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Byrne, David  

Caroline Polk O’Meara

(b Dumbarton, Scotland, May 14, 1952). American Musician, visual artist, and filmmaker of Scottish birth. He has worked across a range of media, attracting much critical admiration. With drummer Chris Frantz and bass player Tina Weymouth, in 1974 he formed Talking heads, one of the best-known bands of the early punk-rock movement in the 1970s. With Byrne serving as the primary songwriter and front man, they made their first public performance opening for the Ramones at CBGB & OMFUG. On their second album Byrne worked with English producer Brian Eno, which marked the beginning of a productive and longstanding relationship. Eno recorded the band’s next three albums and collaborated with Byrne on the albums My Life in the Bush of Ghosts (1981) and Everything that Happens will Happen Today (2008).

Since the early 1980s Byrne has produced a variety of work as a musician, artist, and writer. In ...


Collings Guitars  

Richard Johnston

Guitar, mandolin, and ukulele manufacturer. It was founded in Houston, Texas, in 1976, by Bill Collings (b Aug 9, 1948; d Austin, TX, July 14, 2017), who had moved from Ohio to Texas following a failed attempt at medical school. After building a few guitars and some banjos, Collings moved to Austin in 1979. His background as a machinist led him to emphasize precise jigs and fixtures even when he was working out of a small single-car garage. Demand for Collings guitars, specifically for updated versions of Martin and Gibson flat-top styles from the 1930s, prompted his move to a 1,000-square-foot shop in 1989. Two woodworkers were hired, including Bruce Van Wart, who is still in charge of wood selection and top voicing on the firm’s acoustic guitars. By this time, production had increased to a level that allowed sales to a few retailers.

In late 1991 the company relocated to a much larger facility on the outskirts of Austin, and the number of Collings guitar models, and employees, began to grow. Bill Collings was one of the first flat-top guitar builders to offer fully carved arch-top models as well. These deluxe jazz guitars were quickly accepted as the equals of those from premier American builders, and they sold for similar prices; but only a few were completed each year. Collings was also one of the first small, independent guitar companies to incorporate CNC (computer numerical control) carving machines for building both guitar parts and the precise tooling to aid in their assembly, which is still done by hand. One of the signature differences between the Collings models and the Gibson and Martin originals that inspired them is that Collings uses an unglued bolted mortise and tenon neck joint, rather than a traditional dovetail....