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Camphouse, Mark  

Charles Conrad

(b Oak Park, IL, May 3, 1954). American composer, conductor, educator, and author. Camphouse is one of the leading composers of works for wind band. He has served since 2006 on the faculty of George Mason University, where he conducts the Wind Symphony and teaches conducting and composition. He holds undergraduate and graduate degrees from Northwestern University, where his teachers included John Paynter (conducting), Adolph Herseth and Vincent Cichowicz (trumpet), and Alan Stout (composition).

He has composed more than 25 band works, including A Movement for Rosa; Whatsoever Things; Watchman, Tell of the Night; The Shining City; To Build a Fire; and Symphony from Ivy Green for soprano and wind orchestra. He conceived and edited the four-volume series Composers on Composing for Band. Camphouse is a member of the American Bandmasters Association and is a frequent guest conductor and clinician. He served as director of bands at Radford University (...

Article

Carr, Ian  

Stan Britt

revised by Barry Kernfeld

(b Dumfries, Scotland, April 21, 1933; d London, Feb 25, 2009). English trumpeter, flugelhorn player, bandleader, composer, writer, and teacher, brother of Mike Carr. His mother played ukulele and banjo. Carr grew up in northeast England, where he took piano lessons from the age of 12 and taught himself trumpet from 1950. After studying at King’s College, Newcastle upon Tyne (1952–60, degree, English literature, diploma, education) he served in the army (1956–8), then played with his brother in a band, the Emcee Five (1960 – August 1962). He briefly joined Don Rendell in November 1962 and, after recovering from illness, formed a long-lived quintet with Rendell from 1963 to July 1969; during this period he also worked with Joe Harriott (recording in 1969), Don Byas, and John McLaughlin. In September 1969 he formed his own band, Nucleus, which rapidly became recognized internationally for its experiments with jazz-rock. As a result of its performance at the Montreux International Jazz Festival in ...

Article

Dapogny, James  

Daniel Zager

revised by Barry Kernfeld

(Elliot)[Jim]

(b Berwyn, IL, Sept 3, 1940; d Ann Arbor, MI, March 6, 2019). American editor, writer, teacher, leader, and pianist. He studied composition at the University of Illinois (BMus 1962, MMus 1963, DMA 1971) and from 1966 taught at the University of Michigan. In his work as an editor and writer he devoted particular attention to the music of Jelly Roll Morton; his book Ferdinand “Jelly Roll” Morton: the Collected Piano Music (1982) offers a comprehensive edition of transcriptions of a jazz musician’s work and includes biographical material and analysis. He also wrote entries on major jazz musicians for The New Grove Dictionary of Music and Musicians (London, 1980). As a pianist Dapogny performed widely in concert and on radio and television, and he recorded as the leader of the Chicago Jazz Band, in a duo with Butch Thompson, and with the State Street Aces, the Mysterious Babies, and Sippie Wallace. His Chicago Jazz Band, founded in ...

Article

Mangione, Chuck  

Mark C. Gridley

revised by Barry Long

[Charles Frank ]

(b Rochester, NY, Nov 29, 1940). American jazz flugelhorn player, composer, and bandleader. While studying at the Eastman School (BMEd 1963) he recorded with his brother, the pianist Gap Mangione, for the Riverside label as the Jazz Brothers. With an early style that bore similarities to early Miles Davis and Clifford Brown, his work with bandleaders such as Woody Herman (1965), Maynard Ferguson (1965), and Art Blakey (1965–7), drew wider attention. Following a brief tenure on the Eastman faculty (1968–1972), Mangione concentrated on flugelhorn, and his work began to synthesize jazz elements, string arrangements, and a pop sensibility. Following the success of his album Land of Make Believe (1973, Mer.), he moved to Herb Alpert’s A&M label to record Bellavia (1975, A&M) and won his first Grammy Award, for Best Instrumental Composition, for its title track. He began to draw a large following with performances of catchy original melodies, particularly “Land of Make Believe” and “Feels So Good,” with simplified arrangements and a reduced improvisational element that attracted widespread radio airplay. Strong sales for a jazz artist, including an extraordinary two million copies of his album ...

Article

Pomeroy, (Irving) Herb(ert, III)  

Barry Kernfeld

(b Gloucester, MA, April 15, 1930; d Gloucester, Aug 11, 2007). Bandleader, trumpeter, and teacher. After studying at the Schillinger House of Music (1950–52) and playing in Boston with Charlie Parker (for one week in June 1953) and Charlie Mariano (later that same year) he toured as a trumpeter with Lionel Hampton (December 1953 – April 1954) and Stan Kenton (September 1954). He then returned to Boston and worked with Serge Chaloff (1954–5). In 1955 he began teaching at Schillinger, which the previous year had taken a new name, the Berklee School of Music. While establishing himself as the cornerstone of this school’s growing jazz program he led a 16-piece swing and bop ensemble that performed regularly at The Stables (1956–60); among its sidemen were Joe Gordon, Jaki Byard (who was then playing tenor saxophone), Boots Mussulli, and later, Mariano and Bill Berry. He was also the leader of another band (...

Article

Tommaso, Bruno  

Stefano Zenni

(b Rome, Nov 20, 1946). Italian double bass player, leader, educator, and composer. A cousin of Giovanni Tommaso, he began to play free jazz in 1967 with Mario Schiano. In 1972 he studied jazz at the Conservatorio di S. Cecilia in Rome, from which he graduated in double bass in 1973 and where he later studied composition. In addition to his affiliation with Schiano, which continued until 1974, he worked as a sideman with Franco D’Andrea’s Modern Art Trio (1969–72), the quintet led by the trumpeter and flugelhorn player Cicci Santucci and the tenor saxophonist Enzo Scoppa (1970–72), Nunzio Rotondo’s group (1970–73), the pianist Martin Joseph (1973–4), Enrico Pieranunzi (1974–9), the quintet led by Dino Piana and Oscar Valdambrini (1978–9), and, most significantly, Giorgio Gaslini (1973–6). In the mid-1970s he began to conduct big bands, first at the Scuola Popolare di Musica del Testaccio in Rome (...