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Allyson, June  

William A. Everett and Lee Snook

[Geisman, Ella]

(b Bronx, NY, Oct 7, 1917; d Ojai, CA, July 8, 2006). American singer and actress. Trained as a dancer and with a career which began on Broadway, she became known as the perennial ‘girl next door’ in MGM motion pictures. Her early career in film was as a dancer in shorts such as Dime a Dance (1937), but she gained attention with her first major Broadway role in Best Foot Forward (1941) and reprised her role in the 1943 film version. Other musical films in which she appeared include Thousands Cheer (1943), Girl Crazy (1943), Two Girls and a Sailor (1944), Music for Millions (1944), Two Sisters from Boston (1946) and Good News (1947). In 1948, she began to appear in non-musical films, including dramas and comedies. She received a Golden Globe Award in ...


Andrews, Dame Julie  

Howard Goldstein

[Wells, Julia Elizabeth]

(b Walton-on-Thames, Oct 1, 1935). English singer and actress. Her prodigious talents as singer and dancer were recognized early on by her mother (Barbara Morris Wells, a pianist), and stepfather (Ted Andrews, a Canadian vaudeville performer). After vocal lessons with Lilian Stiles-Allen and sporadic appearances in her parents' act, she made her solo début at the age of 12 in the Starlight Roof revue (1947), singing ‘Je suis Titania’ from Ambroise Thomas' Mignon. She repeated this feat at the Royal Command Performance of 1948.

Following engagements on BBC radio (‘Educating Archie’, 1950–52) and in Christmas pantomimes, she was asked to play the female lead in the Broadway production of Sandy Wilson's West End musical The Boy Friend (1954). This led to her portrayal on Broadway of Eliza Doolittle in My Fair Lady (1956), a role she repeated in London in 1958...


Ansell, John  

Philip L. Scowcroft

(b March 26, 1874; d Marlow, Bucks., Dec 14, 1948). English composer and conductor. He studied composition at the GSM with MacCunn and then pursued a career in London's West End, latterly as a musical director, especially at the Playhouse, Winter Garden, Alhambra, Shaftesbury and Adelphi theatres. He subsequently worked for the BBC from 1926 to 1930. Drawing on his theatrical background he composed incidental music and also operettas, of which The King's Bride, Violette and especially the well-characterized Medorah achieved modest success.

He was also adept at writing colourful, attractively scored and melodious suites and single movements. Some of these showed a fondness for Ireland, the country which also inspired his Overture to an Irish Comedy. Others sought to explore fresh ideas in the light concert suite, a common genre in the first half of the 20th century, as in his Mediterranean Suite (three dance movements representing Spain, Italy and France) and ...


Arndt, Felix  

Ronald Riddle

(b New York, May 20, 1889; d Harmon, NY, Oct 10, 1918). American composer and pianist. After studying the piano at the National Conservatory of Music in America and taking private lessons with Alexander Lambert, he pursued a varied career in New York, writing material for vaudeville entertainers, serving as a staff pianist for various publishers and recording extensively both on piano rolls (Duo-Art, QRS) and discs (Victor). Arndt’s compositions combine salon gentility with occasional ragtime syncopation, foreshadowing the novelty-piano works of the 1920s by such composers as Confrey and Bargy. They include ...


Azpiazú, Don  

Lise Waxer

(b Santa Clara, Feb 11, 1893; d Havana, Jan 20, 1943). Cuban pianist and bandleader. As the leader of the Havana Casino Orchestra he is best known for having launched the El manicero (‘Peanut Vendor’) craze in the United States after his band performed this number at New York’s Palace Theater on 26 April 1930. Written by Moises Simon, the song became an instant hit, and within a year popular jazz artists such as Louis Armstrong and Duke Ellington had recorded versions of the tune. Expanding upon the traditional Cuban conjunto (sextet or septet), Azpiazú’s band was a 14-piece dance orchestra with trumpets, saxophones, trombone, tuba, piano, bass and Cuban percussion. Although Latin bands already existed in New York, his was the first group to be successful with the non-Latino public, helping to catalyze the rhumba dance craze that lasted throughout the decade. The Havana Casino Orchestra recorded popular versions of other tunes such as ...


Bacharach, Burt (F.)  

