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Article

Faking and forgery  

John Barnes, Charles Beare, and Laurence Libin

Faking musical instruments can involve such acts as creating an entirely new deceptive object, rebuilding an instrument with intent to deceive, conflating parts from different sources to form an instrument with a fictitious history, or forging an inscription on an instrument (and producing false documentation) in order to associate it with an advantageous name or period. A successful faker needs to know what customers want and the extent of their historical knowledge. Fakes can thus shed light on those who were deceived as well as on those responsible for deception. Partly to discourage misrepresentation, during the Middle Ages European trade guilds began to register makers’ marks and require their use on products; bells were perhaps the first instruments to bear such identification. Despite continuing efforts to suppress the practice, and improving methods of detection, faking and forgery, especially of valuable instruments sought by collectors as investments, continue to flourish.

Instruments of the famous Ruckers family, enlarged and redecorated to satisfy contemporary taste and musical requirements, were in demand in the 18th century, particularly in Paris. Since the alterations concealed much of the original material and involved replacement of many parts, it was not difficult for those engaged in this trade to satisfy the market without actually starting from an original Ruckers instrument. Several workshop inventories taken for legal purposes refer frankly to counterfeit Ruckers harpsichords....

Article

Tanjidor  

Ernst Heins

revised by Andrew C. McGraw

[tanji]

Ensemble of Jakarta, Indonesia. It is an acculturated band whose music was heard formerly at festive occasions and processions in the streets of Jakarta, but by the 1970s only in the outskirts to the south and in the adjacent regions of Krawang (where it is also called orkes kompeni), Bekasi, and Tangerang. Similar ensembles have appeared in Palembang (South Sumatra) and Pontianak (West Kalimantan). The instruments of the tanjidor band are the Western clarinet, trumpet, cornet, euphonium (or tuba), trombone, bass and side drum (both called tambur), a small hand cymbal (kecrek) and large crash cymbal, both struck with metal beaters, and sometimes a small gong (kenong). The drums are typically struck with sticks, or by the hands when imitating Sundanese kendang. A helicon, tenor horns, saxophones, and violin may be added. The horns sometimes include locally constructed mouthpiece extensions that lower the fundamental pitches of the instruments. A singer may join when performing adapted ...