearn, George  

Sylvia Stoner-Hawkins

(b St. Louis, MO, June 18, 1934). American actor and singer. He began his career in New York in 1963 with Shakespeare in the Park and subsequently has performed in more than 185 plays and about 20 musicals. He first appeared on Broadway as Ianto Morgan in A Time for Singing by John Morris (1966). He also played the role of John Dickinson in Sherman Edwards’s 1776 (1971) and replaced Len Cariou in the title role of Stephen Sondheim’s Sweeney Todd (1979). He originated the role of Papa in I Remember Mama (1979), with music by Richard Rodgers. For his portrayal of Albin in La Cage aux Folles (Jerry Herman, 1983) he earned a Tony Award for Best Actor in a Musical. Albin’s character introduced the anthem “I Am What I Am,” which made a powerful statement about homosexual tolerance that coincided with the recognition of AIDS in America. In ...


Holm, Celeste  

Sharon O’Connell Campbell

(b New York, NY, April 29, 1917; d New York, NY, July 15, 2012). American actress and singer. Her stage, film, and television acting career exceeded 50 years and embraced a wide variety of characters and genres. Holm began her Broadway musical career in Gloriana (1938), then worked steadily in non-musical plays until originating Ado Annie in Oklahoma! (1943). She starred in Broadway’s Bloomer Girl (1944) before signing a movie contract with 20th Century Fox in 1946. She received an Academy Award for portraying Anne Dettrey in Gentleman’s Agreement (1947) and nominations for Come to the Stable (1949) and All About Eve (1950). Movie musicals include The Tender Trap (1955), High Society (1956), and Tom Sawyer (1973); television musicals include The Yeomen of the Guard (1957) and Rodgers and Hammerstein’s ...