Michael J. Budds

(b Kansas City, MO, May 12, 1928; d Los Angeles, Feb 8, 2023). American composer and pianist. He learnt the cello, drums, and piano from an early age and developed a particular interest in jazz. He played as a night club pianist, and then served in the army, touring as a pianist (1950–52). He went on to study music at the Mannes College of Music, New York, the New School of Social Research, and McGill University, Montreal, and gained a scholarship to the Music Academy of the West, Santa Barbara, California. His composition teachers included Milhaud, Martinů, and Cowell. Bacharach became an accompanist for Vic Damone, subsequently working with such performers as Polly Bergen, Steve Lawrence, the Ames Brothers, and Paula Stewart, to whom he was married from 1953 to 1958. From 1958 to 1961 he toured internationally with Marlene Dietrich. Bacharach began writing arrangements and composing songs in the mid-1950s, working at the Brill Building and collaborating with the lyricist Hal David (...


Ball, Michael  

(b Stratford-upon-Avon, June 27, 1963). English popular singer. He studied at the Guildford School of Acting before touring in Godspell, later gaining a leading role in the Manchester production of The New Pirates of Penzance. He created the role of Marius in the long-running Les misérables (1985) in London, introducing the song ‘Empty Chairs at Empty Tables’, and took over Raoul in The Phantom of the Opera. He played Alex in Lloyd Webber’s Aspects of Love in London (1989) and on Broadway (1990), and so introduced ‘Love changes everything’, which was arranged to demonstrate Ball’s full-bodied top range. The popular success of the number enabled his expansion into the popular field and into concert tours. In 1991 he released his first solo album and the following year represented the UK in the Eurovision song contest with One Step Out of Time. His concert repertory has become increasingly wide, and he performed on his ...


Bargy, Roy F(rederick)  

David Thomas Roberts

(b Newaygo, MI, July 31, 1894; d Vista, CA, Jan 16, 1974). American composer and pianist. He began to study piano at the age of five in Toledo, Ohio. By the time he was 17 he had discarded his ambitions to become a concert pianist, having become fascinated with ragtime pianists in Toledo’s red-light district, including the famous exponent of eastern ragtime Luckey Roberts. After playing professionally in cinemas and organizing a dance band, he was engaged in 1919 by the ragtime composer Charley Straight to edit, play, arrange and compose for Imperial Player Rolls. Bargy’s association with Straight led to his acquaintance with the agent Edgar Benson, who assembled a band directed by Bargy to record for Victor. Bargy later joined Isham Jones’s orchestra for two years and, in 1928, began a 12-year association with Paul Whiteman’s band, for which he is best remembered today. Later he served as conductor and arranger for Larry Ross’s radio show, and from ...


Barroso, Ari  

Gerard Béhague


(b Ubá, Nov 7, 1903; d Rio de Janeiro, Feb 9, 1964). Brazilian composer and conductor. In 1920 he moved to Rio de Janeiro where he developed his career, first as a pianist in dance bands and cinemas, then as a composer of pieces for musical theatre, as a radio programmer and announcer, and later as a television programmer. He also composed the sound tracks for various films, especially Walt Disney’s The Three Caballeros (‘Você já foi à Bahia?’), for which he received a diploma from the Hollywood Academy of Cinematographic Sciences and Arts. In 1955, the Brazilian government bestowed upon him, together with Villa-Lobos, the National Order of Merit.

Barroso greatly contributed to the establishment of the classic urban samba in the 1930s. Among the over 160 sambas that he wrote, those of the 1930s and 40s have remained the most popular. Such pieces as Faceira (...


Benson, Ivy  

Alyn Shipton

(b Leeds, Nov 11, 1913; d Clacton, May 6, 1993). English dance bandleader, saxophonist, pianist and singer. She was a child prodigy as a pianist, broadcasting on ‘Children’s Hour’ in 1922, and playing frequently in public. She took up the clarinet and saxophone in her teens, and in 1929 joined her first all-female band, led by Edna Croudson. After some years with Croudson, she came to London and in 1937 played in female orchestras directed by Teddy Joyce, becoming leader of his Girl Friends. In 1940, after leading small groups of her own, she formed a nine-piece band for the revue Meet the Girls, which had an entirely female cast. For the rest of her career Benson led an all-female band, variously called her Rhythm Girl Band, her Ladies’ Dance Orchestra and her Showband. She broadcast frequently during World War II and afterwards, and toured internationally for the Entertainments National Servicemen’s Association from the 1940s onwards. In the 1940s she mainly played in a jazz-influenced swing style, but later often added a string section to play dance music in the manner of Victor Sylvester or Mantovani....


