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Jazz-rock group. Emanating from the late 1960s melting pot, it was one of the earliest bands to characterize the jazz-rock idiom. Formed in 1967 by Al Kooper (Alan Peter Kuperschmidt, b 5 Feb 1944, Brooklyn, NY; vocals and keyboards), Steve Katz (b 9 May 1945; guitar), and Bobby Colomby (b 20 Dec 1944; drums), the group blended original composition with its own stylized arrangements of jazz, country, rock, and rhythm-and-blues material. The band played jazz standards such as Billie Holiday's “God bless the child” and Herbie Hancock's “Maiden Voyage,” as well as versions of songs by Laura Nyro (“And When I Die,” “He's a runner”), Brenda Holloway (“You’ve made me so very happy”), John Lennon and Paul McCartney (“Got to get you into my life”), and Mick Jagger and Keith Richards (“Sympathy for the Devil”). Much of the original material framing these came from Katz and the band's second and longest-serving singer, the Canadian David Clayton-Thomas, who joined for the second, best-selling and Grammy Award-winning album ...

Czech string quartet, founded 1999. Its line-up has remained constant since its foundation: David Pokorný and Vladimír Klánský on violins, Vladimír Kroupa on viola, and Vít Petrášek on cello. Although classical repertoire remains central to their professional lives, the Epoque Quartet is remarkable for the breadth and professionalism of its ‘crossover’ work. The quartet has performed with the leading artists of Czech popular music, arranged world music from various traditions (most recently with the clarinettist Irvin Venyš for their CD Irvin_Epoque), and given the premières of over 80 pieces, the style of which ranges from rock- and jazz-influenced music to contemporary art music, mostly by Czech composers including Jan Kučera, Petr Wajsar, Jan Dušek, Gabriela Vermelho, and others.

Their open-mindedness and long-standing interest in various musical fields allows them to perform stylistically in a way classically-trained ensembles often find problematic, particularly in terms of rhythm, feeling, and energy when performing jazz- and rock-influenced repertoire....

Jazz ensemble formed in Springfield, Ohio, from the Synco Jazz Band, a group organized by the drummer William McKinney (b Cynthiana, KY, 17 Sept 1895; d Cynthiana, KY, 14 Oct 1969) shortly after World War I. In 1923 McKinney decided to conduct the band himself and consequently engaged the drummer Cuba Austin as its percussionist. At the behest of their agent the band became known as McKinney’s Cotton Pickers. With their musical versatility and inspired showmanship they blended comedy routines and light music with jazz numbers arranged by their trumpeter, John Nesbitt. From 1927, when the multi-instrumentalist don Redman became its music director and principal arranger, the band developed its own distinctive style, which highlighted the precision of the saxophones and brass and emphasized the buoyancy of the rhythm section.

The band’s first recordings, in July 1928, helped establish the group nationally and brought widespread praise for the brilliance of Redman’s arrangements and the solo improvisations of Prince Robinson on reed instruments. The Cotton Pickers’ golden era took place during their long residence at the Graystone Ballroom in Detroit (beginning in ...

[MMW]

Jazz fusion trio formed in New York in 1991 by the keyboard player (Anthony) John Medeski (b Louisville, KY, 28 June 1965), the drummer Billy Martin (b New York, NY, 30 Oct 1963), and the bass player Chris(topher Barry) Wood (b Pasadena, CA, 25 Nov 1969). Martin’s teacher, the drummer Bob Moses, who had previously performed with Medeski and Wood, brought the three musicians together. MMW began its career at the Village Gate as an acoustic jazz trio. While Wood continued to play acoustic bass primarily, Medeski began performing on several vintage electronic instruments—including a Hammond B-3 organ, Fender Rhodes, Mellotron, clavinet, and analog synthesizers—which gave the trio with its distinctive sound. MMW frequently crossed the boundary between jazz and rock music, appearing with Phish and on the alternative rock circuit. The trio also performed at conventional jazz festivals such as Newport, Monterey, Montreal, Montreux, and the North Sea Jazz Festival. Their prolific recording activity began with five albums for the independent labels Gramavision and Indirecto Records (...

Jazz chamber ensemble. Its original members were Paul McCandless (oboe, english horn, bass clarinet), Glen Moore (double bass, violin, piano, flute), Ralph Towner (acoustic guitar, piano, french horn, trumpet, flugelhorn), and Collin Walcott (tablā, sitar, clarinet, percussion). They all played in the Paul Winter Consort before forming their own group in 1970; the percussionist Trilok Gurtu joined the group after Walcott’s death in 1984 and the drummer Mark Walker replaced Gurtu in 1993. Oregon’s style combines an eclectic mix of classical music, modern jazz, and non-Western musics and prefigured developments in what was subsequently marketed as world music; the timbre and sensitivity of their chamber style offered a sonic precedent for new age music. Their sensitive interaction in performance has allowed them to improvise collectively without assuming rigidly defined roles. Their recordings include pieces based upon complex harmonies, such as “Yellow Bell,” and others based on a drone or free improvisation. While the soaring oboe in “Icarus” is typical, the fact that the musicians play 60 to 80 different instruments has given the group a wide palette of sounds. The group was still performing and touring in the early 2010s and has continued to push and blur musical boundaries, as evidenced by their acclaimed collaboration in ...

Swedish band. Formed in 1926 by the violinist Folke “Göken” Andersson (1902–76), it had from six to nine members at various times. Among those who were members of the band were the trumpeters Gösta “Smyget” Redlig, Gösta “Chicken” Törnblad, and Ragge Läth; the saxophonists Sam Jacobsson, Tony Mason, and Olle Henricson; the pianists Nils Lind and Nils Soderman; the banjoists Curt Ljunggren and Jean Paban; and the drummer Anders Soldén. The Paramountorkestern was the first important jazz band in Sweden; it gave many performances on radio and made about 100 recordings (including ...