Borge, Victor  

Karen Monson

[Rosenbaum, Borge]

(b Copenhagen, Jan 3, 1909; d Greenwich, CT, Dec 23, 2000). American pianist, musical humorist and conductor of Danish birth. After early training with his father, he gave a piano recital at the age of eight in Copenhagen, which won for him a scholarship to the conservatory; he later studied with Frederic Lamond and Egon Petri in Berlin. He performed in amateur musical revues in Copenhagen, but his satires of Hitler placed him in danger and he fled, first to Sweden and then to the USA, where he later became a citizen. In New York in 1940 he began regularly to appear on Bing Crosby’s ‘Kraft Music Hall’ radio series, which led to a radio show of his own. Starting in the autumn of 1953 he gave nearly 850 daily recitals under the title ‘Comedy in Music’ at the Golden Theater on Broadway. He toured in many parts of the world and appeared widely on radio and television and in films. His routines (which were partly improvised) were a mixture of verbal and musical humour, delivered at the piano; though his comic reputation was based on his continually forestalling and interrupting his own playing, he was an accomplished performer, as his elaborate musical jokes (such as the composite piano concerto consisting of well-known passages from the repertory skilfully run together) demonstrated....


Bowlly, Al(bert Alick)  

Ray Pallett

(b Laurenço Marques [now Maputo], Jan 7, 1899; d London, April 17, 1941). British popular singer. His father was Greek, his mother was Lebanese. Bowlly was brought up in South Africa and joined Edgar Adeler’s leading dance band in 1922, touring South Africa, Southern Rhodesia, East Africa and the Far East. He left Adeler in 1924 and took up a residency at Raffles Hotel, Singapore. In 1927 he went to Germany and made his first recording, Irving Berlin’s Blue Skies. A prestigious engagement lasting one year followed at the Savoy Hotel, London, with the bandleader Fred Elizalde. He had a major break in 1930 when he joined a recording studio band led by Ray Noble, with whom he made the original versions of songs which have become standards. These, all by Noble, included The Very Thought of You, Love is the Sweetest Thing, The Touch of your Lips...


Brice, Fanny  

Gerald Bordman

[Fannie; Borach, Fannie]

(b New York, Oct 29, 1891; Hollywood, CA, May 29, 1951). American actress and singer. She began singing in her parents’ saloon, then worked on the burlesque circuit playing comic roles, where she came to the attention of Ziegfeld. He gave her a part in his Follies of 1910, in which her performance of Berlin’s ‘Good-bye Becky Cohen’ and Joe Jordan’s ‘Lovie Joe’ stopped the show. She appeared in eight more editions of the Follies as well as numerous other Broadway musicals. She was known particularly for her performance of comic songs with a Yiddish accent, for example ‘I’m an Indian’ from the Follies of 1920, and ‘Old Wicked Willage of Wenice’ in Fioretta (1929; libretto by Earl Carroll, music by George Bagby and G. Romilli). She was also a superb torch-singer, and became associated with such ballads as James F. Hanley’s Rose of Washington Square and Maurice Yvain’s ...


Brohn, William David  

Jon Alan Conrad

(b Flint, MI, March 30, 1933; d New Haven, CT, May 11, 2017). American orchestrator, conductor, and composer. He studied music at Michigan State University and then at the New England Conservatory, which included conducting with Neel and Stokowski, and the double bass. The latter led to performing engagements with numerous orchestras; from 1961 to 1967 he also conducted, particularly ballet orchestras. At this time he began conducting tours and concerts of musicals, and in the 1970s his orchestrations for musicals were first heard. These included orchestrations reconciling a variety of sources with the requirements for modern revivals or compilations (as with Jerome Robbins’ Broadway, Carousel, Show Boat, and his contributions to the restoration of the Gershwins’ Strike Up the Band). He composed incidental music, arranged for television and film, provided arrangements for recording (for Mandy Patinkin, Plácido Domingo, Marilyn Horne, Frederica von Stade), and wrote songs and musicals, as well as concert and dance works. Additionally he provided re-creations of Prokofiev’s film music (...


Bronhill, June  

Paul Webb

[Gough, June Mary]

(b Broken Hill, Feb 26, 1929; d Sydney, Jan 25, 2005). Australian soprano. She won a singing competition in Australia and in 1952 moved to England to further her career, first studying with Dino Borgioli, then joining the Sadler’s Wells Opera company in 1954. She worked with the company through the early 1960s, singing roles that included Norina, the Queen of Night, Papagena, Leïla and Gilda. In 1960 she appeared at Covent Garden in the title role of Lucia di Lammermoor. She is, however, best known as Hannah Glawari in Die lustige Witwe, and called her autobiography The Merry Bronhill (London, 1987); her voice can be heard in its prime on recordings of this role, in The King and I and Lilac Time, and especially as Sombra in The Arcadians.

She created the major role of Elizabeth Moulton-Barrett in Ronald Millar and Ron Grainer’s Robert and Elizabeth...


Buarque (de Hollanda), Chico  

Gerard Béhague

revised by Charles Perrone


(b Rio de Janeiro, June 19, 1944). Brazilian composer, lyricist, singer-songwriter, dramatist, and prose-fiction writer. Son of a prominent historian, he began a university course in architecture but soon decided to pursue his musical vocation full time. He admired the bossa nova stylings of vocalist-guitarist João Gilberto, but also absorbed much from the voices of the golden age of samba, particularly Noel Rosa. The Modernist poet-diplomat Vinícius de Morais, family friend and foundational figure in bossa nova, influenced his music-making and exceptional lyric writing. Like so many other young musical talents, Buarque staked his claim to fame during televised song festivals in the late 1960s, when the acronym MPB (música popular brasileira, Brazilian popular music) came into use to designate the work of the current generation. He had already composed the refined samba-bossa “Pedro Pedreiro” (1965), when his march “A Banda” (...


Buchanan, Jack  

Robert Howie

(Walter John)

(b Helensburgh, April 2, 1890; d London, Oct 20, 1957). Scottish actor, producer and director. After a disastrous début as a comic in music hall in Glasgow, he danced in West End musicals until he understudied, then replaced, Jack Hulbert in Tonight’s the Night (1915–17), in which he sang Kern’s ‘They didn’t believe me’. He established himself as a leading man, particularly in the revues of André Charlot, then starred with Gertrude Lawrence in A to Z (1921), introducing Ivor Novello’s ‘And her mother came too’. He also scored success in New York in two editions of Charlot’s London Revue (1924 and 1925). An ambitious and astute businessman, he produced Battling Butler (1922) as a vehicle for himself, and in 1926 brought Kern’s Sunny to the London Hippodrome, which became the home to a series of Buchanan productions. With Elsie Randolph he appeared in ...


Cahill, Marie  

Gerald Bordman

(b Brooklyn, NY, Feb 7, 1870; d New York, Aug 23, 1933). American actress and singer. She made her début in 1888 and appeared in small roles in several Broadway plays before spending some time performing in Paris and London. She returned to the USA in 1895 to accept a small part in the musical Excelsior, Jr., then assumed the title role in the show’s national tour. She subsequently appeared in such musicals as Victor Herbert’s The Gold Bug (1896), in which she stopped the show with ‘When I First Began to Marry, Years Ago’, and The Wild Rose (1902), in which she introduced ‘Nancy Brown’; she achieved stardom in Sally in our Alley (1902) with her most famous song, ‘Under the bamboo tree’. Cahill continued to play leading roles in Nancy Brown (1903), It Happened in Nordland (1904...


Cariou, Len  

William A. Everett and Lee Snook


(b Winnipeg, MB, Sept 30, 1939). Canadian actor and singer. An accomplished actor on stage, film and television, Cariou’s Broadway credits include Bill Sampson in Applause (1970), Frederik in A Little Night Music (1973), and the title character in Sweeney Todd, the Demon Barber of Fleet Street (1979). He reprised the role of Frederik in the 1977 film version of A Little Night Music; other film credits include The Four Seasons (1981). He has appeared in numerous television movies and has made guest appearances in various television shows, including the recurring role of Michael Hagarty in Murder, She Wrote, the series which featured his co-star from Sweeney Todd, Angela Lansbury. He possesses a wide range, excellent diction and a dramatic masculine sound, and his voice works effectively in both solo and ensemble settings. His true strength is as a character actor, and his voice quality enhances the theatrical effect of the wide variety of roles which he portrays....


Channing, Carol  

William A. Everett

revised by Lee Snook


(b Seattle, Jan 31, 1921; d Rancho Mirage, CA, Jan 15, 2019). American actress and singer. She made her stage début in 1941 with No for an Answer, created the role of Lorelei Lee in Gentlemen Prefer Blondes (1949), and succeeded Rosalind Russell in the role of Ruth Sherwood in Wonderful Town (1953). It is for the role of Dolly Gallagher Levi in Hello, Dolly! (1964), however, that she is best known, and for which she won both a Tony Award and the Variety Drama Critics Award. She received a special Tony Award in 1968. In 1973, she returned to Broadway as Lorelei Lee in Lorelei, for which she was nominated for a Tony Award. Her success on stage made her a popular guest on various television game and talk shows, including ‘Password’, ‘To Tell the Truth’, the ‘Merv Griffin Show’, and the ‘Ed Sullivan Show’. In ...